Production Code AAA



First transmitted:-
1-03/01/1970 17:15
2-10/01/1970 17:15
3-17/01/1970 17:15
4-24/01/1970 17:15

Cast
Edmund Bailey : Attendant
Betty Bowden : Meg
John Breslin : Captain Munro
Hugh Burden : Channing
Nicholas Courtney : Brigadier Lethbridge-Stewart
Clifford Cox : Sergeant
Helen Dorward : Nurse
Hamilton Dyce : Major General Scobie
Prentis Hancock : 2nd Reporter
Caroline John : Liz Shaw
Ellis Jones : Technician
George Lee : Corporal Forbes
Henry McCarthy : Dr. Beavis
Alan Mitchell : Wagstaffe
Jon Pertwee : The Doctor
Tessa Shaw : UNIT Officer
Derek Smee : Ransome
Talfryn Thomas : Mullins
Antony Webb : Dr. Henderson
Neil Wilson : Seeley
John Woodnutt : Hibbert



Crew
Paul Allen : Designer
Adam Dawson : Film Editor
Terrance Dicks : Script Editor
Liam Foster : Assistant Floor Manager
Cynthia Goodwin : Make-Up
Ron Grainer : Title Music
and the BBC Radiophonic Workshop, arranged by Delia Derbyshire
Peter Grimwade : Production Assistant
Brian Hodgson : Special Sounds
Robert Holmes : Writer
John Horton : Visual Effects
Derek Martinus : Director
Robert McDonnell : Film Cameraman
Christine Rawlins : Costumes
Derrick Sherwin : Producer
Dudley Simpson : Incidental Music
Stan Speel : Film Cameraman
William Symon : Film Editor

 

Plot Outline from Wikipedia

The Doctor, having had his regeneration forced by the Time Lords (see The War Games), has been exiled to Earth. The Doctor collapses outside his TARDIS and is taken to a local hospital where his unusual anatomy (including an unfamiliar blood type and two hearts) confounds doctors.

Concurrent with the Doctor's arrival, a swarm of meteorites falls on the English countryside, and a poacher discovers a mysterious plastic polyhedron at the crash site. In the meantime, Brigadier Lethbridge-Stewart of UNIT is trying to recruit Dr. Elizabeth "Liz" Shaw as his scientific advisor and investigate the unusual meteorite falls. Shaw, however, is skeptical of the Brigadier's claims of alien invasion and is resentful of being taken away from her research at Cambridge. Soon, the Brigadier is faced with another mystery; not far from where the meteorite impacts were reported, a man in hospital claims to be the Doctor (whom Lethbridge-Stewart last encountered in The Invasion). However this Doctor looks nothing like the Doctor the Brigadier knew.

The plastic polyhedron is actually a power unit for a non-physical alien intelligence known as the Nestene Consciousness. Normally disembodied, it has an affinity for plastic, and is able to animate humanoid facsimiles made from that material, known as Autons. The Nestene have taken over a toy factory in London, and plan to replace key government and public figures with Auton duplicates. The Auton in charge of the factory sends other, less human-looking Autons to retrieve the power units from UNIT and the poacher.

After a failed attempt at escaping from the hospital (which results in him nearly being shot dead by an overzealous UNIT trooper), the Doctor discovers that his TARDIS has been disabled by the Time Lords and he is trapped on Earth. He convinces Lethbridge-Stewart that he is the same man who aided him before to defeat the Yeti and the Cybermen, despite his change in appearance. Together with Liz, he uncovers the Nestene plot, just as Auton mannequins are activated across London and start killing people. However, the Doctor creates an electroshock device that he believes will disable the Autons.

UNIT attacks the plastics factory, but the Autons are impervious to gunfire. The Doctor and Liz make their way inside and encounter the octopus-like plastic creature that the Nestenes have created with the power units as the perfect form for the invasion. While the Doctor struggles with the creature, Liz manages to use his machine to shut the creature down, and all the Autons "die" as well, being part of the Nestene gestalt consciousness.

The Brigadier fears the Nestenes will return and asks for the Doctor's help. The Doctor agrees to join UNIT in exchange for facilities to help repair the TARDIS and a car like the sporty antique roadster he comandeered during the adventure. At his insistence, Liz stays on as his assistant.

 


Analysis by Cuisle

This first episode starring Jon Pertwee was also the first to be in colour – spectacular colour as it was to those who had been used to black and white. These old episodes look quite dully coloured now when we look back on them from our digitally sharp TV world, but for 1970 it was a bright, exciting new era for the Doctor. Possibly not before time, in fact. Some contemporary audience research compared the series unfavourably with the full technicolour Star Trek imported from the USA and going to colour helped it to compete on the same playing field, although there were those who felt that it STILL did not have the same sophistication of the American series. The answer to that being, perhaps, that Doctor Who was still viewed as a children’s show – despite a large adult audience, whereas Star Trek was made for adults but also appealed to children.
New credits went with the new show. And there were several other firsts. Because there was an impending strike of studio staff, Spearhead from Space was entirely filmed on location outside the studio. The story was clearly derived from some science fiction genre standards. The Quatermass Experiment comes to mind immediately, also the meteor shower opening of Day of the Triffids. The Nestene and the living plastic under its control, the creator of Robert Holmes in the first of many memorable Doctor Who scripts were the original variation on the old aliens trying to take over earth theme. The show was praised at the time for a certain realism in its violence – we see real blood when people are killed – and given it is in colour, that in itself was a first for 7.p.m on a Saturday night. Praise also came for the introduction of Liz Shaw, a scientist who is a near intellectual equal to the doctor and not a perennial victim to be rescued. In the era of women’s lib it seemed like the start of a new era. And to some extent it was, although viewers seemed not to like the intellectual equal. Later companions of Pertwee, Jo and Sarah Jane, though feisty and independent women, were less scientifically gifted.