Production code 7E



First Transmitted:
1-05/10/1987 19:35
2-12/10/1987 19:35
3-19/10/1987 19:35
4-26/10/1987 19:35

Cast
Julie Brennon : Fire Escape
Richard Briers : Chief Caretaker
The voice of the Great Architect in Parts Two and Three was provided by Richard Briers.
Brenda Bruce : Tilda
Simon Coady : Video Commentary
Howard Cooke : Pex
Judy Cornwell : Maddy
Catherine Cusack : Blue Kang Leader
Bonnie Langford : Melanie
Sylvester McCoy : The Doctor
Clive Merrison : Deputy Chief
Astra Sheridan : Yellow Kang
Elizabeth Spriggs : Tabby
Joseph Young : Young Caretaker
Annabel Yuresha : Bin Liner



Crew
Henry Barber : Studio Lighting
Andrew Cartmel : Script Editor
Brian Clark : Studio Sound
Martin Collins : Designer
Anne Faggetter : Production Associate
Frances Graham : Production Assistant
Ron Grainer : Title Music
and the BBC Radiophonic workshop, arranged by Keff McCulloch
Shaunna Harrison : Make-Up
David Hunter : OB Cameraman
Nicholas Mallett : Director
Val McCrimmon : Assistant Floor Manager
Keff McCulloch : Incidental Music
Dick Mills : Special Sounds
Alastair Mitchell : OB Cameraman
John Nathan-Turner : Producer
Simon Taylor : Visual Effects
Janet Tharby : Costumes
Stephen Wyatt : Writer



Plot Outline from Wikipedia

The Doctor and Melanie arrive in a dingy tower block, somewhere in post 21st-century Earth. They were expecting their destination, Paradise Towers, to be more welcoming on the basis of the architectural awards it has won. The building is divided between roaming gangs of young girls called Kangs, grouped in colour theme, and the Doctor and Mel encounter the Red Kangs. They are celebrating the death of the last Yellow Kang and plotting how to attack the Blue Kangs. Elsewhere in the Towers, one of the Caretakers - who act as 'Judge Dredd' style policemen – is hunted down and killed by a robotic cleaner, which seems to appeal to the sadistic Chief Caretaker when he overhears the death.

The Chief then sends a squad of Caretakers to arrest the Red Kangs and in the ensuing confusion the Doctor is split from Mel and captured by the Caretakers. Mel meanwhile heads off to one of the still occupied apartments in which two elderly ladies ('rezzies') live. Tilda and Tabby explain that all the able bodied men left the Towers to fight a war letting the young run riot (the Kangs) while the old stay in their chambers. The only other character still loose in the Towers is Pex, a would-be hero, who whisks Mel away to try and find the fabled swimming pool of the Towers.

At the Caretaker control centre the Doctor is delivered to the Chief Caretaker who greets him as the Great Architect, designer of Paradise Towers, and then promptly calls for him to be killed.


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The Doctor challenges the bureaucracy and complex rules of the Caretakers, using their rule-bound nature to make his escape. This appals the Chief Caretaker, who is obsessed with visiting and feeding a hidden tank in the basement of the Towers. Mel and Pex meanwhile have headed to the top of the building, and are there captured by a party of Blue Kangs. Before the pair are freed the Kangs delight in telling Mel that Pex survived by fleeing from the war.

The Doctor finds the Great Architect is named Kroagnon – a name which seems strangely familiar – and is reunited with the Red Kangs. They explain that many members and Caretakers too have been disappearing in ever greater numbers. While he is being interrogated it becomes clear the Caretakers have tracked him down to the Red Kang headquarters and start to break down the door to their headquarters. Elsewhere Mel has visited Tilda and Tabby again and soon finds herself under threat when it emerges they are cannibals and plan to eat her.


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The Doctor succeeds in holding off the Caretakers long enough for the Kangs to flee. Meanwhile Tabby and Tilda are prevented from eating Mel when they are disturbed by a noise in the waste disposal. It turns out to be a metal claw, which drags the two rezzies to their deaths in the disposal system. Pex arrives at the moment of terror, and finds heroism when he somehow succeeds in saving Mel from the claw’s reach. Mel and Pex find a map of the Towers and decide to venture to the roof, where the luxury swimming pool is located. En route they are menaced by a robotic Cleaner.

The Doctor has meanwhile been taken to the Caretakers HQ again, where he realises that the Chief Caretaker has been allowing the Cleaners to kill people in the Towers, but that the killing has now got out of hand and the Chief Caretaker is no longer in control. This fuels the Chief’s paranoia and fear, and the situation gets worse when the report arrives of the death of the two rezzies in the waste disposal. The intelligence the Chief keeps in the basement is demanding more sustenance and making its own hunting arrangements. When the Chief heads off to investigate the deaths of Tabby and Tilda, the Red Kangs attack the HQ and rescue the Doctor. He returns with them to their base, taking with him the Illustrated Prospectus for the Tower, which they all watch. It reminds the Doctor that Kroagnon, the Great Architect of Paradise Towers, also made Miracle City, a cutting edge development which killed its occupants. It seems Kroagnon had an aversion to people actually populating his buildings. The Blue Kangs arrive suddenly, overpowering the Red ones, but it soon becomes clear their game is over and they must now work together.

When Mel and Pex finally find the swimming pool, Mel takes a dip inside only to be attacked by a robotic killer crab.

The Red Kangs know of the monstrosity in the basement, and guess it must be linked to the terror in the Towers. The Doctor heads off to investigate and there finds the Chief has been herded by the Cleaners toward the mysterious intelligence, which turns out to be Kroagnon himself. The Doctor is soon spotted by the Cleaners too, and the robots start pushing him toward the frightening Great Architect.


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The Kangs rescue the Doctor in the nick of time while on the roof Pex fails to rescue Mel, who has to destroy the crab herself. When the Doctor and the Kangs arrive, the latter taunt Pex for his cowardice. The Doctor explains that Kroagnon, the designer of Paradise Towers, felt human beings would ruin his creation and so placed multiple deathtraps throughout the Towers before he was killed and trapped in the machine in the basement. The remaining rezzies, led by a woman named Maddy, join them all at the swimming pool and pledge to work together with the Kangs to defeat the menace in the building. Pex pledges to help too. The Deputy Chief Caretaker and the surviving Caretakers, who have become convinced of the peril in the basement too, soon join them.

The Chief Caretaker has now been killed and his corpse animated by the artificial intelligence of Kroagnon. He now intends to use the Cleaners to kill everyone in the Towers and repair the damage the “filthy human parasites” have caused. However, the combined human forces are now fighting back against the machines. The Doctor and Pex also devise a ruse to lure the Chief into a booby trapped room and thereby destroy Kroagnon, but when the plan becomes derailed Pex sacrifices himself to drag the Chief into the trap. They are both killed, but the terror is over.

After a period of reflection and Pex’s funeral, the Doctor and Mel leave Paradise Towers, trusting the remaining Kangs, Rezzies, and Caretakers to build a better society. As the TARDIS dematerialises, a new piece of Kang graffiti is revealed - "Pex Lives".


Analysis by Cuisle

It is fully admitted by Paul Wyatt, writer of this story, that he based Paradise Towers on J.G. Ballard’s High Rise. That novel is about a group of five tower blocks on the outskirts of a city that begin as a monument to modern living and up as a nightmare. Paradise Towers is a PG version for family viewing. And it has to be said that it does that very well. The portrayal of what is meant to be a perfect microcosm society gone terribly wrong is very well done. The girl gangs called ‘kangs’ who graffiti the walls and dice with death are very well done. Lord of the Flies comes instantly to mind in relation to them, of course. Without adult supervision, without education, discipline, they have evolved their own language, their own morality, based on survival and on a comradeship of a kind. It is significant that even though the red, blue and yellow kangs fight each other, they respect the dead of each other’s gangs. They have their own code of honour.

“The Rezzies” are quite surreal simply because they LOOK so normal. They could be people living in any tower block, any street. The two old ladies with the tidy little living room full of doilies and antimacassars and tea and crumpets are eerily like two old ladies I used to visit when I was a child, two doors away. But these two nice old ladies have a hidden secret – they’re cannibals. Stranger things have happened in real life, let alone Doctor Who, of course. They were strangely believable.


The caretakers were far from convincing. It was impossible to get around the sort of cartoon Hitler look of Richard Briers and how generally stupid they all were. But looking at them closer, that is precisely the point of them. The Caretakers are the ultimate ‘jobsworth’ employees doing everything so much by ‘the book’ that the Doctor uses ‘the book’ to escape from their custody. As the Kangs are what children may become without supervision and the Rezzies the dark side of chintz, the Caretakers are a stripped down Brechtian representation of bureaucracy taken to it's extreme.

In short, each of the sections of Paradise Towers society are a larger than life caricature of something hauntingly familiar. Their problems are an exaggeration of the REAL problems of high rise living. Social isolation and deprivation are perfectly well documented issues in the tower blocks of all major cities. Ballard’s novel showed it in far more graphic detail, of course, but for half past seven in the evening this was sinister enough. This particular episode raised the hackles of Mary Whitehouse and there were more serious complaints about the fact that a programme aimed at children featured ordinary kitchen implements as weapons, as well as the fact that graffiti and vandalism appeared to be condoned – especially as The Doctor himself seemed to side with the vandals. The deadly cleaning machines were considered frightening to children, too. But wasn’t that exactly the point about Doctor Who. It was meant to be a bit frightening. And this story succeeds by making the ordinary seem terrifying. Especially to anyone who has ever lived in a tower block or had two seemingly nice old ladies offering them tea and cakes in a roomful of chintz.

Bonnie Langford’s acting skills came in for some stick in this episode. It was suggested that she did very little other than running up and down endless corridors. That is true to some extent. This episode had a LOT of running around in it. But the scenes with her in Tabby and Tilda’s chintzy parlour actually suit her ‘little girl’ style of acting. She is quite believable as an innocent being enticed into their deadly clutches.

The problem with Paradise Towers, as with episodes like Happiness Patrol and Greatest Show in the Galaxy, is trying to view them as realism when they are, in fact, surrealism. Once it is realised that this is not soap opera fourth wall television it is easier to deal with.