Production Code HH

First Transmitted:
1-11/02/1967 17:50
2-18/02/1967 17:50
3-25/02/1967 17:50
4-04/03/1967 17:50



Cast
Barry Ashton : Scientist
Patrick Barr : Hobson
Derek Calder : Scientist
Arnold Chazen : Scientist
Michael Craze : Ben Jackson
Keith Goodman : Cyberman
Peter Greene : Cyberman
Peter Hawkins : Cyberman Voices
Mark Heath : Ralph / Scientist
Frazer Hines : Jamie
Andre Maranne : Benoit
Leon Maybank : Scientist
Denis McCarthy : Voice of Controller Rinberg
Victor Pemberton : Scientist
Edward Phillips : Scientist
Ron Pinnell : Scientist
John Rolfe : Sam
Alan Rowe : Voice from Space Control/ Dr. Evans
Robin Scott : Scientist
Patrick Troughton : The Doctor
Alan Wells : Scientist
Reg Whitehead : Cyberman
Sonnie Willis : Cyberman
John Wills : Cyberman
Anneke Wills : Polly
Michael Wolf : Nils



Crew
stock : Incidental Music
Morris Barry : Director
Lovett Bickford : Assistant Floor Manager
Daphne Dare : Costumes
Gerry Davis : Story Editor
Ron Grainer : Title Music
and the BBC Radiophonic Workshop, arranged by Delia Derbyshire
Peter Hamilton : Film Cameraman
Brian Hodgson : Special Sounds
Gillian James : Make-Up
Innes Lloyd : Producer
Gordon Mackie : Studio Sound
Desmond McCarthy : Production Assistant
Kit Pedler : Writer
Sandra Reid : Costumes
Jeanne Richmond : Make-Up
Colin Shaw : Designer
Dave Sydenham : Studio Lighting
Ted Walter : Film Editor
Mary Woods : Costumes


Plot Outline from Wikipedia

The TARDIS makes a bumpy landing on the Moon in the year 2070 and, dressed in spacesuits, the Second Doctor and his companions Jamie, Polly and Ben venture outside and enjoy the low gravity environment. Jamie is injured while they fool around.

The only building on that part of the moon’s surface is the Moonbase, a weather tracking and managing station which is staffed by an international crew managed by the bullish Hobson. They are using the gravity machine the Gravitron to control the Earth’s weather. When the time travellers arrive, the Doctor ingratiates them in the usual manner and is on hand to do some detective work because some of the crew have been collapsing in comas with a strange virus that spreads throughout the body. International Space Control responds to the crisis by quarantining the Moonbase – a precaution made more valid after one of the patients in the sickbay dies of the mysterious virus.

Something is definitely amiss because another of the Moonbase crew has disappeared in the food stores, and the radio operator has also noticed the Moonbase radio transmissions are being monitored from somewhere else on the moon. Jamie has been placed in the sickbay where, feverish and delirious, he begins mumbling about a “Phantom Piper” he claims to have seen. The figure is a Cyberman and Polly recognises it and is able to tell the Doctor their old enemies are stalking the Moonbase. The Cyberman seems to have taken the bodies of dead crewmen, and all of them have now vanished.

While Hobson deals with the Gravitron, which is becoming difficult to control with fewer staff, the Doctor decides to focus on the cause of the viral disease. He eventually works out the neurotropic virus has been spread through infected sugar from the food stores – and is thus an organised scheme to destabilise the crew. The Cybermen within the Moonbase now emerge from hiding and use their weapons to take control of the central control centre of the Moonbase. The Cybermen want to use the Gravitron to destroy all life on Earth by altering the weather. They have reconditioned the three missing crewmembers, none of whom were really dead, and turned them into zombie-like slaves, and they are sent into the heart of the Gravitron to subvert the machine.

Using fire extinguishers, nail varnish remover and other objects that attack plastic, Ben, Polly and a recovered Jamie lead a fightback from their incarceration in the medical wing. The Cybermen in the initial attack force are dealt with – but this only prompts a bigger squad of Cybermen to attack. They advance on the Moonbase through the vacuum of the Moon’s surface. The evil creatures destroy a relief craft dispatched to help the Moonbase crew and also use radio controlled beams to reactivate their zombies inside the base. The Cybermen then erect a large cannon and threaten to blow the base open unless the humans stop their resistance. In response the Doctor ensures the Gravitron is pointed at the surface of the moon and uses its intense powers to blast the Cybermen army into space. As Hobson and his team reorientate the Gravitron to its proper use, the Doctor and his companions slip away. Back in the TARDIS they dematerialise, and then activate the scanner to reveal a monstrous claw waving around...


Analysis by Cuisle

I am seriously starting to wonder how Doctor Who managed to survive all these years. Somebody seems to have had complaints about every episode. This is the verdict of The Television Companion.

Final proof that ridiculous and tacky Doctor Who didn't begin in the 1970s. The Moonbase is illogical and boring, reducing the Cybermen to the role of intergalactic gangsters. A waste of the talent involved.

A more in depth study points out that the story is very much a remake of The Tenth Planet, simply moving the scene to the Moon from the Antarctic. The one point in favour of this version is that the Cyberman costume had updated. Now they had metal faces instead of the cloth face and a silver suit rather than plastic and were beginning to look like the metal terror they should be. Their voices, too, had been improved and now had much more menace. And this impressed one later critic, at least.

'The Moonbase was a superior story all round,' The newly redesigned Cybermen had a more menacing feel to them, and arguably these "mark two" versions are the most effectively realised Cybermen to date. The storyline, although slightly implausible at times, kept the action flowing with some fine moments of suspense throughout.

This despite the fact that they don't turn up until the third episode. But then, Doctor Who is about more than just the monsters, even the iconic ones. While it is true that Daleks and Cybermen were crowd-pullers, they were not the be all and end all of the show. It has always been about the Doctor and the people with him. In other words, it has always, not just in the past year, been about relationships. It is a pity they never again dared to do an episode like Edge of Destruction which was solely about the relationships of the members of the TARDIS crew. But episodes like this when the guest monster is kept under wraps for a while are no bad thing. It means there has to be something more going on.

The critics of the day considered this a much better example of Patrick Troughton's acting skill than the previous episodes, with less clumsy comedy. The biggest criticism as far as the acting was that the Moonbase crew were a rather nondescript lot with nothing to speak of from them.

Negative criticism, too, for the sets, which were perceived as too basic after the lavish Atlantis set, and this seems to have been the chief culprit for starting the ongoing "wobbly sets" joke. The Gravitron, the key equipment in the episode, wobbled ridiculously. Meanwhile the model work was poor, especially the Cybermen ships.

All in all, though, they scraped through. The BBC's Audience Research Report noted:-

This particular... adventure... seems on the whole to have kept many in the sample fairly happily entertained. They often took it with a large grain of salt, but, even so, enjoyed a situation that reflects "the dream of many to reach the Moon".

The idea of being able to control the Earth's weather from a Moon station was original too, as other viewers maintained, and the story won approval from another group because it was real science-fiction.... A large minority were... much intrigued by the events of this final episode and found them very exciting. There was plenty of imaginatively-devised incident, it was said, before the last of the Cyber attacks was foiled, and all with an out-of-this-world touch, that, as various viewers observed, makes the science-fiction sequences in the Doctor Who series generally more thrilling than when the TARDIS travels backwards rather than forwards in time. The rout of the Cybermen was ingeniously managed, further comment went on, and the episode had its agreeably gruesome moments, was lively too, and not unbelievably far-fetched.'