Original Transmission Date 15th Apr 2006
Time 7.15pm
Duration 44'03"
Viewers 8.6m (9th)
Audience App. 85%

Cast
The Doctor David Tennant
Rose Tyler Billie Piper
Jackie Tyler Camille Coduri
Mickey Smith Noel Clarke
Cassandra Zoë Wanamaker
Chip Sean Gallagher
Matron Casp Dona Croll
Duke of Manhattan Michael Fitzgerald
Frau Clovis Lucy Robinson
Sister Jatt Adjoa Andoh
Novice Hame Anna Hope
Patient Simon Ludders
Face of Boe Struan Rodger


Crew
Written by Russell T Davies
Produced by Phil Collinson
Directed by James Hawes
1st Assistant Director Jon Older
2nd Assistant Director Steffan Morris
3rd Assistant Director Lynsey Muir
Location Managers Lowri Thomas Gareth Skelding
Unit Manager Justin Gyphion
Production Co-ordinator Jess van Niekerk
Production/Script Secretary Claire Roberts
Production Runner Debbie Meldrum
A/Production Accountants Debi Griffiths Kath Blackman Bonnie Clissold
Continuity Llinos Wyn Jones
Script Editor Simon Winstone
Camera Operator Julian Barber
Focus Puller Mark Isaac
Grip John Robinson
Boom Operators Jeff Welch Rhydian Yeoman
Gaffer Mark Hutchings
Best Boy Peter Chester
Stunt Co-ordinator Peter Brayham
Stunt Performers Dean Foster Kim McGarrity Maurice Lee
Supervising Art Director Stephen Nicholas
Art Dept Production Manager Jonathan Marquand Allison
Standby Art Director Nick Burnell
A/Supervising Art Director James North
Design Assistants Matthew Savage Ben Austin
Standby Props Phil Shellard Trystan Howell
Standby Carpenter Silas Williams
Standby Scenic Artist Louise Bohling
Set Decorator Julian Luxton
Property Master Adrian Anscombe
Production Buyer Catherine Samuel
Props Chargehand Paul Aitken
Props Storeman Stuart Wooddisse
Specialist Prop Maker Mark Cordory
Prop Maker Penny Howarth
Construction Manager Matthew Hywel-Davies
Construction Chargehand Allen Jones
Graphics BBC Wales Graphics
Costume Supervisor Anna Lau
Costume Assistants Lindsay Bonaccorsi
Barbara Harrington Make-Up Artists Anwen Davies Steve Smith Moira Thomson
Casting Associate Andy Brierley
Assistant Editor Ceres Doyle
Post Production Supervisors Chris Blatchford Samantha Hall
Post Production Co-ordinator Marie Brown
On Line Editor Matthew Clarke
Colourist Mick Vincent
3D Artists Chris Petts Paul Burton Jean-Claude Deguara Nicolas Hernandez Andy Howell Matthew McKinney Neil Roche Chris Tucker Mark Wallman Nick Webber
2D Artists Sara Bennett David Bowman Melissa Butler-Adams Joseph Courtis Bronwyn Edwards Simon C Holden Russell Horth Kim Phelan
Digital Matte Painter Alex Fort
Model Unit Supervisor Mike Tucker
Dubbing Mixer Tim Ricketts
Sound Editors Paul McFadden Doug Sinclair
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Simon Fraser
Costume Designer Louise Page
Make-Up Designer Sheelagh Wells
Music Murray Gold
Visual Effects The Mill
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Special Effects Any Effects
Prosthetics Neill Gorton and Millennium Effects
Editor Liana Del Giudice
Production Designer Edward Thomas
Director of Photography Ernie Vincze BSC
Production Manager Tracie Simpson
Associate Producer Helen Vallis
Executive Producers Russell T Davies Julie Gardner

Plot Outline from Wikipedia

As the Tenth Doctor powers up the TARDIS, Rose says good-bye to Jackie and Mickey at the Powell Estate. Although Jackie and Mickey sadly watch the TARDIS fade away, inside the ship Rose is all smiles as she asks where they are going next. The Doctor tells her that they are going further than they have ever gone before.

The TARDIS materialises on New Earth, in the year five billion and twenty-three. Following the destruction of Earth, humanity became nostalgic and settled a new planet with similar gravity and atmosphere in the galaxy M87. Rose is delighted at the beauty of the new world, the sight of the futuristic city of New New York in front of them and the smell of apple-grass, reminiscing about their "first date" in the year five billion. However, the two travellers are being observed by a robot spider controlled by Chip, a small, pale man with multiple tattoos. Chip takes his orders from Lady Cassandra, who is still alive and recognises Rose.

The Doctor and Rose head for a large hospital building, the Doctor having been summoned by a telepathic message displayed on his psychic paper: "Ward 26, Please Come". The hospital is run by humanoid feline nuns belonging to an order called the Sisters of Plenitude. Trying to find the right ward, the Doctor and Rose enter separate lifts, which give each of them a disinfecting shower. However, Chip has overridden Rose's lift controls, and diverts her to the basement. He beckons her forward, calling her by name, which rouses her suspicions.

In the ward, the Doctor is escorted around by Sister Jatt. He observes that the patients all have diseases which are supposed to be incurable, but yet the Sisters are able to cure them. However, the nuns are evasive about what precisely is in the coloured solutions that are given to the patients. The Doctor then recognises who it must be that has called him here — the Face of Boe. He is being tended to by Novice Hame, who tells the Doctor that the Face is dying of old age.

Meanwhile, Rose explores the basement warily, holding a pipe for defence, and finds an old projector showing a film of a party, with several men surrounding a blonde woman with a very familiar voice. That same voice makes Rose turn to see Cassandra, looking just as she did when Rose last saw her: a piece of skin stretched out on a frame above a brain jar. Cassandra's brain had survived her apparent death, her eyeballs recovered, and the rest reconstructed using the skin from the back of her original body. Chip (a forced-growth clone devoted to Cassandra) smuggled her into the hospital, where he has been tending to her ever since. However, Cassandra has discovered that the Sisters are hiding something, and to find out what, she needs Rose's help… or rather her body. Using a device called a psychograft, Cassandra implants her consciousness over Rose's own, allowing her own brain to die. Cassandra gives Rose's body a mixed review at first ("I'm a chav!"), but soon decides she's attractive enough.

In the ward Novice Hame tells the Doctor that legend has it that the Face has lived for thousands, perhaps millions of years and that he will give his dying message to a wanderer without a home, to "the Lonely God". The Doctor realises that he fits the description in the legend, but says nothing. Below, Cassandra reads Rose's surface thoughts and discovers that the man with Rose is the Doctor, with a new face. She goes to meet him.

"Rose's" odd behaviour raises the Doctor's suspicions, especially when she kisses him passionately and later shows anachronistic knowledge of the hospital's computer systems, but he keeps the thought to himself. With her help, however, they enter Intensive Care and discover the horrifying secret behind the hospital: hundredds of individual pods containing artificially grown human beings each infected with a thousand different diseases, a human farm to breed cures. If the subjects become healthy enough to speak or move, the Sisters kill them. The Doctor, in a rage, confronts Novice Hame about this, but she argues that these artificial humans are just "flesh". It was necessary to cope with the influx of patients and diseases. The Doctor also demands the Sisters reverse what they have done to Rose, not realising that Cassandra is responsible. "Rose" admits she is Cassandra, and knocks out the Doctor with some drugged perfume.

While the Doctor is trapped in a pod about to be injected with diseases, "Rose" tries to blackmail Matron Casp, demanding payment to keep quiet about the Sisters' actions. When Casp declines and threatens her physically, "Rose" releases the Doctor and some of the plague carriers as a distraction. They, in turn, release the rest, and the zombie-like mass of them begin to lurch through the hospital, groping blindly at anyone they encounter, who are then infected with "all the diseases in the world" and die almost instantly, Sister Jatt being the first to go. Matron Casp orders that the building be quarantined.

After failing to find a way out through the basement, the Doctor demands Cassandra release Rose, threatening her with the sonic screwdriver. Cassandra transfers her consciousness to the Doctor instead. "The Doctor" and Rose climb up the lift shaft, pursued by the carriers. Matron Casp tries to stop them, but is infected and falls down the shaft, screaming. Cassandra transfers herself to a plague carrier so that the Doctor can use the sonic screwdriver to unseal the lift doors, and then jumps back into Rose. Cassandra is momentarily shocked and moved by the loneliness the carriers feel, not being able to touch or be touched all their lives.

The Doctor and "Rose" reach Ward 26, which seems to be the only place still untouched by the carriers. The Doctor takes all of the intravenous solutions and straps them to his body. Together with "Rose", he slides back down the shaft to the lift car, where he empties the solutions into the disinfectant reservoir. The Doctor opens the doors, luring several plague carriers inward as "Rose" starts the shower. The spray drenches the carriers, curing them. The Doctor encourages them to pass it on, and they wander back out to spread the cure to the others.

The surviving Sisters are arrested by the New New York Police Department (NNYPD), and the cured New Humans (as the Doctor calls them) are to be taken into care. At that moment, the Doctor remembers the Face of Boe. No longer dying, the Face tells the Doctor telepathically that he had grown tired of the universe, but the Doctor has taught him to look at it anew. The Doctor asks the Face about his message, but the Face enigmatically replies that it can wait for their third and final meeting. The Face then teleports away.

The Doctor now orders Cassandra out of Rose's body. Cassandra transfers her consciousness to a willing Chip instead, but his cloned body begins to fail, and Cassandra accepts her impending, true death; the New Earth has no place for people like her and Chip. The Doctor does one last thing for Cassandra, taking her back to the party seen earlier, to see herself on the last night someone had called her beautiful. "Chip" approaches the Cassandra of the past and tells her just that, and collapses into the younger Cassandra's arms as she comforts "him". As the older Cassandra finally dies, the Doctor and Rose silently leave in the TARDIS.

Analysis by Cuisle

Where are we going? Further than we’ve ever been before. That was the promise. Did this episode live up to that? Yes and no. The immediate first impression was that this did not feel like a first episode as we have come to expect. We felt very little IMPACT of something blasting onto the screens and grabbing us. But then I realised, well, THAT was the Christmas Invasion. That grabbed us and said, Dave Tennant is the New Doctor. Now he’s here and we’re getting on with the job. This was just the opening of the series, not the opening of is tenure. So the fact that this was an episode that expected us to listen and think not just get carried along by the romp didn’t matter.

It had its elements of laughs. The disinfectant shower in the lift was funny. But remember that wasn’t just there for the sake of one joke. Later it became crucial to The Doctor solving the problem.


It had horror. Those thousands of cloned people with every disease in the world kept in their ‘tanks’ was horrific. Especially in the long shots when you saw how many of them there were. The very idea being presented was horrifying. And The Doctor’s reaction to it was just what we hoped of him. With his love and respect for all life the very idea that people could be cloned to use as lab rats disgusted him and he was immediately ready to do something.

The fact that he was assisted in this effort not by Rose, but by the evil Cassandra, having taken over Rose’s mind, was a surprise. But Cassandra had her own agenda, of course. She wanted to find out the secret behind the hospital where everything could be cured so that she could blackmail the sisters and make MONEY. She apparently didn’t have any at the moment. But once the cloned people with diseases that killed on touch were free her motive became simply staying alive. And when she switched minds with one of the clones she found something of an existentialist moment when she realised how alone they were. Possibly at this point Cassandra realised that she, also, is very much alone, with only her own clone person, Chip, for company. In any case, from here on she actually starts to become a slightly better malevolent entity. When she takes over the body of Chip, a WILLING volunteer, she seems finally to understand the consequences of her own selfishness. And the final scene when The Doctor takes her back to see herself when she was still human, is touching.



The one thing that stands out as implausible in the whole thing is The Doctor’s solution to the problem. The cure for EVERYTHING administered by SHOWER is then passed on by those who received it in what looks strangely like what happens in church when we ‘share the sign of peace’ by shaking hands with each other. Only in this case the act of shaking hands, hugging, gave the cure. This whole sequence requires a huge leap of faith by the viewer. We have to really BELIEVE that the cure could work in a way we know it can’t. But if we can get over that, this is a BEAUTIFUL moment. It really IS a religious moment. These cloned people have never touched another human being before. They have been kept in isolation chambers. Touching each other didn’t just cure their physical diseases, it cured their minds, too, making them so much less alone. It is what the ‘sign of peace’ in church is meant to be for, but so often is just an empty gesture.



Special effects – well, New New York was beautiful. We’ve seen too many Confidentials now to be fooled. We KNEW it was the Gower Peninsula with some clever CGI. But it was breathtaking, all the same. The make up of the cat-nuns was wonderful. No two cats were alike, just like real cats. And wasn’t the lift shaft scene so much better than the one in Green Death. I had the feeling when we saw the previews that effects were going to overwhelm plot, but this show had the right balance. Some spectacle, and a thoughtful plot, despite one or two qualms about plausibility.

As for the relationship between Rose and The Doctor, well, since Cassandra was occupying her mind most of the time, the jury is still out.