Original Transmission Date 6th May 2006
Time 6.59pm
Duration 44'40"
Viewers 7.9m (13th)
Audience App. 84%

Cast
The Doctor David Tennant
Rose Tyler Billie Piper
Mickey Smith Noel Clarke
Reinette Sophia Myles
King Louis Ben Turner
Young Reinette Jessica Atkins
Katherine Angel Coulby
Manservant Gareth Wyn Griffiths
Clockwork Man Paul Kasey
Clockwork Woman Ellen Thomas
Alien Voices Jonathan Hart Emily Joyce


Crew
Written by Steven Moffat
Produced by Phil Collinson
Directed by Euros Lyn
1st Assistant Director Peter Bennett
2nd Assistant Director Lynsey Muir
3rd Assistant Director Adam Hill
Location Manager Gareth Lloyd
Unit Manager Rhys Griffiths
Production Co-ordinator Jess van Niekerk
Production/Script Secretary Claire Roberts
Production Runner Sarah Davies
A/Production Accountants Debi Griffiths Kath Blackman Bonnie Clissold
Continuity Non Eleri Hughes
Script Editor Helen Raynor
Focus Puller Steve Rees
Grip John Robinson
Camera Assistant Penny Shipton
Boom Operators Jeff Welch Rhydian
Yeoman Gaffer Mark Hutchings
Best Boy Peter Chester
Choreographer Ailsa Berk
Stunt Co-ordinator Dave Forman
Stunt Performer Peter Miles
Supervising Art Director Stephen Nicholas
Art Dept Production Manager Jonathan Marquand Allison
Standby Art Director Lee Gammon
A/Supervising Art Director James North
Set Decorator David Morison
Design Assistants Ben Austin Peter McKinstry Rob Dicks Al Roberts
Standby Props Phil Shellard Trystan Howell
Standby Carpenter Silas Williams
Standby Scenic Artist Louise Bohling
Property Master Adrian Anscombe
Production Buyer Joelle Rumbelow
Props Storeman Stuart Wooddisse
Props Chargehand Paul Aitken
Forward Dresser Matthew North
Practical Electrician Albert James
Art Department Driver Martin Griffiths
Storyboard Artist Shaun Williams
Specialist Prop Maker Mark Cordory
Prop Maker Penny Howarth
Construction Manager Matthew Hywel-Davies
Construction Chargehand Allen Jones
Graphics BBC Wales Graphics
Costume Supervisor Anna Lau
Costume Assistants Lindsay Bonaccorsi Barbara Harrington
Make-Up Artists Anwen Davies Steve Smith Moira Thomson
Prosthetics Supervisor Rob Mayor
Prosthetics Technicians Jo Glover
Martin Rezard Special Effects Co-ordinator
Ben Ashmore Special Effects Supervisors
Paul Kelly Mike Crowley
Special Effects Technicians Danny Hargreaves Richard Magrin
Casting Associate Andy Brierley
Assistant Editor Ceres Doyle
Post Production Supervisors Samantha Hall Chris Blatchford
Post Production Co-ordinator Marie Brown
On Line Editor Matthew Clarke
Colourist Mick Vincent
3D Artists Chris Petts Matthew McKinney
2D Artists Simon C Holden Joseph Courtis Russell Horth
Visual Effects Co-ordinator Kim Phelan
Digital Matte Painter Alex Fort
Dubbing Mixer Tim Ricketts
Sound Editors Paul McFadden Doug Sinclair
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Simon Fraser
Costume Designer Louise Page
Make-Up Designer heelagh Wells
Music Murray Gold
Visual Effects The Mill
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Special Effects Any Effects
Prosthetics Neill Gorton and Millennium Effects
Editor Crispin Green
Production Designer Edward Thomas
Director of Photography Rory Taylor
Production Manager Marcus Prince
Associate Producer Helen Vallis
Executive Producers Russell T Davies Julie Gardner

Plot Outline from Wikipedia

A woman in 18th century dress stares expectantly at a fireplace as people outside scream and run from something. A richly dressed man runs into the room and warns her to flee, as monsters are attacking the court. She refuses, telling him that she is just his mistress, and that he should go to his queen. The clock on the mantelpiece is broken, and she is expecting a visit from the only other man she has ever loved, someone who has watched over her throughout her life. She looks into the fireplace, calling out for the "Doctor".

The TARDIS materialises in a spaceship three thousand years later and two and a half galaxies away. The Doctor, Rose and Mickey exit, the Doctor remarking about the poor repair of the spaceship as Rose wonders where the crew is. The Doctor finds a switch that opens a skylight. Through it is a starscape set against a brilliant nebula, at which Mickey marvels. The Doctor examines the equipment and is puzzled; the warp drives are at full capacity, generating enough power to punch a hole in the universe, but the ship is motionless. The travellers wander further, smelling cooking, and find something out of place: an 18th century French fireplace, intact and properly constructed.

The Doctor looks through the fireplace, and sees a young girl looking back. He asks who she is, and she replies that her name is Reinette and that she lives in Paris in the year 1727. The Doctor confers with Mickey and Rose for a moment, telling them that it is probably a "time window" connecting the spaceship and 18th century France.

The Doctor pushes the side of the fireplace, and the wall rotates, taking him with it. Instead of finding himself on the outside hull of the ship, however, he ends up in Reinette's bedroom. He discovers from Reinette that months have gone by since she saw him last and remarks that there must be a loose connection. He also finds, to his concern, that the clock on the mantelpiece is broken, and yet there is still ticking in the room. The Doctor works out from the volume of the ticking that it must be emanating from something the size of a fully-grown man. Whatever it is had broken the clock so that its own ticking would not be noticed. He checks under Reinette's bed and the creature beneath it pushes him back, swiftly getting up on the other side: a clockwork man wearing a mask and period dress.

Examining Reinette, the Doctor discovers that the creature has been scanning her brain, and questions why the creature would punch a hole in the universe for a young girl's brain. Reinette, shocked, turns round and asks the creature, "You want me?" The creature replies, in a distorted electronic voice, "Not yet. You are incomplete." The Doctor questions this statement, but the creature simply walks round the bed robotically. The Doctor draws his sonic screwdriver, and in turn the creature extends a large blade from within its arm. The Doctor backs towards the fireplace and the clockwork man follows, slashing away until the blade gets caught on the mantel. The Doctor assures Reinette it is all a nightmare and not to worry, as even monsters have nightmares. When Reinette asks what monsters have nightmares about, the Doctor replies, "Me!" Pressing on the fireplace, he makes it rotate back into the ship.

Back on the spaceship, the Doctor gets a fire extinguisher gun from the wall and freezes the creature. Removing its mask, he finds, to his astonishment and delight, space-age clockwork. He remarks that it would be vandalism to disassemble such a beautiful machine, but says this would not stop him. Before he can do so, however, the clockwork man teleports away. Surmising it to be a short-range teleport and that it could still be on board, the Doctor tells Mickey and Rose not to go looking for it as he goes back through the fireplace. Once he is gone, however, the two companions immediately set off, armed with the extinguisher guns.

Back in the bedroom, the Doctor finds it very much changed, and calls out for Reinette before plucking on a harp stationed in the room. Whilst he is doing so, Reinette walks in — this time a beautiful young woman in flowing dress. The Doctor seems a bit flustered at how much she has grown, as she remarks how he has not aged. Reinette steps up to him and touches his cheek, determining that the imaginary friend of her childhood is indeed flesh and blood. She hears her name called again. With little time, she grabs the Doctor and kisses him passionately, breaking it and running off as she is called once more, as "Mademoiselle Poisson". Although startled, the Doctor still manages to place the name: Reinette Poisson, actress, courtesan, the mistress of King Louis XV and uncrowned Queen of France. A servant asks the Doctor who he is, and as he rotates the fireplace again he replies, laughing, that he is the Doctor… and he has just snogged Madame de Pompadour.

On the ship again, the Doctor is annoyed to discover that Mickey and Rose have wandered off against his orders. He goes to find them, turning a corner only to discover a large grey horse, whinnying at him. Meanwhile, searching the ship, Rose and Mickey find a human eye inside a mechanical armature, acting as a surveillance camera. Hearing beating sounds, Rose opens a hatch to discover a human heart wired into the circuitry.

With the horse tailing him, the Doctor continues exploring the ship, opening a set of double doors that leads into another time window, this time into an open park in December 1744. He deduces that the doors are how the horse got onto the ship. He surreptitiously observes Reinette from behind a marble balustrade. Reinette is walking with a friend, Katherine, discussing the imminent death of King Louis' mistress, Madame de Châteauroux and how the king will be seeking a new one. He ducks out of the way when Reinette twice looks in his direction, seemingly sensing his presence.

On the ship, Mickey and Rose stumble across another time window, this time a mirror. Joined by the Doctor and the horse, they observe Reinette's first meeting with King Louis in February 1745. The King leaves and Reinette checks her reflection in the mirror. A nearby clock is broken, but the sound of ticking still fills the room. Reinette turns to see a figure standing motionless in the corner, and she demands to know who it is. The figure turns to reveal a female android similar to the male one she encountered years earlier.

The Doctor grabs a fire extinguisher gun and steps through the time window, greeting Reinette before freezing the clockwork woman. However, this model starts to melt the ice almost immediately, and starts up again. The Doctor asks it to identify itself, but it does not answer. The Doctor then asks Reinette to order it to respond, since the clockwork man appeared to obey her. She does so, and the creature replies that the ship was damaged in an ion storm, but could not be repaired as they "did not have the parts". Since the clockwork androids were programmed to repair the ship at all costs, and no proper parts were available, they scavenged those parts from the crew, wiring their organs into the ship's machinery. The combination of flesh and heat from the machinery explains the smell of cooking the travellers encountered on the flight deck.

However, one more part is required: Reinette, but they have not taken her because she is "incomplete". Rose asks why choose Reinette, but the clockwork woman simply replies that they are the same. Angered, Reinette orders the creature to leave, and it teleports away. The Doctor quickly orders Rose and Mickey back through the mirror to look for the creature, and to take the horse (which the Doctor has named Arthur) with them. However, Mickey and Rose are swiftly captured by the clockwork robots, who render them unconscious.

Meanwhile, the Doctor reads Reinette's mind to find out what the androids are looking for. He finds out that the clockwork creatures have not yet taken her because she is not old enough. Reinette starts referring to a lonely childhood, and addresses the Doctor by name although he has never revealed it to her. He realises in shock that she is also reading his mind, and that it is his childhood to which she is referring. Reinette calls him "my lonely Doctor", and asks him to dance with her. The Doctor refuses at first, but she tells him that there comes a time that "every lonely boy must learn how to dance". She pulls him out of the room.

On the ship, Rose and Mickey awaken to find themselves strapped down and at the mercy of the clockwork creatures. Just as one is about to cut Rose open, the Doctor enters, apparently drunk from a party. He is in sunglasses, holding a goblet, wearing his tie as a bandana and singing "I Could Have Danced All Night". In this apparently inebriated state, the Doctor reveals that the clockwork creatures are waiting for Reinette to age, because when she is thirty-seven she will be the same age as the ship — and her brain, they believe, will be compatible with the ship's computers. Suddenly, the Doctor shuts down one clockwork creature with multi-grade anti-oil that was contained in the goblet. Completely sober again, he flips a lever that switches the rest off before freeing Rose and Mickey with his sonic screwdriver.

The Doctor tries to turn the other time windows off, but an override is present. A clockwork message comes in and he realises that there is still one creature in the 18th century with Reinette. The clockwork creatures power up again and declare, "She is complete. It begins." They teleport away; one of them has found the right time window.

Rose visits Reinette in 1753, five years before her thirty-seventh birthday, warning her that the clockwork creatures will be here sometime after that day. Rose tries to explain the situation and, impressively, Reinette quickly grasps the concept of the time windows and how the Doctor can move between the moments of her life without aging. Rose tells Reinette to stall the clockwork creatures when they arrive until the Doctor can get there. When she tells Reinette that her life was not supposed to have monsters, Reinette grows angry. She says that it may be that one cannot have the Doctor without the monsters, but one can tolerate demons for the sake of an angel.

Mickey emerges from behind a tapestry, telling Rose that they have found the time window for Reinette's thirty-seventh birthday and the clockwork creatures' return. Despite Rose's objections, Reinette pushes her way through the tapestry and onto the ship. She hears the screams from her future, the time when the clockwork creatures return, and realises that she must take "the slower path", living through the next five years, however much she is afraid. Before she leaves, she tells Rose what they both know: that "the Doctor is worth the monsters".

In 1758, the clockwork creatures terrorise the guests at the court. Reinette calls out into the fireplace for the Doctor. The androids come into the room, and order her to follow. She and the rest of the guests are forced into the ballroom by their attackers as the Doctor, Mickey and Rose watch helplessly through the time window, a mirror looking in on the ballroom. The clockwork creatures knew he was coming and blocked it off.

As the Doctor struggles to find a way to get in, Reinette commands attention and berates the guests for screaming in the royal ballroom of the Palace of Versailles, reminding them that they are French. She refuses to go with the clockwork creatures, saying she does not wish to set foot in their world again. They reply that they do not need her feet, and force her to her knees to decapitate her. She defiantly says that she does not fear them, for they are merely the nightmare of her childhood — and if her nightmare can return to plague her, so can theirs.

As she speaks, a horse is heard galloping in the distance. It is the Doctor, on Arthur, riding through the time window — shattering it and breaking the portal back to the ship. Back on the ship, Mickey realises that they cannot pilot the TARDIS by themselves, and wonders how the Doctor will get back. Rose is despondent, and does not reply. Beyond the broken time window, a clockwork creature threatens the Doctor with its weapon, but the Doctor tells it to give up, for the link to the ship is broken, and thus they cannot access the parts on the ship they need to survive. After a few seconds, they all stop working.

In the 18th century, the Doctor is standing at a window, staring at the stars. Reinette joins him, and mentions how the Doctor saved her despite knowing that he would be trapped. The Doctor agrees, and starts to contemplate life in the 18th century, and how different it will be. Reinette then reveals that she had moved the original fireplace from her childhood room piece-by-piece, hoping that the Doctor would return. The Doctor sees in this an opportunity to get back to the ship. The movement would have severed the bond with the ship, keeping it undamaged whilst all the other time portals were destroyed along with the mirror. Hopefully, with the help of the loose connection, it will provide the way back.

The Doctor tries to see if the link is still there and it is, and so he asks Reinette to wish him luck as he returns. She refuses to do so even as the wall starts to rotate, and he realises too late that she does not want him to leave. He talks to her through the fireplace, asking her to pack a bag, give him two minutes and to "pick a star — any star". She goes, runs excitedly to a large window, and looks out at the stars in anticipation, and the Doctor gleefully runs off. He finds Rose and Mickey and tells them to get into the TARDIS, and he will explain later.

However, when he returns through the fireplace after barely two minutes, Reinette is not there to meet him. Instead, he finds King Louis at the window, who tells him in a sombre voice that the Doctor has just missed Reinette — she is on her way to Paris — and gazes out of the window at her departing carriage. As the King continues to speak, recalling what Reinette has told him about the Doctor and how much she was looking forward to seeing him, the Doctor realises that Reinette has recently died. Six years have passed since that last meeting; it is now April 1764. The Doctor then sees the carriage, which is the hearse carrying Reinette away from Versailles for the last time. King Louis gives the Doctor a parting letter from Reinette. He asks what she wrote in the letter, but the Doctor puts the envelope into his jacket pocket without answering. King Louis understands, and the Doctor quietly returns to the future, and the TARDIS.

As he enters, Rose asks why the clockwork creatures thought they could repair the ship with the head of Madame de Pompadour. The Doctor replies that they will probably never know; perhaps it was a computer error. He continues, in muted tones, that the TARDIS will close the remaining time windows. Rose asks if he is all right. The Doctor replies, unconvincingly, that he is always all right. Mickey diplomatically suggests that Rose show him around the rest of the TARDIS, in order to leave the Doctor on his own for a while.

When they have both left, the Doctor reads the letter. In it, Reinette wishes that the Doctor will return, although she recognises that he probably will not. However, she continues to hope, and asks him to hurry as her days grow short, referring to him as "my love" and her "lonely angel". Slowly, he returns the letter to his jacket, and watches the TARDIS console screen, which shows the fireplace being put out, permanently severing the link.

The TARDIS then dematerialises from the ship, revealing behind it a framed portrait of Reinette. As the now lifeless ship drifts through space, the reason the clockwork creatures believed they needed Reinette's brain is revealed in its name: the SS Madame de Pompadour.

Analysis by Cuisle

In the ‘classic’ series, whenever we found out something about The Doctor, it always seemed as if the information was incidental and accidental. The picture of who he is or was, where he came from, why he is who he is, was so very slowly built up over the DECADES. The most startling revelation was that in the 1996 movie that he was “half human” on his mother’s side. But in both the new series, and especially in this 2006 series, we seem to be getting more and more keys to unlocking his dark soul. In this episode it was the revelation that he was a lonely child. Which may have something to do with him being half-human. Children are very cruel to those who are unlike them. That revelation ties in with the 9th Doctor’s own revelation of his childhood in The Empty Child. He says “It's not easy being the only child
left out in the cold.” And when he is challenged with “I suppose you’d know?” he replies, “Yeah, I would.” Between that and tonight’s reference we get the inkling that The Doctor, now the most powerful man in the universe, was once lonely and cold, and of very humble mien.


And doesn’t that strike a chord in our Earth culture? Wasn’t there another child born of humble origins who was to be the most powerful man in the universe? For those who inclined to look, there are some strange Christian analogies to be found in this series. The first episode had that wonderfully spiritual version of Christian fellowship in the cloned people curing each other by shaking hands. In Tooth and Claw redemption was very much a theme, and nobody could miss the crucifixion like effect when The Doctor finally killed the werewolf. Last week, in School Reunion The Doctor faced his equivalent of Christ temped by Satan. It's all there if you look. Strangely, coming largely from the pen of an atheist like Russell T. Davies. But it's there. And let anyone prove me wrong. The Doctor is being pitched as an
analogy for Christ.

That aside, Girl in the Fireplace also pitched him far more than ever before as a romantic figure. Although his visits to Madame Du Pompadour over the years of her life were fleeting, and it is clear nothing untoward happened between them, she so very clearly loved him, and he was affected by her.
When he returned for the last time only to see the hearse carry her away from the palace he is devastated. And yes, of course, Christopher Eccleston would have looked even more devastated. But David Tennant carried it off perfectly well. When he returned to the TARDIS he looked like a man whose world was falling apart. Even Mickey, hardly known for his tact and diplomacy, saw it, and took Rose off to explore the TARDIS, giving him the private time to reflect he so clearly needed.


The role of Mickey and Rose in this episode, apart from that last touching scene was, it has to be said, vague. They seemed, for a lot of the time, to be the comic relief against The Doctor’s scenes with Madame. And both seemed very much like school children. Given the perceived relationship of The Doctor and Rose, it seemed odd that he was romancing another woman while Rose and Mickey were more like school chums, affectionate, but clearly NOT an item in that way.


If Mickey and Rose are vague, though, Tennant’s Doctor is becoming a fully formed character. We know what to expect of him – and that is to expect the unexpected. His drunken student act when he rescued Mickey and Rose from the robots was unexpected. His coming through the mirror on a horse in one of the most spectacular scenes yet seen in the show, was not only unexpected, but breathtaking. But I think the scripts need to tighten up on the companions. Elizabeth Sladen commented recently that her character, in the 70s, was too much of a cardboard cut out there to act as a foil to The Doctor. They should beware of doing that to Rose and Mickey.

Although, then again, a criticism being laid against the last series was that Eccleston’s Doctor took the back seat too often. This time, it is the companions who are the supporting role. Perhaps in the end there is a balance.

And most important of all, as we were reminded in this episode, The Doctor remains what we have always known him to be. The man who the monsters under the bed are scared of.