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Four To Doomsday is a very interestingly designed studio based story that looks very good even if the plot goes astray sometimes. It includes some memorable scenes including the ethnic dancing and the much criticised cricket ball in space. 8/10
Commentary The commentary is a very busy affair, with The Doctor and all three companions – Peter Davison, Matthew Waterhouse, Janet Fielding and Sarah Sutton, as well as John Black, the director. It’s possibly too many people. Matthew and Sarah don’t often get a word in. Peter and Janet are both very confident speakers and tend to dominate. There are some interesting points made by them. Janet repeats a story that she has told before about the problem of getting the right Aboriginal dialect in her conversation with the native Australian. She also talks about the way the companions in these episodes were ciphers rather than rounded characters and compare their experience with the new series, referring to Billie Piper in the 2005 series. Peter makes the point that the modern series is what the show evolved into from the earlier episodes that they made. 10/10
Extras Studio recordings is series of takes of The Doctor and companions emerging from the TARDIS for the first time. When I watched it for the first time my one abiding thought was that the whole cast and crew looked as if they hadn’t a clue what they were doing. It seemed very amateur, with elementary errors like boom mikes in shot occurring with tedious regularity. 7/10
7/10 Theme Music Remix is a new version of the 1980s Peter Howell arrangement, apparently. There comes a time when every version of the Doctor Who theme starts to sound the same and I reached it a long time ago. 6/10 7/10 Coming soon features The War Machines, and is quite a nice presentation of the episode in short sequences that have an immediate impact. 8/10
Overall, the extras are not very much to write home about. There really is only the long-winded Studio Recording and the quite dull Pebble Mill interview. 7 out of 10
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