Original Transmission
Date 24th Jun 2006
Time 7.02pm
Duration 43'50"
Viewers 7.1m (20th)
Audience App. 83%

Cast
The Doctor David Tennant
Rose Tyler Billie Piper
Trish Nina Sosanya
Chloe Abisola Agbaje
Maeve Edna Doré
Tom's Dad Tim Faraday
Kel Abdul Salis
Driver Richard Nichols
Neighbour Erica Eirian
Policeman Stephen Marzella
Commentator Huw Edwards


Crew
Written by Matthew Graham
Produced by Phil Collinson
Directed by Euros Lyn
1st Assistant Director Peter Bennett
2nd Assistant Director Steffan Morris
3rd Assistant Director Lynsey Muir
Location Managers Gareth Lloyd Gareth Skelding
Unit Manager Rhys Griffiths
Production Co-ordinator Jess van Niekerk
Production/Script Secretary Claire Roberts
Production Runner Victoria Wheel
A/Production Accountants Debi Griffiths Kath Blackman Bonnie Clissold
Continuity Non Eleri Hughes
Script Editor Simon Winstone
Focus Puller Steve Rees
Grip John Robinson
Boom Operator Jeff Welch
Gaffer Mark Hutchings
Best Boy Peter Chester
Electricians Chris Davies Clive Johnson
Camera Assistant Penny Shipton
Stunt Co-ordinator Dave Forman
Supervising Art Director Stephen Nicholas
Art Dept Production Manager Jonathan Marquand Allison
Standby Art Director Lee Gammon
A/Supervising Art Director James North
Design Assistants Peter McKinstry Al Roberts
Standby Props Phil Shellard Matthew North
Standby Carpenter Silas Williams
Standby Rigger Bryan Griffiths
Standby Scenic Artist Louise Bohling
Set Decorator David Morison
Property Master Adrian Anscombe
Production Buyer Joelle Rumbelow
Assistant Props Master Paul Aitken
Props Chargehand Phil Lyons
Props Storeman Stuart Wooddisse
Practical Electrician Albert James
Art Department Driver Patrick Deacy
Specialist Prop Maker Mark Cordory
Prop Maker Penny Howarth
Construction Manager Matthew Hywel-Davies
Construction Chargehand Allen Jones
Storyboard Artist Shaun Williams
Graphics BBC Wales Graphics
Costume Supervisor Anna Lau
Costume Assistants Lindsay Bonaccorsi Kirsty Wilkinson
Make-Up Artists Anwen Davies Steve Smith Moira Thomson
Special Effects Co-ordinator Ben Ashmore
Special Effects Supervisors Paul Kelly Mike Crowley
Special Effects Technicians Danny Hargreaves Richard Magrin
Casting Associate Andy Brierley
Assistant Editor Ceres Doyle
Post Production Supervisors Chris Blatchford Samantha Hall
Post Production Co-ordinator Marie Brown
On Line Editor Matthew Clarke
Colourist Mick Vincent
3D Artists Chris Petts Jean Yves Audouard Paul Burton Jean-Claude Deguara Nicolas Hernandez Will Pryor Matthew McKinney Neil Roche Chris Tucker Mark Wallman
2D Artists Sara Bennett David Bowman Melissa Butler-Adams Joseph Courtis Bronwyn Edwards Michael Harrison Simon C Holden Russell Horth
Visual Effects Co-ordinator Kim Phelan
Digital Matte Painter Alex Fort
Dubbing Mixer Tim Ricketts
Sound Editors Paul McFadden Doug Sinclair
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Simon Fraser
Costume Designer Louise Page
Make-Up Designer Sheelagh Wells
Music Murray Gold
Visual Effects The Mill
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Special Effects Any Effects
Editor Crispin Green
Production Designer Edward Thomas
Director of Photography Rory Taylor
Production Manager Marcus Prince
Executive Producers Russell T Davies Julie Gardner


Plot Outline from Wikipedia

Dame Kelly Holmes Close, a suburban neighbourhood in London, prepares for the 2012 Olympic Games. Kel, a council worker, repairs potholes in the street by laying new tarmac, baking it to solidity. Maeve, an old woman, passes posters of missing children, as a young girl, Chloe Webber, watches from the upstairs window of her house.

Maeve senses something and tells two boys, Dale and Tom, to go back indoors. Trish, Chloe's mother, asks Maeve if she feels all right as Maeve and Tom's father start arguing about whether the boys should go inside. In her room, Chloe sings "Kookaburra" and begins to draw Dale. As she completes the drawing, Dale vanishes, and the drawing comes to life, screaming silently.

The Doctor and Rose step out of the TARDIS into the Close, seeing the London 2012 banner above them. As the Doctor waxes nostalgic about the 1948 London Olympics and how he wanted to light the Olympic Flame back then, Rose notices the missing children posters and how the whole street appears terrified. The Doctor also notices that the air is colder than it should be.

The Doctor senses some residual energy on the spot where Dale vanished earlier. A car travelling down the street breaks down for no apparent reason, but when Kel and Rose help push it past a certain point, it starts again. Kel says the cars have been doing this all week. He has been working on the street because the Olympic torch will be coming by the end of the road on its way to the stadium.

Tom's father catches the Doctor on his lawn and confronts him. Maeve, Trish, and some other neighbours also approach. As Maeve tells Rose about the disappearing children, the Doctor uses his psychic paper to identify himself as a police officer. The group exchange accusations about the kidnappings until the Doctor orders everyone to put their fingers on their lips. The argument quelled, Maeve asks the Doctor for help. The Doctor and Rose look around, noticing a metallic smell, like a burnt fuse, and more residual energy at spots where children disappeared.

Chloe begins to sketch a cat she sees outside her window into Dale's drawing. The cat enters a cardboard box and vanishes with a faint howl, and the two time travellers discover the same ionic energy residue there. The Doctor is amazed at the cat's removal from space-time, and believes he can trace the source of the power and therefore whatever is causing the disappearances. In her room, Chloe berates the drawings of the children on her wall, saying how she has given them friends but they still complain. They are lucky, she adds: they do not know what it is to be alone. Her pencil breaks and she angrily scribbles a jumbled up ball of lines on the piece of paper.

Rose opens a garage door and is attacked by the physical version of Chloe's scribble but the Doctor shuts it down with his sonic screwdriver. They take the shrunken object back to the TARDIS and discover that it is made of graphite, like an HB pencil, and animated by ionic energy. Rose makes the connection with a child's drawing, and remembers how frightened Trish looked.

Trish answers a knock at the door, and is greeted by a cheerful Doctor and Rose, who ask if they can come in and see Chloe. At first, Trish refuses, but when the Doctor and Rose simply walk away to her surprise, she calls them back and asks if they can help her. Trish explains to the Doctor about Chloe's abnormal behaviour, and that Chloe's abusive father died some time ago. Rose asks to use Trish's upstairs toilet, and when she sees Chloe coming out of her room, hides herself inside the laundry cupboard. When the coast is clear, Rose goes into Chloe's room, where she sees the drawings of the missing children. Rose hears the clothes cupboard behind her clatter, and when she turns back, she notices Dale's picture has moved.

The Doctor tries to talk to Chloe in the kitchen, but she is hostile. When Rose opens the cupboard, she sees scrawled on the back wall a drawing of a demonic-looking man with glowing red eyes that growls at her. Rose cries out for the Doctor; he, Trish and Chloe rush into the room and the Doctor shuts the cupboard door quickly. Chloe says that she drew that drawing — of her father — yesterday. Chloe explains that she has been dreaming about her Dad, and that they "need to stay together." When Trish agrees, Chloe replies, "No, not you. Us."

Trish tries to throw the Doctor and Rose out of the house, but the two continue to question her, finally getting her to admit that she has seen the drawings move out of the corner of her eye. The Doctor explains that Chloe is harnessing ionic energy, taking the children with the drawings and placing them in a kind of holding pen. The Doctor ominously adds that if living things can become drawings, perhaps drawings — like Chloe's nightmare representation of her father — can become living things.

To find out how she is doing this, the Doctor puts Chloe into a trance and demands to speak to the alien entity that is using her. In a harsh voice, it identifies itself as an Isolus, an alien life form that lives in deep space with its siblings. However, when they drifted too close to Earth's sun, a solar flare scattered the Isolus pods and this particular Isolus fell to Earth. The pod was drawn to heat, and in turn the Isolus inside was drawn to Chloe because she was also alone and it empathised with her. The Doctor tells the Isolus that it cannot steal any more friends for itself, and tries to talk it into leaving Chloe's body. However, the demonic voice issues from the cupboard as Chloe's body shakes, announcing his impending arrival. Trish sings "Kookaburra" to Chloe to calm her down, and the voice eventually falls silent. Chloe falls asleep.

While putting Chloe's pencils away, Trish says that Chloe's father died in a car crash the previous year. Trish wanted to forget about him, but Rose suggests that her silence on the matter may have added to Chloe's loneliness. Meanwhile, the Doctor warns that the Isolus is desperate to be loved, and is used having a family numbering around four billion. Upstairs, Chloe watches the BBC coverage of the Olympic opening ceremonies, which will have an expected crowd of eighty thousand.

The Doctor and Rose return to the TARDIS to locate the pod's heat signature; it has been drawing in all the heat it can from around the neighbourhood, keeping it in a fit state for launch. Chloe sneaks out of the house and sees them enter the TARDIS. Back in her room, she uses some extra pencils hidden inside a doll to draw the TARDIS and the Doctor.

In the TARDIS, Rose is surprised that the Doctor seems to be on the Isolus' side. The Doctor points out that it is just a child. Rose retorts that it is easy for him to say, as he has never had children, but the Doctor offhandedly remarks that he was a father once. Rose is taken aback, but the Doctor does not elaborate further. He goes on to say that they are not dealing with a world-conquering alien; aside from warp drives and wormholes, to get across the universe one also needs a hand to hold. The Doctor constructs a device that will allow the Isolus and its pod to rejoin its siblings.

The TARDIS scanner locates the pod right in the street, but as he and Rose walk back towards the Close, Chloe completes her drawing. The Doctor and the TARDIS vanish, and the device smashes on the ground. Rose runs back to Chloe, demanding the release of the Doctor, but it refuses. Rose promises the Doctor's drawing that she will get him out.

Rose deduces that the pod would have homed in on Kel's freshly laid and heated tar. Over Kel's protests, she grabs a pick-axe from his van and digs up the new road, locating the tiny pod. Meanwhile, Chloe draws the thousands of people at the Olympic stadium, who all disappear. Rose realises that the stadium will not be enough to satisfy the Isolus. Chloe barricades her door, clears off a wall and starts drawing the entire Earth.

Rose and Trish rush up to Chloe's door, telling the Isolus that she has the pod; receiving no answer, Rose breaks through the door with the pick-axe. The demon Dad's voice speaks again, and the Isolus threatens to let him out if they stop Chloe. When Rose offers the pod, the entity says that the pod is dead and needs more than heat. Kel sees the drawing of the Doctor move; Rose looks and sees the Doctor pointing to a newly drawn torch. On the television set, the commentator describes the Olympic torch as a beacon of hope and love. Hearing this, Rose says that she knows how to charge up the pod.

As the torch-bearer runs past the Close, the pod begins to activate on its own. Unable to reach him, Rose throws the pod into the air. The pod homes in on the torch, landing in the flame. Sensing this, the Isolus says that it can go home now; it tells Chloe it loves her, and leaves her body.

The missing children reappear, but the Doctor is still nowhere to be seen. Rose realises that, if all the drawings are coming to life, this includes Chloe's demonic drawing. The doors of the house fly shut, trapping Trish and Chloe inside. The demon Dad begins to walk down the stairs, threatening them. Rose shouts through the door, telling Chloe that it is not real like the others, just residual energy from the Isolus, and that she can get rid of it. However, Chloe is too frightened. Trish then grabs Chloe's hand and together they sing "Kookaburra". Trish's and Chloe's spirits rise as they continue singing and the demonic voice eventually fades away.

The spectators have reappeared at the Olympic stadium. The torch-bearer staggers and fall, but another hand picks up the torch: the Doctor. He carries it the rest of the way to light the flame and bids the Isolus farewell as the pod streaks into space.

As the Doctor and Rose walk off to watch the Games, Rose remarks that nothing will ever split the two of them up. However, the Doctor does not seem so sure. He looks up into the distance, as fireworks explode above their heads, and murmurs that something is in the air. A storm is approaching…

 

Analysis from Cuisle

Again, spotting the bits the critics don’t like is becoming an Olympic sport in Doctor Who. They won’t like the bit where the TARDIS materialises the wrong way round and has to do a little flip to open the door. But for long-time fans that’s just the little touches we’ve always wondered about.

It has already been panned in preview meanwhile, for being set too much in the ordinary. But the critics have missed the point. The scary and mysterious encroaching on the ordinary is what has made Doctor Who. The sight of Daleks on the Embankment, policemen Autons, furniture that eats people, it has ALWAYS been a part of it. This episode played on those fears of the enemy within.


The scene with the neighbours when fingers were pointed at the stranger in their midst – not The Doctor for once, but a perfectly innocent council worker – was a touch of realism in a story about children disappearing. That fear that all parents have in such situations manifested itself as paranoia, accusation and scapegoating.

One thing that needs knocking on the head right now, incidentally, is that there is no race issue here. Some websites are already pointing to the fact that the one accused was black. This is co-incidental. The man was pointed to as a stranger and that was all. Nor should anything be read into the fact that Chloe, the girl around which the mystery revolves is also black. There is no underlying message for BNP supporters in this story.

Chloe was, of course, just a lonely child with a lot of emotional problems who became the conduit of the menace. But that, too, was not essentially evil. The Doctor worked out quite early in the story that Chloe is being used by an alien which is itself a lonely child, cut off from its family, and using its powers to snatch the children in order to have friends to play with. But the whole population of the world was just barely enough friends for a creature who belongs to a family of billions.


The plot device of Chloe’s child’s drawings being the means to snatch the children out of this reality was a clever one. We see four examples of that happening – the boy playing football, the cat, the Doctor and the TARDIS, and with him out of the way, the entire people in the Olympic stadium. Two examples, meanwhile, of what can come the other way add an element to the mystery. The scribble ‘monster’ that attacks Rose in a very effective CGI scene puts The Doctor on the right track when he identifies the solid object of being made of graphite. Meanwhile Chloe’s abusive dead father is lurking in the wardrobe where she put his drawing. The fact that Chloe and her mother have to exorcise him from their lives makes for a tense side story to the main one. And it is interesting to note that in the end they find the solution more or less by themselves, mother and daughter bonding to fight the evil in their lives which, like the bully father in Idiot’s Lantern, proved the point that sometimes the monsters CAN be Human.


The solution to the main problem, meanwhile, is one that requires a certain suspension of disbelief. Rose throwing the pod into the torch required more than a good aim. The pod itself did some of the work, aiming towards the warmth of it. The Doctor running with the torch and lighting the Olympic flame was a lovely bit of hokum. I am almost sure that in the event of the runner falling down, possibly dead, they can’t REALLY just have any ordinary person picking up the torch and continuing. But there is something very ‘British’ about that. And in the unlikely event of it happening the sentiments expressed ‘this is an example of courage…..’ and the reaction of the crowd is JUST what would happen. In a cynical world we all seem to cling to examples of that kind of thing. That’s why we always applaud the last man to limp over the line in a marathon and made a national hero of Eddie the Eagle. So maybe it wasn’t so unlikely after all. The only thing that made it unusual was that it was The Doctor carrying the torch and his primary reason for taking up the torch was to launch the lost creatures back into space. Ok, we all know he WANTED to do it for his own ego, too. But we LOVE The Doctor’s ego.



The guest performers on this episode deserve credit. The critics again have already had a go at this story for being Doctor Who meets Brookside – on account of the red-brick suburban street in which the action took place. The programme makers acknowledge that proudly, not as a criticism. And the inclusion of a veteran actress, Edna Dóre, whose career happens to include a spell on Eastenders does not mean that this is a soap opera. Her portrayal of the old lady who saw what the other adults wouldn’t or couldn’t see was crucial to the plot. So was Abdul Salis as Kel the put upon council worker, who brought a touch of mild but not intrusive comedy to the episode, especially in the scene where he protested about Rose taking a council pickaxe from a council van to dig up council tarmac.


As for the child actress, Abisola Agbaje, playing the possessed Chloe, she did a very good job of conveying the menace, the fear and the loneliness of the child and the entity living within her. As Doctor Who Confidential noted, possessed children have featured in Doctor Who before. Her portrayal stands well against the very frightening Empty Child of 2005, and the girl being used by the Daleks in the 1988 Remembrance of the Daleks, for two other examples. She may not be quite as frightening as Linda Blair in the classic possession tale “The Exorcist” but then this is Doctor Who, it is broadcast at 7pm on a Saturday and it's scare factor has never intended to reach those sort of levels.

Incidentally, the previews all week were warning us that there was going to be a revelation about The Doctor in this episode. This in the end proved to be no big deal to anyone who knows anything about The Doctor’s mythology. In the middle of a conversation with Rose he says “I was a dad once.” But by the time she realised what he had said he had moved on to other things. This comment and the one by Chris Eccleston’s Doctor last season in The Empty Child both point to what we all know. The Doctor began 43 years ago as a grandfather. At some point before then he MUST have been a father, if we are to ignore all the theories that suggest he and all other Time Lords are cloned, or that Susan was simply a foundling who called him grandfather. If it surprised new fans, then they REALLY should try reading some of the hundreds of pages of information about the classic series that exist on the internet, or buying one of the books or some such thing.

If there is one complaint about this episode, it is that last scene. We all know something bad is coming. The press have been full of it for weeks. For this episode at least we could have been left with The Doctor and Rose happily eating little cakes with edible ball bearings on. We didn’t need to know that something was going to come to tear them apart. One critic complained about too many happy endings. Well, we’re not going to get another one this season. They could have left us with THIS one.