Production code 7G


First Transmitted:
1-23/11/1987 19:35
2-30/11/1987 19:35
3-07/12/1987 19:35

Cast
Sophie Aldred : Ace
Sean Blowers : Zed
Miranda Borman : Stellar
Stephanie Fayerman : McLuhan
Lynn Gardner : Announcer
Bonnie Langford : Melanie
Chris MacDonnell : Arnheim
Ian Mackenzie : Anderson
Sylvester McCoy : The Doctor
Leslie Meadows : The Creature
Nigel Miles-Thomas : Pudovkin
Stuart Organ : Bazin
Tony Osoba : Kracauer
Daphne Oxenford : Archivist
Edward Peel : Kane
Patricia Quinn : Belazs
Tony Selby : Glitz
Shirin Taylor : Customer

Crew
John Asbridge : Designer
Don Babbage : Studio Lighting
Ian Briggs : Writer
Andrew Cartmel : Script Editor
Brian Clark : Studio Sound
Chris Clough : Director
Richard Croft : Costumes
Anne Faggetter : Production Associate
Dominic Glynn : Incidental Music
Ron Grainer : Title Music
and the BBC Radiophonic Workshop, arranged by Keff McCulloch
Karen King : Production Assistant
Andy McVean : Visual Effects
Dick Mills : Special Sounds
John Nathan-Turner : Producer
Rosemary Parsons : Production Assistant
Christopher Sandeman : Assistant Floor Manager
Gillian Thomas : Make-Up


Plot Outline from Wikipedia

Iceworld is a space trading colony on the dark side of the planet Svartos. It is a mysterious place of terror and rumour ruled by the callous and vindictive Kane, who buys supporters and employees and makes them wear his mark iced in to their flesh. Kane’s body temperature is so cold that one touch from him can kill. In Kane’s lair is a vast cryogenic section where mercenaries and others are being frozen and stored, with their memories wiped for future unquestioning use as part of an army; including a freezer cabinet into which Kane deposits himself when he needs to cool down. There is also, most peculiarly, an aged sculptor who is carving a statue from the ice.

The TARDIS materialises in a refrigeration sales section on Iceworld and the Seventh Doctor and Melanie Bush venture outside. They soon meet up with their roguish old acquaintance, Sabalom Glitz, who owes Kane a substantial amount of money. Glitz has come to Svartos to search for a supposed treasure guarded by a dragon. It is located in the icy caverns beyond Iceworld and by chance Glitz has a map which he won from Kane in a gamble – indeed, Kane wanted him to have the map because he wishes to use Glitz as a pawn in his own search for the treasure. Thus the map contains a tracking device in its seal. Kane in return has Glitz’s ship, the Nosferatu, which he orders destroyed. Without realising he is being used, Glitz heads off on the search with the Doctor in tow – though women are not allowed on the expedition so Mel stays with a young, rebellious waitress they have met called Ace. It is only a matter of time before Ace behaves appallingly to customers and is fired. Mel is stunned to hear that Ace is a human from late twentieth century Earth who only arrived on Iceworld after a bizarre chemistry experiment caused a time-storm in her bedroom.

Kane’s staff are not happy. Once they have taken his coin they are his for life – as Ace wisely realises when she rejects such an offer. Officer Belazs was not so clever, and is keen to escape Kane’s service. She thus arranges for the Nosferatu not to be destroyed, hoping to use the craft to escape Iceworld. When this fails she tries to persuade Officer Kracauer to help her overthrow Kane, but he is one step ahead. Their attempt to alter the temperature in his chambers and kill him fails, so Kane exacts his revenge and kills them both. The same fate awaits the ice sculptor who has now finished his statue, which is of a woman called Xana.

In the ice caverns it has taken time but the Doctor and Glitz have encountered the dragon, which turns out to be a biped which did not so much breathe fire as fire lasers from its eyes, but not the treasure. Mel and Ace have now ventured into the caverns too and they meet their allies and are actually defended by the dragon, which guns down some of Kane’s cryogenically altered soldiers who have been sent into the ice caverns to kill them. The dragon takes them to a room in the ice which is some sort of control area and contains a pre-recorded hologram message. The hologram explains that Kane is one half of the Kane-Xana criminal gang from the planet Proamnon. When the security forces caught up with them Xana killed herself to avoid arrest, but Kane was captured and exiled to the cold, dark side of Svartos. It turns out that Iceworld is a huge spacecraft and the treasure is a crystal inside the dragon’s head which acts as the key that Kane needs in order to activate the ship and free himself from exile. The dragon is thus both Kane’s jailer and his chance of freedom.

Kane has overheard the location of the key through the bugging device on the map and now sends his security forces to the ice caverns to bring him the head of the dragon, offering vast rewards for such bravery. He also uses his cryogenic army to cause chaos in the Iceworld shops, driving the customers out and towards the docked Nosferatu. This is brutally accomplished. When the Nosferatu takes off Kane blows it up. The only survivors are a young girl called Stella and her mother, who have become separated but both survive the massacre. Shortly afterward two of Kane’s troopers succeed in killing the dragon and removing its head, but are killed in the process.

The Doctor has meanwhile realised that Kane has been a prisoner on Svartos for millennia. He retrieves the head of the dragon and is then told by intercom that Kane has captured Ace but is willing to trade her for the “dragonfire”. The Doctor, Glitz and Mel travel to Kane’s private chambers for the exchange. Kane rises to the Doctor’s taunts but still powers up Iceworld as a spacecraft which now detaches itself from the surface of Svartos. However, when Kane tries to set course for Proamnon to exact his revenge he realises he has been a prisoner so long that the planet no longer exists. In desperation, he opens a screen in the surface of his ship and lets in hot light rays which kill him.

The Doctor now loses a companion but also gains one. Glitz has claimed Iceworld as his own spacecraft (renamed Nosferatu II) and Mel decides to stay with him to keep him out of trouble. The Doctor acquires Ace instead, promising to take her home to Perivale via the “scenic route”.

Analysis by Cuisle

Some of the critics of the time regarded this as the best of the 1987 series, which had veered rather too much towards the silly and colourful stories rather than what most Doctor Who fans preferred. This, although still bordering on the silly, had some sinister elements, too.

One criticism at the time was that the whole series had tried to hard to get in celebrity guest stars by the bucket, seemingly at the expense of plot and story. The same criticism has been levelled at the 2006 series. The programme makers might take note, although it also has to be said that then and now guesting on Doctor Who was and is regarded as an honour for any actor.

This particular episode included some very impressive guest casting. Tony Selby as Sabalon Glitz is an archetypical space rogue, while Edward Peel as Kane and Patricia Quinn as Belazs put in solid performances. Edward Peel is a stalwart of British TV. His best known role was as the Chief Superintendent in Jimmy McGovern’s Cracker – Chris Eccleston’s boss when he played DCI David Bilborough in that series, just to drop a neat Doctor Who connection into the mix. Patricia Quinn is, of course, famous for her performance as Magenta in the iconic 1975 Rocky Horror Picture Show. Despite, therefore, being fairly familiar faces, neither were quite huge enough stars to distract from their roles in Doctor Who, and they played it straight. They didn’t consider a role in what was being increasingly pitched as a pure children’s show beneath them. Both put a great deal of passion into their characters.

There were let downs in the story. The tortured ‘cliffhanger’ of The Doctor hanging off a cliff by his umbrella was unworthy of a professional scriptwriter, and the ‘skid’ on the not very convincing ice that got him there in the first place was badly directed. It looked like a pantomime pratfall rather than a realistic dice with death, proof once again that the programme makers seemed to be aiming at a younger and therefore presumably less discerning audience. This is a big mistake in any programme making. Young children are not stupid. They recognise bad television when they see it just like adults.

This story is most noted for being the one where Mel left and Ace arrived. Now, I really don’t think I have ever heard anyone say a good thing about Bonnie Langford as an actress EVER. Everyone remembers her as the lisping ringlet headed spoiled brat in Just William, from the same tea time viewing as Doctor Who in it's golden age in the 1970s. She then had a hard time making the transition to adult acting and her tenure as Mel in Doctor who didn’t do a lot for that career. She still seemed too much the squeaky voiced child we remembered. This is unfair on her, of course. But there were few Doctor Who fans who regretted her bowing out of the series.

Most regarded Ace as a definite improvement. But her debut was criticised for the over-use of too many potential catchphrases like "Mega!", "Brill!", "Ace!" and "Wicked!" These were toned down a BIT in the following series, or at least only slipped in where they could more naturally fit. Her penchant for blowing things up with Nitro 9 was firmly established here, through, and it was immediately obvious that she was going to provide a great counterpoint to the non-violent ethos of The Doctor himself. She was the youngest female character to travel with The Doctor for some time, aged only 16, and there was very much a sense of returning to first base. The 7th Doctor became something of an uncle figure to her, much as the 1st Doctor had been to youngsters like Vicki and Polly or the 3rd had been with Jo and Sarah. Something of the familiar shape of the show was being brought back after some time in the wilderness.