Production Code BB


1-25/06/1966 17:35
2-02/07/1966 18:55
3-09/07/1966 17:35
4-16/07/1966 17:15


Cast
John Boyd-Brent : Sergeant
Sandra Bryant : Kitty
John Cater : Professor Krimpton
Edward Colliver : Garage Mechanic
Carl Conway : US Correspondent
Michael Craze : Ben Jackson
George Cross : The Minister
Desmond Cullum-Jones : Worker
Alan Curtis : Major Green
Eddie Davis : Worker
Robin Dawson : Soldier
John Doye : Interviewer
Ric Felgate : American Journalist
Roy Godfrey : Tramp
William Hartnell : The Doctor
John Harvey : Professor Brett
Frank Jarvis : Corporal
Kenneth Kendall : Television Newsreader
Jackie Lane : Dodo
William Mervyn : Sir Charles Summer
Ewan Proctor : Flash
Michael Rathbone : Taxi-driver
John Rolfe : Captain
John Slavid : Man in telephone box
Gerald Taylor : Machine Operator
Gerald Taylor : The voice of WOTAN/WOTAN
Dwight Whylie : Radio Announcer
Anneke Wills : Polly


Crew
stock : Incidental Music
Lovett Bickford : Assistant Floor Manager
Ian Stuart Black : Writer based on an idea by Kit Pedler
Daphne Dare : Costumes
Gerry Davis : Story Editor
Michael Ferguson : Director
Ron Grainer : Title Music
and the BBC Radiophonic Workshop, arranged by Delia Derbyshire
Margot Hayhoe : Assistant Floor Manager
Brian Hodgson : Special Sounds
David Hughes : Studio Sound
Alan Jonas : Film Cameraman
Barbara Lane : Costumes
Innes Lloyd : Producer
Raymond London : Designer
Sonia Markham : Make-Up
Eric Mival : Film Editor
George Summers : Studio Lighting
Snowy White : Production Assistant

Plot Outline from Wikipedia

When the TARDIS lands in London near the Post Office Tower, the Doctor is unsettled by it. There the Doctor and Dodo meet Professor Brett, the creator of WOTAN (Will Operating Thought ANalogue), an advanced computer that even knows what TARDIS stands for. On C-Day, WOTAN will be linked to other major computers to take them over, including those of the White House, Cape Kennedy and the Royal Navy.

WOTAN begins to have its own agenda and takes control of Professor Brett through a hypnotic beeping noise. WOTAN's hypnotic influence is exerted over many humans including Dodo until the Doctor breaks her out of it. He subsequently arranges for her to be sent to the country house of Sir Charles Summer, leader of the Royal Scientific Club, who has come to the aid of the Doctor.

WOTAN uses its hypnotised workforce in a secret warehouse near Covent Garden to construct an army of War Machines to take over the world. Major Green, the chief of security at the Post Office Tower, has been programmed to oversee the construction of the War Machines. He ensures that any intruders are dealt with and all humans continue working on the project until they drop. Polly, Professor Brett's secretary, is one such production line convert, though a friend of hers, merchant seaman Ben Jackson, evades the production line. He seeks out the Doctor, whom he met through Dodo before her conditioning, and helps flesh out what is known about the threat of WOTAN and the War Machines.

The Doctor alerts the army to the warehouse production factory, but their bullets are useless against the War Machines. He knows WOTAN is behind the plot too, but can do nothing as humans cannot enter the Tower through the strong hypnotic beams being emitted. Given scientific and political support, the Doctor manages to capture a War Machine using an electromagnetic trap. He changes its programming and then uses it to enter the Post Office Tower and destroy WOTAN. This ends the threat and immediately releases the human slaves from the hypnosis.

Ben and Polly, the two "fab" young people the Doctor has befriended during the adventure, meet him at the TARDIS to explain Dodo has got in touch and decided to stay in London. The Doctor thanks them and heads into the Police Box - followed by Ben and Polly, who enter the TARDIS to return the old man his key. They are whisked off into time and space...

Analysis by Cuisle

Decades before The Terminator or War Games, a computer that decided that humans were inferior to it. This is going to be a science fiction stand by in years to come, but in 1966 computers were still relatively new things. most people knew nothing about them. They were housed in big buildings with lots of security and only very clever chaps who went to Oxford andCambridge could operate them. So the idea that a computer could become the enemy of mankind was one which was very easy to introduce to the public, but it was not quite the idea of familiar things becoming unfamiliar the way the walking shop dummies of the Autons were, for example. Computers were in themselves unfamiliar and frightening to the average person in the street in 1966. But they WERE of this Earth. That much was true of them, and it was a fact that in this episode there was no alien malevolance. The evil comes from a computer designed by a man. And it could be argued that THIS is more frightening than aliens from other planets.

Some of the contemporary research, though, seemed to find problems with the idea. Long before Robocop, the idea of the 'War Machine' robots created by the WOTAN computer did not find favour with some sections of the audience, who just could not get the idea of the story being wound up by a battle between the computer and a robot that had its programming adjustde by The Doctor so it attacked its creator. Some people seemed to think computers that could influence Humans too unlikely. And of course it IS still fantasy, but I think that idea NOW would be taken for granted. A modern update of the story would have to have people being influenced in their own homes through the internet.

Looking back at it from our familiar position with computers as a part of our everyday lives, WOTAN seems a strange piece of kit, it has to be said. You have to wonder WHY the computer responds to Human voice activation by printing its replies on a teleprinter. Nobody seems to have considered the idea of a VDU screen. But in 1966 REAL computers still had their data inputted by means of punched cards, so the voice response made it a bit futuristic all by itself.

Overall, the show was well received, though there were some critics who thought it was just as well this was the end of the season and thought the show needed a rest.
Many viewers and critics thought Dodo needed a permenant rest. She left the show in quite a bizarre way. Part way through episode two, having been hypnotised by WOTAN and suffering mentally and physically from the experience, The Doctor sends Dodo to the country to recover and when he is setting off to leave at the end of episode four Polly, who they meet in this story, tells him Dodo doesn't want to come back, and she replaces her as the female interest in the TARDIS. Audiences seem to have preferred her to Dodo and her parting seems not to have been mourned by anyone. Dodo became quickly forgotten.

The War Machines seems better appreciated and understood by modern audiences watching it in retrospect than the original audience. Familiarity with modern stories on similar lines - the afforementioned War Games, Teminator, etc., and with computers generally, seem to mean that this story makes more sense to us now than it did then. It seems to have been ahead of its time.

 

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