Original Transmission
Date 13th May 2006
Time 7.23pm
Duration 46'02"
Viewers 9.2m (6th)
Audience App. 86%

Cast
The Doctor David Tennant
Rose Tyler Billie Piper
Jackie Tyler Camille Coduri
Mickey Smith Noel Clarke
Pete Tyler Shaun Dingwall
John Lumic Roger Lloyd Pack
Jake Simmonds Andrew Hayden-Smith
The President Don Warrington
Rita-Anne Mona Hammond
Mrs Moore Helen Griffin
Mr Crane Colin Spaull
Dr Kendrick Paul Antony-Barber
Morris Adam Shaw
Soldier Andrew Ufondo
Newsreader Duncan Duff
Cyber-Leader Paul Kasey
Cyber-Voice Nicholas Briggs


Crew
Written by Tom MacRae
Produced by Phil Collinson
Directed by Graeme Harper
Cybermen originally created by Kit Pedler & Gerry Davis
1st Assistant Director Clare Nicholson
2nd Assistant Director Steffan Morris
3rd Assistant Director Lynsey Muir
Location Managers Lowri Thomas Gareth Skelding
Unit Manager Rhys Griffiths
Production Co-ordinator Jess van Niekerk
Production/Script Secretary Claire Roberts
Production Runners Victoria Wheel Tim Hodges
A/Production Accountants Debi Griffiths Kath Blackman Bonnie Clissold
Continuity Non Eleri Hughes
Script Editor Helen Raynor
Camera Operator Roger Pearce
Focus Puller Terry Bartlett
Grip John Robinson
Boom Operators Jeff Welch Bryn Thomas
Gaffer Mark Hutchings
Best Boy Peter Chester
Electricians Chris Davies Clive Johnson
Choreographer Ailsa Berk
Stunt Co-ordinator Abbi Collins
Stunt Performers James O'Dee Derek Lea Shelly Benison
Supervising Art Director Stephen Nicholas
Art Dept Production Manager Jonathan Marquand Allison
Standby Art Director Nick Burnell
A/Supervising Art Director James North
Design Assistants Matthew Savage Peter McKinstry Rob Dicks Al Roberts
Standby Props Phil Shellard Trystan Howell
Standby Carpenter Silas Williams
Standby Scenic Artist Louise Bohling
Set Decorator Julian Luxton
Property Master Adrian Anscombe
Production Buyer Catherine Samuel
Props Chargehand Paul Aitken
Props Storeman Stuart Wooddisse
Forward Dresser Matthew North
Storyboard Artist Shaun Williams
Practical Electrician Albert James
Art Department Driver Patrick Deacy
Specialist Prop Maker Mark Cordory
Prop Maker Penny Howarth
Construction Manager Matthew Hywel-Davies
Construction Chargehand Allen Jones
Graphics BBC Wales Graphics
Costume Supervisor Marnie Ormiston
Costume Assistants Lindsay Bonaccorsi Barbara Harrington
Make-Up Artists Anwen Davies Steve Smith Moira Thomson
Prosthetics Supervisor Rob Mayor
Prosthetics Technicians Martin Rezard Jo Glover
Special Effects Co-ordinator Ben Ashmore
Special Effects Supervisors Mike Crowley Paul Kelly
Special Effects Technicians Danny Hargreaves Richard Magrin
Casting Associate Andy Brierley
Assistant Editor Ceres Doyle
Post Production Supervisors Chris Blatchford Samantha Hall
Post Production Co-ordinator Marie Brown
Dubbing Mixer Tim Ricketts
Sound Editors Paul McFadden Doug Sinclair
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Simon Fraser
Costume Designer Louise Page
Make-Up Designer Sheelagh Wells
Music Murray Gold
Visual Effects The Mill
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Special Effects Any Effects
Prosthetics Neill Gorton and Millennium Effects
Editor David Cresswell
Production Designer Edward Thomas
Director of Photography Ernie Vincze BSC
Production Manager Tracie Simpson
Associate Producer Helen Vallis
Executive Producers Russell T Davies Julie Gardner


Plot Outline from Wikipedia

In the bowels of a ship, Dr Kendrick tells his employer John Lumic that the prototype they have created is alive. To Lumic's delight, it recognises him, but Kendrick reminds him that as a new form of life, this needs Geneva's approval. Lumic knows that Geneva will reject his scheme, and when Kendrick insists that it is his duty to inform them, Lumic orders the prototype to kill the scientist. A steel hand clamps onto Kendrick's shoulder and electrocutes him. Lumic calls the captain of the ship and tells him to set sail for Great Britain.

In the TARDIS, the Doctor and Rose reminisce about a past adventure while Mickey stands by, infuriated that they have forgotten him and always take him for granted. Suddenly a huge explosion rocks the TARDIS console; the time vortex has inexplicably vanished, sending the TARDIS spinning out of control. The time machine crash lands and everything goes dark. The Doctor, in shock, declares that the TARDIS is dead. They fell out of the vortex, into the void, and could be anywhere.

Mickey looks out the door and announces that they are in London, outside Lambeth Palace. However, the presence of Zeppelins in the sky indicate it is not the one they know but the London of a parallel universe in the multiverse. Rose then notices an animated poster showing Pete Tyler, her dead father, advertising Vitex health drinks. Evidently he is alive and successful in this universe. The Doctor reminds her that this Pete is not her father and warns against visiting him.

Pete arrives at his country mansion, where the staff are preparing for his wife Jackie's birthday party. Like everyone else, Pete is wearing electronic earpieces called EarPods. They are manufactured by Cybus Industries, and Lumic has sent the latest model for Jackie to wear as a birthday present. Lumic calls Pete from his Zeppelin and tells him to join a meeting between himself and the President of Great Britain that evening.

Hanging up, he remotely activates Jackie's EarPods, causing her to go still as if hypnotised. He downloads the security arrangements for Jackie's birthday party. Jackie then wakes up, oblivious of what just happened. Lumic then calls his employee, Mr Crane, and says that he needs "extra staff". Crane acknowledges this; he and his men drive off in an International Electromatics lorry.

Meanwhile, Rose begins to pick up a Cybus Industries signal on her mobile phone: a news broadcast announcing Lumic's return to the country. Back in the TARDIS, the Doctor explains that the TARDIS draws power from the universe, but this is the wrong one. When the Time Lords controlled the barriers between different parallel universes, moving between them was easy. Now that they are gone, the paths between worlds were closed, so the TARDIS crew are now trapped. Just then, the Doctor spots a green glow beneath the console, and realises that one component of the TARDIS still has power.

Crane arrives at a garbage dump and offers some homeless people food inside the lorry. One of the men there, Jake Simmonds, warns against going in, reminding one homeless man of the others that have vanished off the streets over the last few months. However, the temptation of food is too great, and the homeless man goes in. Once he sees what is actually inside he cries out and tries to escape, but the doors of the lorry are shut and it drives away. Jake records all this on a camcorder.

In the TARDIS, the Doctor picks up the glowing object, a power cell that still has some energy from their own universe inside. He blows on it, giving up ten years of his life but giving it enough energy to start the recharging cycle. In twenty-four hours, it will have enough power to get them home. Taking the cell with him, the Doctor and Mickey go in search of Rose, who has been browsing the Internet through her mobile phone. She has discovered that in this universe, she was never born. The Doctor warns her again, but she insists on going to see her parents. Mickey likewise says he has things to see and challenges the Doctor by saying that the Doctor can only chase after one of them. The Doctor follows Rose, leaving a bitter Mickey to venture off on his own into an area of London guarded by armed soldiers.

On the street, the Doctor and Rose chat about Mickey's family history. His father abandoned him and his mother could not cope on her own, so Mickey was raised by his grandmother. However, one day she fell down the stairs and died. The Doctor tells her he knew none of this, and Rose replies he never took the time to ask. They begin to realise that they really might have taken him for granted.

Suddenly, everyone on the street around them stops moving. The Doctor examines them closer, and sees the EarPods, realising that they are downloading news information directly into the wearer's heads. The Doctor comments about humanity being obsessed with the opportunity for every enhancement, at which Rose protests his associating her with these people. He reminds her, "it's not so far off your world, this place is only parallel." The signal even taps into Rose's mobile phone: the Doctor finds out that Cybus Industries owns Pete's Vitex company. This intrigues him enough that he gives in to Rose and decides to go and see Pete.

Mickey goes to see his blind grandmother, Rita-Anne, who is still alive. However, she calls him "Ricky" and scolds him for having been gone for days; she feared he had been "disappeared". Before Mickey can go in for a cup of tea, a van drives up and Jake drags him into it. Jake tells "Ricky" that he has video evidence of the disappearances, and a woman named Mrs Moore informs him that International Electromatics is a front organisation for Cybus Industries. With "Thin Jimmy" having been arrested, "Ricky" is now on the top of the most wanted list.

Lumic makes his pitch to the President about Cybus Industries's "ultimate upgrade": a method of sustaining the human brain indefinitely within a cradle of copyrighted chemicals and allowing its impulses to be bonded onto a metal exoskeleton. The President cuts the presentation off and rejects Lumic's proposal as obscene and unethical despite Lumic's insistence that he has prepared a presentation for the "Ethical Committee" to demonstrate the morality of his plans, and disregarding Lumic's plea that he is dying. The President is sympathetic but tells Lumic he is not God, and leaves, telling Pete he will see him at Jackie's party. Pete tries to console Lumic, suggesting they approach New Germany instead, but Lumic says that Britain is his homeland. He gives Pete leave to depart.

Lumic calls Crane, who has the captured the homeless people, fitted them with EarPods, and placed them under neural control at a factory in Battersea Power Station. Crane asks if they have governmental backing and Lumic tells Crane to begin the upgrade, explaining that he is under the jurisdiction of a higher moral authority, "the right of a man to survive." The homeless men are marched into a room with whirring blades and mechanical arms being permanently converted into emotionless mechanical men. Crane calls for a song, "The Lion Sleeps Tonight", to cover the rising screams of men and women.

Meanwhile, Mickey is brought by Jake to their country house base, where the actual Ricky is. They point their guns at Mickey, and tie him to a chair. Ricky, much grimmer than his counterpart, tells Mickey that they are part of an underground group called the "Preachers", who reject the EarPods and believe Lumic must be stopped. Elsewhere, Crane loads the "upgrades" into the lorry, all clamping boots of metal, as Lumic's zeppelin arrives at the factory. When the Preachers hear news of this from a contact named "Gemini", they arm themselves with AK-47s and head to Pete's mansion, hoping they will find and assassinate Lumic there. When they reach the mansion, they see the upgrades being marched out of the lorry.

The Doctor and Rose infiltrate Jackie's party as serving staff. To the Doctor's amusement, they discover that the Tylers have a pet terrier named Rose. Exploring, the Doctor finds a laptop with a Cybus Industries logo and starts to browse through it. Rose manages to speak with Pete and discovers the Tylers have separated. However, when she tries to speak to Jackie about reconciling with Pete, Jackie becomes angry at her impertinence.

The Doctor sees Lumic's presentation on the laptop, and is horrified at the familiar design of the prototypes. Outside, Rose suddenly sees a bright flash of light, and hears the distant clanking of metal feet. She and the Doctor go to the window and watch a troop of metal men approaching across the garden. The Doctor murmurs, "It's happening again." Rose asks what they are, and the Doctor tells her: Cybermen.

The Cybermen crash through the windows, surrounding the terrified guests as Lumic tells them via EarPod that they were sent on his orders. The Cybermen tell the President that they have been upgraded to "Human.2", the next level of mankind. Every citizen will receive a compulsory free upgrade and become like them. Despite the Doctor's warnings, the President asks what would happen if he refused. A Cyberman replies that if he would not be made compatible, he will be deleted, grabbing the President and electrocuting him.

The Cybermen begin to kill everyone they see as the guests start to run chaotically. Jackie flees to the basement with a Cyberman in pursuit. The Doctor, Rose and Pete jump out the window, where they meet up with the Preachers, who fire their weapons ineffectually at the advancing Cybermen.

The Cybermen surround the Doctor, Rose, Mickey, Ricky, Pete and Jake. The Doctor raises his hands, fists clenched. He tells the Cybermen that they surrender and will submit to the upgrade, but the Cybermen ignore him. A Cyberman declares them as incompatible and inferior: Man will be reborn as Cyberman but those surrounded will perish under "maximum deletion."


Analysis by Cuisle

The opening scene saw something of a restoration of the status quo we have wanted. Rose and The Doctor enjoying a joke together about a world they visited while Mickey is holding a button down that he could have let go of half an hour ago. This, incidentally, is very reminiscent of Doctor #4 getting Leela to spin a yoyo for a similarly long time for no reason other than to highlight her naivety.


And then something goes wrong. The TARDIS goes into freefall and crash lands with all systems down. The Doctor looks utterly devastated when he realises that it is DEAD. And we are in no doubt that he is not using that word the way people say a ‘battery’ is dead. His best friend and protector for centuries is DEAD and he is left with a double problem. Grief for that old friend and concern for where they are and how he can get them back. Because even he is out of his depth here. This is not his universe and he obviously feels more alone than he ever did in his lonely existence in our universe. The scriptwriters don’t let him grieve for too long. He finds a tiny scrap of life left, one circuit of the TARDIS still alive. And he charges it with his own energy – ten years of his life. Ten years is nothing to a man who is nearly 1,000 years old, but even so the personal connection with his TARDIS, his personal sacrifice for it is obvious. Will the TARDIS when it is repaired be even more a symbiotic part of him, I wonder?


Things are no better for his companions. Rose, of course, experiences all the same dilemma she did in Father’s Day about her parents. This time they are both alive, and rich, but they don’t have a daughter. They have a dog called Rose. And they are separated and Jackie hates Pete, although Pete, who seems less changed than Jackie in this world still loves her but is having trouble expressing his love for her.

The performances in these roles by Sean Dingwall and Camile Coudri are very well done. Camile plays the super-bitchy rich but still slightly common Jackie perfectly. Sean plays Pete as the same well-meaning and ambitious man, still getting it slightly wrong. His garage flowers for Jackie are an example of how he is still not quite on top of things. The fact that he is pulled into Lumic’s schemes so easily shows him to be naïve even though he IS a big businessman. Though he is clearly not the only one duped by Lumic.
Meanwhile, Mickey’s character finally has a depth it has lacked. We have seen glimpses occasionally of Mickey having more too him than stupidity. But after Rose explains to The Doctor about his background – his father leaving, his mother giving up, his gran bringing him up in the old-fashioned straight and narrow until she died in an accident when he was a young man, fill in all his blanks in the way we have ALWAYS had Rose’s background clearly understood. The scene in which he goes back to his gran and finds her alive, blind but still able to wield an authority over him, is poignant.


But there is more to Mickey’s alternate world yet. His alternate self still exists, and is called Rickey, which has us all wondering about something – was it JUST a joke when The Ninth Doctor called him Rickey? Or did he see the other version of him in there somewhere. Because while Mickey is an idiot, Rickey is a hard-headed freedom fighter working to overthrow Lumic’s nasty work. Playing the double role of the basically wimpy Mickey who sometimes shows flashes of courage and the hardman Rickey was a coup for Noel Clarke.

As for the enemy this week:- Roger Lloyd Pack, known for his comedy roles, threw off all of that just as Richard Wilson did last year as Doctor Constantine, and was darkly sinister as the wheelchair bound creator of the Cybermen. The wheelchair is a coincidence. Roger Lloyd Pack had an accident just before filming began so they created his character as disabled. But if it had been deliberate it could not have been better. Who wasn’t reminded of the mad ambition for immortality and power of Davros the creator of the Daleks? Another beautiful echo of the old series.

The cybermen themselves were sinister enough. The sounds of their heavy steel feet were terrifying as well as loud. And the patience of the choreographer who got them all marching in step paid off in the scenes where we saw groups of them together. But we didn’t see a lot of them this week. In classic Doctor Who style we only see the enemy for a brief moment before the cliffhanger. More next week. And we can wait in anticipation.


The Doctor in waiter’s uniform! Now, last year Christopher Eccleston’s battered leather jacket fitted in everywhere. In the past, we have rarely seen The Doctor in anything but his usual outfit. Tom Baker in Talons of Weng Chiang adopted a Holmes like Victorian outfit, but that seemed very little different from his near Edwardian style otherwise. To be The Doctor while not wearing the clothes that define him was a trump card for David Tennant. Kudos for him there.

And one more thing to mention, perhaps. The Confidential programme drew on it. But yes, the earpieces that exert a social control on the people are in true Doctor Who tradition playing on our fears of technology. The nanogenes last year did the same. In the 1960s and 70s, before computers became things that ordinary people could know and understand and control for themselves, WOTAN and BOSS were both examples of megalomaniac computers. The Daleks and Cybermen have ALWAYS played on our fears of genetics and technology getting out of hand. This story, therefore, with its new new Doctor and new ways of filming and slicker style, is very much in the mould of the original.