Original Transmission
Date 1st Jul 2006
Time 7.00pm
Duration 43'16"
Viewers 8.2m (7th)
Audience App. 86%

Cast
The Doctor David Tennant
Rose Tyler Billie Piper
Jackie Tyler Camille Coduri
Mickey Smith Noel Clarke
Yvonne Hartman Tracy-Ann Oberman
Dr Rajesh Singh Raji James
Adeola Freema Agyeman
Gareth Hadley Fraser
Matt Oliver Mellor
Peggy Mitchell Barbara Windsor
Indian Newsreader Hajaz Akram
French Newsreader Anthony Debaeck
Japanese Newsreader Takako Akashi
Weatherman Paul Fields
Police Commissioner David Warwick
Eileen Rachel Webster
Japanese Girl Kyoko Morita
Housewife Maddi Cryer
As himself Derek Acorah
As himself Alistair Appleton
As herself Trisha Goddard
Cyber Leader Paul Kasey
Dalek/Cybermen Voices Nicholas Briggs
Dalek Operators Barnaby Edwards Nicholas Pegg Stuart Crossman Anthony Spargo Dan Barratt David Hankinson


Crew
Written by Russell T Davies
Produced by Phil Collinson
Directed by Graeme Harper
Daleks originally created by Terry Nation
Cybermen originally created by Kit Pedler & Gerry Davis
1st Assistant Director Susie Liggat
2nd Assistant Director Steffan Morris
3rd Assistant Director Lynsey Muir
Location Managers Lowri Thomas Gareth Skelding
Unit Manager Rhys Griffiths
Production Co-ordinator Jess van Niekerk
Production/Script Secretary Claire Roberts
Production Runners Tim Hodges Sarah Davies
A/Production Accountants Debi Griffiths Kath Blackman Bonnie Clissold
Continuity Non Eleri Hughes
Script Editor Helen Raynor
Camera Operator Roger Pearce
Focus Puller Terry Bartlett
Grip John Robinson
Boom Operators Jeff Welch Bryn Thomas
Gaffer Mark Hutchings
Best Boy Peter Chester
Electricians Chris Davies Clive Johnson Stephen Slocombe
Choreographer Ailsa Berk
Stunt Co-ordinator Abbi Collins
Stunt Performers Paul Kennington James O'Dee
Supervising Art Director Stephen Nicholas
Art Dept Production Manager Jonathan Marquand Allison
Standby Art Director Arwel Wyn Jones
A/Supervising Art Director James North
Design Assistants Peter McKinstry Al Roberts Matthew Savage
Standby Props Phil Shellard Trystan Howell
Standby Carpenter Silas Williams
Standby Rigger Bryan Griffiths
Standby Scenic Artist Louise Bohling
Set Decorator Julian Luxton
Property Master Adrian Anscombe
Production Buyer Catherine Samuel
Assistant Props Master Paul Aitken
Props Chargehand Phil Lyons
Props Storeman Stuart Wooddisse
Forward Dresser Matthew North
Practical Electrician Albert James
Art Department Driver Patrick Deacy
Specialist Prop Maker Mark Cordory
Prop Maker Penny Howarth
Construction Manager Matthew Hywel-Davies
Construction Chargehand Allen Jones
Storyboard Artist Shaun Williams
Graphics BBC Wales Graphics
Costume Supervisor Marnie Ormiston
Costume Assistants Lindsay Bonaccorsi Barbara Harrington
Make-Up Artists Anwen Davies Steve Smith Moira Thomson
Prosthetics Supervisor Rob Mayor
Prosthetics Technicians Jo Glover Martin Rezard
Special Effects Co-ordinator Ben Ashmore
Special Effects Supervisors Paul Kelly Mike Crowley
Special Effects Technicians Danny Hargreaves Richard Magrin
On Line Editor Matthew Clarke
Colourist Mick Vincent
Visual Effects Co-ordinator Kim Phelan
Casting Associate Andy Brierley
Assistant Editor Ceres Doyle
Post Production Supervisors Samantha Hall Chris Blatchford
Post Production Co-ordinator Marie Brown
Dubbing Mixer Tim Ricketts
Sound Editors Paul McFadden Doug Sinclair
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Simon Fraser
Costume Designer Louise Page
Make-Up Designer Sheelagh Wells
Music Murray Gold
Visual Effects The Mill
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Special Effects Any Effects
Prosthetics Neill Gorton and Millennium Effects
Editor David Cresswell
Production Designer Edward Thomas
Director of Photography Ernie Vincze BSC
Production Manager Tracie Simpson
Executive Producers Russell T Davies Julie Gardner


Plot Outline from Wikipedia

Rose Tyler narrates how her life changed when she met the Doctor, who showed her the universe, taking her on a journey she thought would last forever. Then came the army of ghosts, Torchwood, and the war. This is the story of how it all ended, and how she died…

The TARDIS materialises in a playground on the Powell Estate to visit Jackie Tyler. Jackie is overjoyed to see both Rose and the Doctor, but causes Rose concern when she says that she is expecting Rose's grandfather, Grandad Prentice, to come by any minute. Rose explains to the Doctor that her grandfather has been dead for ten years. However, true to Jackie's word, a blurred, ghost-like figure appears in her kitchen at ten past the hour.

Outside, the Doctor and Rose witness more ghosts, walking among ordinary people, who are going about their daily lives calmly despite the manifestations around them. Jackie says that the ghosts will not be around long — the mid-day "ghost shift" only lasts a couple of minutes. At twelve past, somewhere else in London a white-coated technician pulls back a huge lever and the ghosts fade away. A blonde woman, Yvonne Hartman, steps out of her Torchwood Institute office and states that they measured the "ghost energy" at five thousand gigawatts, and congratulates her staff.

In Jackie's flat, the Doctor watches various television programmes such as EastEnders and Trisha, which reveal that the ghost phenomenon is international, and that people have accepted it as a regular occurrence. Jackie explains that it started about two months ago. At first, there was panic, but then they realised that they were spirits of their departed loved ones. Jackie says that the ghost she calls her father smells like the cigarettes he used to smoke, but Rose says she smelled nothing. Jackie says that she has to make an effort, and the Doctor notes that the more they want it, the stronger it gets. The ghosts are using their desires and beliefs to press themselves into existence.

At Torchwood Tower, Hartman contacts Dr. Rajesh Singh over the Bluetooth earpieces all personnel wear, asking him if he registered any reaction. Singh replies negatively, and reports that their most sophisticated instruments have not been able to read anything off "the sphere" — a large bronze globe floating above him. According to their readings, it simply does not exist. He reaches out to touch it, but an invisible barrier stops his hand.

Two Torchwood workers, Adeola and Gareth, make a clandestine romantic rendezvous. Gareth suggests a secluded location, which is off-limits as it is apparently under renovation, but Adeola hesitates. However, when Gareth goes silent, she goes into the section to look for him. As she draws back a curtain, a Cyberman lunges at her and she screams.

The Doctor assembles a device to determine the ghosts' origin by triangulation. Rose asks if the ghosts might be related to the Gelth but the Doctor replies negatively. He sets up the device in the playground, while Rose monitors the energy levels in the TARDIS. At Torchwood Tower, Hartman cues for the next ghost shift, just as Gareth and Adeola return to their desks, but wearing two Bluetooth earpieces instead of one, the lights on the devices flickering actively.

Jackie, in the TARDIS, comments that Rose has changed a lot. Jackie wonders what will happen to Rose when she is gone and if she will keep travelling, and changing, until she is no longer Rose Tyler, or even human.

The Torchwood machines power up, and the ghosts begin to appear as before. The Doctor traps a ghost within his device, looking at it through 3-D glasses and demanding to know where it comes from. As he adjusts the controls, Torchwood picks up the signal, and Hartman orders the ghost shift closed down. The Doctor has managed to locate the energy source required for the ghosts' appearance but Torchwood has also traced the interference to the Powell Estate. A CCTV camera picks up the TARDIS, and Hartman recognises it. The TARDIS dematerialises, with Jackie an unwilling passenger. Hartman, seeing this, realises the Doctor is on his way, and runs off excitedly.

The TARDIS materialises in a Torchwood Tower loading bay, and is surrounded immediately by armed guards. Telling Jackie and Rose to stay inside, the Doctor emerges with his hands raised. Hartman rushes in and to the Doctor's surprise, begins to lead the squad in applause. Hartman greets him warmly, and seems to know a good deal about him: including the fact that he travels with a companion. The Doctor reaches back into the TARDIS and pulls Jackie out, introducing her as "Rose", who unfortunately stared into the heart of the time vortex and aged fifty-seven years. Rose stays hidden in the TARDIS, watching them through the scanner.

Hartman welcomes the Doctor to Torchwood, bringing him around and showing him the advanced technology they have captured from alien ships and reverse engineered, all in the name of protecting the British Empire. She explains the Institute's motto: "If it's alien, it's ours," demonstrating it by carting the TARDIS away to a corner of the basement.

Adeola lures another worker, Matt, over to the work area, where she tells him to go towards a mysterious red light. He vanishes behind a plastic curtain and screams as sparks fly and saws whir. He returns to his post later with an extra earpiece. Meanwhile, Hartman reveals that the Doctor was written into the original Torchwood Foundation charter in 1879 as an enemy of the Crown. After his encounter with Queen Victoria and the werewolf, the Queen created the Torchwood Institute to keep Britain great and protect it against the alien horde. The Doctor is their prisoner, but will be kept comfortable; they hope to learn a lot from him.

Hartman leads the Doctor to the room with the Sphere, which the Doctor studies with the 3-D glasses before identifying it as a void ship, a hypothetical craft for travelling through the nothingness between parallel universes. That space was called "the Void" by the Time Lords; the Eternals called it the Howling; others call it Hell. When Singh asks how they can get into the Sphere, the Doctor tells them that they should not — they should send it back where it came from.

Hartman explains that the void ship came through and the ghosts followed in its wake. She shows the Doctor where it came through, opposite her office; when they fire particle engines at the spot, the breach opens. They detected the spatial disturbance as a radar black spot years before, and built Torchwood Tower to reach it, hoping to harness its energy. The public at large know the skyscraper as Canary Wharf.

The Doctor berates Hartman for trying to make the breach bigger, and warns her to cancel the next shift. He explains that when the sphere came through, it cracked the surface of this dimension. The ghosts have been bleeding through the fault lines, walking from their world to this one. However, too many ghosts and the surface will shatter. When Hartman insists on going through with the shift anyway, the Doctor abruptly changes gears, casually sitting to watch it happen. Hartman, disconcerted, stops the countdown, conceding that it may be prudent to get more intelligence. However, once they go into Hartman's office, Adeola, Matt and Gareth restart the countdown.

Meanwhile, Rose leaves the TARDIS and picks up a stray laboratory coat, making her way down to the room with the void ship where she uses the psychic paper to get through the door. When Singh questions her, she tries to bluff her way with the psychic paper; however, all Torchwood personnel have received basic psychic training and he sees it as blank paper. Singh calls for security and tells his assistant Samuel to check the locks. To Rose's surprise, "Samuel" is Mickey, who signals Rose to keep quiet.

Hartman notices the ghost shift programme powering up, but despite her orders, the three workers continue their work. As the power rises, the void ship activates, shaking the whole room. The Doctor recognises that the workers are being controlled through the earpieces; he apologises, and uses the sonic screwdriver to disrupt the signal. The three cry out and collapse; Jackie accuses the Doctor of having killed them, but he replies that they were already dead. Hartman removes one of Adeola's earpieces, and to her disgust sees a long string of nerve tissue dangling from it, which means it was connected straight to her brain. The ghost shift is at ninety percent.

The Doctor traces the control signal to the work area and he and Hartman rush there, not hearing Singh's communication about the void ship, whose existence is beginning to register on Singh's instruments. The doors seal, locking them in, but Mickey, more confident than he once was, assures Rose that they have beaten them before and they will beat them again. At the work area, the Doctor, Hartman and two soldiers investigate, and are quickly surrounded by the advance guard of Cybermen.

Mickey tells Rose that the Cybermen were nearly beaten on the parallel Earth but they somehow escaped, finding a way to this world. However, so did Mickey, despite the Doctor's pronouncements that it was impossible.

The Cybermen lead the Doctor and Hartman as prisoners back to the breach, where they kill the technicians trying to shut the programme down. A Cyberman with black handlebars on its helmet — the Cyber Leader — orders the ghost shift be increased to one hundred percent.

All around the world, the ghosts shimmer into full existence, revealing themselves to be Cybermen. World-wide panic ensues as the Cybermen march across the face of the planet, killing people and breaking into homes. Hartman calls it an invasion, but the Doctor notes it is too late for that — it is a victory. In the void ship room, the sphere begins to open up. Mickey pulls out a large rifle from its hiding space and aims it toward the ship, expecting some sort of Cyber-Leader variant to emerge.

The Doctor asks the Cyber-Leader about the void ship, claiming that the Cybermen do not have the necessary technology to build one. The Cyber-Leader confirms that the sphere is not theirs and they do not know its origins. It broke down the barrier between worlds, and they merely followed.

As Singh, Rose and Mickey watch in horror, a black Dalek, and three other Daleks emerge from the void ship, along with a mysterious device. The black Dalek approaches the three humans; it announces the location as Earth, that lifeforms have been detected, and gives the order to exterminate, a command echoed by the other Daleks…

Analysis from Cuisle


Where to begin? At the beginning, it has to be. With Rose’s voice over a series of scenes and gentle music, telling us that this is the story of how she died. Now some people might complain this has given away the plot. It hasn’t. Rose’s death is NOT the big ending. HOW she dies is, and who else will die with her, and how The Doctor will manage to save the rest of the world while coming to terms with the fact that this time it has cost him more dearly than ever. Last time he fought the Daleks he lost one of his own lives. The time before that, he lost his whole planet. This time, as the Daleks and Cybermen make Earth their battleground he stand to lose the one compensation his life had since those tragedies overtook him. And those who think this was a part Christopher Eccleston should have played, because he is so good at angst is being insulting to Christopher and to David. There is more to both of them than angst in the one and manic comedy in the other.


Speaking of Christopher Eccleston, in the interview with him on the 2005 box set he tried to talk about post-modernist irony in science fiction television. He never got to explain what he meant because the interviewer was more interested in how Daleks get up stairs. But this episode was full of post-modernist ironies – if that is a term you want to put on it. The scene with The Doctor watching the TV to see different familiar TV programmes that we are familiar with as part of our culture getting in on the phenomenon of the “ghosts” walking in the streets. Especially ironic was the little scene from Eastenders. Because of course, whether we watch it or not, that show is so much a part of British culture that we all know that Den Watts, who came back as a ghost in the scene, was killed by a character played by Tracy-Ann Oberman, who is playing the femme-fatale in charge of Torchwood in this episode. A fantastic in-joke linking the two programmes – Eastenders and Doctor Who, both made by the BBC, that have still taken the top ratings every week despite summer heatwaves and the World Cup.


The same can be said of the silly scene in which The Doctor, looking strangely like he is wearing the kit from the film, sings a verse of the Ghostbusters theme with Rose. After all, the way to make something a homage rather than a rip-off is to acknowledge it.



The critics will probably have a go at this and other examples of Tennant’s Doctor’s silliness that punctuated an otherwise tense story. The bit where he goes on about the phrase ‘Alons-y’ later referenced when he asks if anyone called Alonzo in Torchwood will ALSO be panned, no doubt. But the criticis should remember that even Macbeth has the drunken porter scene straight after the murder of the King. It is a tradition of drama that highly emotional scenes should be lightened with some appropriate comedy interlude. This is the thing that the X-Files, which many critics are fond of quoting as a comparison, forgets. It is too dark, and too intense. Doctor Who gets the mix right.


There were at least three very beautifully shot scenes that are worth mentioning for examples of direction, filming, effects in the true Doctor Who tradition. The one many people have picked up already is the scene where the Cybermen break through the plastic sheeting where they have been hidden in the unused section of Torchwood. Of course any Doctor Who fan over a certain age immediately thought of them breaking out of their ice tombs in Tomb of the Cybermen. Many of us who remember it the first time and not as a re-run WON’T want to be reminded that it was nearly forty years ago. But the fact that so many people WERE instantly reminded of those scenes proves something fundamental about Doctor Who. Its very iconic nature.

An earlier scene that also involved the Cybermen saw the Torchwood woman called Adeola walking through opaque and subtly lit sheets of polythene. In a quite simple to create scene that needed no CGI, a highly tense atmosphere was created. We all KNEW something bad was going to happen. Similar scenes in the horror and sci-fi genre might have led us to expect dead bodies hanging among the polythene, but as a shadow began to be revealed behind the sheets it became obvious what menace was there – a cyberman.


And the third fantastic scene was the one where The Doctor used his sonic screwdriver to make a small hole in a glass door, and it cracked, very slowly, but inexorably, accompanied by chilling sound effects, before The Doctor broke the glass with a single touch.

If a fourth should be named, it is The Doctor sitting on a chair, calmly playing chicken while Ms Hartman refused to stop the procedure he had already warned her was dangerous. This is The Doctor at his best. Coolly in control of himself and of all around him, knowing that she would break before he did.

And what of Torchwood? Yes, at last the seeds sown through the series come together. The Institute was founded in 1879 by Queen Victoria, with The Doctor named as public enemy number one in the fight against alien interference in Earth. The injustice of that rails with us all. We know that the Earth would be in worse trouble without The Doctor. And like Van Statten in the last series, Ms Hartman soon finds that she NEEDS her prisoner for more than a trophy.

Ms. Hartman realises this at the point where cyber controlled members of her staff start to override her orders. After that, The Doctor is in control again. But only of the effort to stop what is already largely beyond his control. The ghosts are increasingly obviously not what they seem, and the revelation that Mickey has crossed the dimensions of space and reality to help save Earth gives the last clue to anyone who hasn’t figured it out yet. When the ghosts come through and then immediately start to form up in ranks with a familiar marching step the Earth is in major trouble. The various shots of them doing that all around the world, even if most are CGI, were spectacular.

And it doesn’t stop there. Although earlier Ms. Hartman claimed that the sphere The Doctor calls a Void Ship came AFTER the ghosts, the Cybermen say that it opened the hole and allowed THEM through, but was nothing to do with them. At that point a new sense of Déjà vu would be setting in for most viewers. Personally, I guessed first time that the Daleks had something to do with it. But I won’t gloat too much.

The episode ends with The Doctor telling the Torchwood director that the Cybermen have already won their battle for Earth, and Rose, Mickey and an expendable guest character almost certainly doomed to die in true Star Trek tradition (more post-modern irony!) trapped in a sealed room with the Daleks. Viewing figures certain to go up next week. A fantastic finale inevitable.