Production Code FF

First Transmitted:
1-17/12/1966 17:50
2-24/12/1966 17:50
3-31/12/1966 17:50
4-07/01/1967 17:50

Cast
Sydney Arnold : Perkins
Donald Bisset : The Laird
Tom Bowman : Sentry
Barbara Bruce : Mollie
Dallas Cavell : Trask
Michael Craze : Ben Jackson
Peter Diamond : Sailor
Andrew Downie : Willie Mackay
William Dysart : Alexander
Michael Elwyn : Lt. Algernon Ffinch
David Garth : Solicitor Grey
Hannah Gordon : Kirsty
Frazer Hines : Jamie
Guy Middleton : Colonel Attwood
Patrick Troughton : The Doctor
Peter Welch : Sergeant
Anneke Wills : Polly

Crew
Stock : Incidental Music
Unknown : Film Cameraman
Unknown : Film Editor
Fiona Cumming : Production Assistant
Hugh David : Director
Gerry Davis : Story Editor
Gerry Davis : Writer
Peter Diamond : Fight Arranger
Larry Goodson : Studio Sound
Ron Grainer : Title Music
and the BBC Radiophonic Workshop, arranged by Delia Derbyshire
Brian Hodgson : Special Sounds
GIllian James : Make-Up
Nicholas John : Assistant Floor Manager
Elwyn Jones : Writer
Although commissioned to write this story, Elwyn Jones in fact carried out no work on it. The scripts were written by story editor Gerry Davis, by virtue of which he was given a co-writer's credit on the transmitted episodes.
Geoffrey Kirkland : Designer
Innes Lloyd : Producer
Ken McGregor : Studio Lighting
Sandra Reid : Costumes
George Summers : Studio Lighting



Plot Outline from Wikipedia

It is 1746 and following the Battle of Culloden the English army is triumphant over the rebel forces of Bonnie Prince Charlie. When the TARDIS arrives its occupants the Second Doctor, Ben Jackson and Polly help some fleeing Scots rebels hide in a deserted cottage – the Laid Colin McLaren, who has been badly wounded, his daughter Kirsty, his piper Jamie McCrimmon and his son Alexander, who dies defending them from a patrol of English soldiers mopping up survivors. The patrol leader, Lt. Algernon Ffinch, is an ineffectual fop but his Sergeant is more forceful and takes the Doctor, Jamie, Ben, and the Laird to be hanged; while Polly and Kirsty manage to slip away.

The two women ending up hiding in a cave and then an animal pit to avoid Lt. Ffinch, who believes the Prince to be one of them following the rumour that he fled the battlefield as a woman. Eventually Ffinch finds them and they use their feminine wiles to entrap him and steal his money. Later in Inverness, the nearest major town to Culloden, they run into him again and use his previous foolishness to blackmail him.

Elsewhere on the battlefield the Royal Commissioner of Prisons, a shady character called Grey, has embarked on a scheme to enslave any highlanders still alive and ship them to the colonies. It is an illegal scam, but one he hopes will make him rich. He makes contact with an unscrupulous sea captain called Trask who agrees to put his ship, “The Annabelle”, to use in this end. Amongst the prisoners he identifies for sale are the Doctor, Jamie, Ben, and the Laird. They are taken to the prison in Inverness and incarcerated with many other prisoners, but the Doctor cons his way out of the drenched cell and then overpowers Grey and his secretary Perkins in order to make his escape. Grey is freed by Trask; and the captain reports that the transportation plan has begun and arranges that a number of prisoners, including Jamie, Ben and the Laird, are transferred to the ship. It is not long before the prisoners work out they could be being sold as slaves but most accept this fate, believing seven years indentured labour (a lie) is better than the gallows. Only Ben, Jamie, the Laird and one of his friends, Willie McKay, refuse to sign. When Ben attacks Grey, Trask has him thrown to the sea at the end of a rope.

The Doctor meanwhile has adopted the guise of a kitchen maid as well as a German and uses these identities to move freely around. He is reunited with Polly and Kirsty and, shortly afterward, Ben who has swum to safety. The Doctor boldly returns to Grey, having concocted a story about Bonnie Prince Charlie’s ring and him knowing the fugitive Prince’s whereabouts. Indeed, he names the prince as the piper Jamie. This is all a ruse to distract Grey and Trask while the girls free the prisoner from the hold and supply them with arms for an uprising. When Grey and Trask go examine Jamie in the hold they are captured by the armed highlanders and a revolt begins. Trask flees and ends up wounded and in the sea. Willie McKay takes control of the Annabelle and determines to sail her to freedom in France, happy to accept Perkins as a willing volunteer for this journey. Kirsty and her father are also passengers on the ship as it makes its bid for freedom.

The Doctor, Ben and Polly return to the town, using Grey as a hostage to ensure their safe passage around the area, and are joined by Jamie, who has decided not to sail to France with the his fellows. The party lose Grey but find Ffinch, whom they force to help them return to Culloden. But Grey has been clever: he reaches the cottage where he first met the Doctor, and brings with him a patrol of soldiers Ffinch performs one last service – this one more purposefully – when he arrests Grey for the transportation scheme. The solicitor has lost the paperwork (to the Doctor) and is unable to prove any legality about his plans. Thanked by a kiss from Polly, Lt Ffinch departs. The Doctor, Ben and Polly return to the TARDIS and invite their new friend, Jamie McCrimmon, on board. He nervously accepts.

 

Analysis by Cuisle

Another historical story. This time the Battle of Culloden. Scots people tend to know this battle inch by bitter inch, so they were treading dangerous waters to begin with. This letter to the BBC is typical of the reaction.

'In the recent adventure of Doctor Who the Jacobite Rebellion of 1745 was once again represented as an Anglo-Scottish conflict.

'The '45 was in fact an attempt to restore the Stuart dynasty to the throne of the United Kingdom of Great Britain, and although the supporters of Prince Charles Edward were mainly from Scotland that country as a whole did not favour the Jacobite cause.

'At Culloden something like a quarter of the Duke of Cumberland's army consisted of Scottish regiments.'


And rightly so. But it has to said again and again that this is fictional TV with a slight historic twist. And the writers played more heavily on RL Stevenson's Kidnapped than any real events as such. Ben ending up being press-ganged is straight from Stevenson, unashamedly. And much of the romance going on with the female characters is, too.

It is noted that Ben and Polly are in most of the serious drama in this episode. The Doctor plays light relief, in a series of disguises and funny accents and clever tricks.

"Here is a Doctor who can bemuse and confuse with words; who can use sleight of hand to procure items that he may need; and who, if all else fails, can turn on the charm and have people eating out of his hand. 'Troughton masterfully balances his role as a broody, bustling, bumbling, often absent-minded old "granny" with that of a knife-sharp, energetic, brilliant schemer."

And in doing that he actually sets the trend. All the Doctor's who followed him had an element of the trickster in them. Jon Pertwee and Tom Baker both used the sleight of hand, faster than the eye tricks many times. Sylvester McCoy in Curse of Fenric, bamboozling people into giving him a piece of official notepaper which he then puts in a typewriter in front of their eyes, types a letter and signs with both hands and gives back to them as authorisation from Downing Street is possibly the most MASTERFUL example of what Troughton began in this episode. Christopher Eccleston seemed to have lost the knack when he spilled the playing cards all over the living room in Rose, but Dave Tennant's skill with an underarm throw of a satsuma suggests he might have got it back. Its rather nice to think that a trait we have loved in our Doctor BEGAN in this episode, the second of Troughton's era, when he had found his feet after the transition episode.

This was very much the last of the historical stories that Sydney Newman first envisaged as a feature of the show. From now on it WOULD be more strictly sci-fi for a while, although from the third Doctor on we did get SOME historical scenes, but only as backdrop, never as an attempt to educate us about the period. Although, is there anyone now who doesn't know the year Charles Dickens died and the name of his last, unfinished novel? The historical piece may not be dead!

And of course, this was the first episode with Jamie, played by Frazer Hines, later to find a second bite of fame as the mainstay of Emmerdale, but remembered by Doctor Who fans as the young piper who falls into the world of The Doctor and adapts better than anyone could expect him to do. The writer of the reviews on the BBC site reminded me that Jamie was a "Piobaireach" - the Gaelic for piper - and in fact the Piobaireach, although apparently the least important, the youngest of the army, was specifically targetted by the Redcoats as he played the banned rebel tunes that the Scots marched to. His character had already proved his courage before he signed up for the Trip of a Lifetime.