Production code Series 1, Episode 2

Original Transmission
Date 2nd Apr 2005
Time 6.59pm
Duration 44'44"
Viewers 8.0m (19th)
Audience App. 76%


Cast

The Doctor Christopher Eccleston
Rose Tyler Billie Piper
Steward Simon Day
Jabe Yasmin Bannerman
Moxx of Balhoon Jimmy Vee
Cassandra Zoë Wanamaker
Jackie Tyler Camille Coduri
Raffalo Beccy Armory
Computer Voice Sara Stewart
Alien Voices Silas Carson


Crew
Written by Russell T Davies
Produced by Phil Collinson
Directed by Euros Lyn
1st Assistant Director Lloyd Elis
2nd Assistant Director Steffan Morris
3rd Assistant Director Dan Mumford
Location Manager Clive Evans
Unit Manager Emma Reid
Production Co-ordinator Pamela Joyce
A/Production Accountants Debi Griffiths, Kath Blackman
Continuity Non Eleri Hughes
Script Editor Elwen Rowlands
Camera Operators Martin Stephens, Mike Costelloe
Focus Pullers Steve Lawes, Mark Isaac
Camera Assistants Anna James, David Jones
Grip John Robinson
Boom Operator Damian Richardson
Gaffer Mark Hutchings
Best Boy Peter Chester
Stunt Co-ordinator Lee Sheward
Stunt Performers Jamie Edgell, Sarah Franzl
Choreographer Ailsa Altena-Berk
Art Department Co-ordinator Gwenllian Llwyd
Concept Artist Bryan Hitch
Production Buyer Catherine Samuel
Set Decorator Peter Walpole
Supervising Art Director Stephen Nicholas
Standby Art Director Arwel Wyn Jones
Property Master Patrick Begley
Standby Props Phill Shellard, Adrian Anscombe
Construction Manager Andrew Smith
Graphic Artist Jenny Bowers
Wardrobe Supervisor Yolanda Peart-Smith
Make-Up Supervisor Linda Davie
Make-Up Artist Sarah Wilson
Casting Associate Kirsty Robertson
Assistant Editor Ceres Doyle
Post Production Supervisor Marie Brown
On Line Editor Matthew Clarke
Colourist Kai van Beers
2D VFX Artists Sara Bennett, Michael Harrison,Jennifer Herbert, Astrid Busser-Casas, Simon C Holden, Alberto Montanes, Bronwyn Edwards
3D VFX Artists Nick Webber, Matt McKinney, Porl Perrott, Joel Meire, Paul Burton, Chris Petts, Andy Howell,
igital Matte Painter Alex Fort
Dubbing Mixer Tim Ricketts
Dialogue Editor Paul McFadden
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Ian Richardson
Costume Designer Lucinda Wright
Make-Up Designer Davy Jones
Music Murray Gold
Visual Effects The Mill
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Special Effects Any Effects
Prosthetics Millennium Effects
Editor John Richards
Production Designer Edward Thomas
Director of Photography Ernie Vincze BSC
Production Manager Tracie Simpson
Associate Producer Helen Vallis
Executive Producers Russell T Davies , Julie Gardner, Mal Young


Plot Outline by Wikipedia

Following Rose, the Doctor asks Rose where she would like to go on her first trip in the TARDIS, and she selects the future. The Doctor takes her to the year 5.5/Apple/26 — five billion years in her future — on a space station named Platform One orbiting the Earth. In the eons since Rose's time, the Earth has emptied, mankind having left it long ago and the planet taken over by the National Trust. Although the expansion of the Sun takes millions of years, gravity satellites held the effects back, and the trust also restored the "classic" positions of the continents on Earth. Now that the money has run out, the Earth will be allowed to be swallowed up by the Sun at last. Platform One is where the extraterrestrial rich of the universe will witness the end of the world, which will occur in about an hour. The station has automated systems and is staffed by blue-skinned humanoids.

On encountering the Steward, who manages Platform One, the Doctor persuades him that he and Rose are invited guests by using a piece of "psychic paper" that makes people see what the Doctor wants them to see. The other guests arrive, including the diminutive Moxx of Balhoon, the Face of Boe (a gigantic head from the Silver Devastation, possibly from the Isop Galaxy and the sponsor of the event), living humanoid trees from the Forest of Cheem (whose ancestors originated on Earth) and, from Financial Family Seven, a group called the Adherents of the Repeated Meme. Rose watches in fascination as the last living human arrives — the Lady Cassandra O'Brien Dot Delta Seventeen, who is just a piece of stretched-out skin with eyes and a mouth, mounted on a frame and connected to a brain jar. The skin needs to be constantly moisturised by her attendants. The guests exchange gifts: Jabe of the Forest of Cheem gives the Doctor a cutting taken from her grandfather; the Doctor gives her the gift of air from his lungs. The Moxx gives the gift of bodily salivas by spitting (Rose, the recipient of this "gift", is not appreciative), and the Adherents of the Repeated Meme hand out gifts of "peace" in the form of metal spheres, even to the Steward.

Cassandra gives her own gifts: the last ostrich egg, and a Wurlitzer jukebox (which she calls an iPod) from ancient Earth. Rose is a bit overwhelmed when the jukebox plays "classical" music — the song "Tainted Love" by Soft Cell — and leaves the hall. She has a brief conversation with a station plumber, Raffalo, who is investigating a blockage. At first she is comforted by the familiarity of Raffalo's matter-of-fact, working-class manner. But when Raffalo explains that she is from Crespallion, which is part of the Jaggit Brocade, affiliated to the Scarlet Junction, in Complex 56, Rose realises how far she is from home, and with a man she does not even know. Rose leaves, and does not see Raffalo spot some small, spider-like robots in the ducts, which rapidly grab her and pull her inside. Meanwhile, the spiders are being disgorged from the metal spheres gifted by the Adherents of the Repeated Meme to the various guests, and soon infiltrate the entire station, sabotaging its systems.

The Doctor finds Rose, and when Rose asks him where he is from, the Doctor brushes her questions off, getting defensive and angry. When the Doctor alters Rose's mobile phone so she can talk to her mother in the past, another fact sinks in — her mother is long dead. The Doctor jokes that if Rose thought the telephone call was amazing, she should see the bill. Suddenly, a tremor shakes the station, and the Doctor observes that it was not supposed to happen. The Steward, investigating the cause of the tremor, is killed when a spider lowers the sun filter in his room, exposing him to the direct heat of the Sun's rays.

 

The Doctor also starts to look into the tremor, and Jabe offers to show him where the maintenance corridors are while Rose goes to speak to Cassandra. Rose finds that Cassandra has had 708 operations to keep her alive, and considers herself the last "pure" human — the others who left "intermingled" with other species and she considers them all mongrels. Her 709th operation, to bleach her blood, is next week. Disgusted that humanity has come to this, Rose insults Cassandra and storms off, only to be met by the Adherents, who knock her out.

In the corridors, Jabe quietly tells the Doctor that she scanned him earlier, and was astonished to discover what he was and that he still even exists. She sympathises with him and the Doctor sheds a single tear before moving on. Inside the bowels of the station, they find one of the spiders, which Jabe captures with a liana, a long, vine-like appendage which she usually keeps hidden out of courtesy.

As the station's systems continue to be sabotaged and, as a "traditional ballad" — Britney Spears's "Toxic" — plays on the jukebox, Rose wakes to find herself trapped in a room with a lowering sun filter. The Doctor hears her cries for help and manages to raise the filter, but Rose is still locked in. Returning to the main hall, the Doctor releases the spider to seek out its master. At first it focuses on the Adherents of the Repeated Meme, but the Doctor points out that repeated memes are just ideas, and the Adherents are remote-controlled droids. He deactivates them and the spider scurries over to Cassandra.

Cassandra has her attendants hold the others at bay, saying that the moisturiser guns can also shoot acid. She reveals that her operations cost a fortune, and she was hoping to create a hostage situation whereby she could later seek compensation. Now she will just let everyone burn and take over their corporate holdings. Cassandra orders the spiders to shut off the force field protecting the station, then uses an illegal teleportation device to transport herself and her attendants away.

With only a few minutes left until the Sun incinerates Earth and the station, the Doctor and Jabe rush back down to the air-conditioning chamber. The restore switch for the computer systems is at the other end of a platform blocked by giant rotating fans. The Doctor protests that the rising heat will burn the wooden Jabe, but she insists on staying to hold down the switch that slows the fans. The Doctor makes it nearly to the end before Jabe catches fire and burns. He closes his eyes and concentrates, making it past the last fan and throwing the reset switch. The force fields come up around the station just in time, as the Earth explodes into cinders. The station's systems start to self-repair.

However, several of the guests are now dead (including the Moxx but not the Face of Boe), burned alive as the Sun's rays burst through cracks in the windows. The Doctor is furious, and after finding Cassandra's teleportation feed inside the ostrich egg, reverses it to bring her back. She quickly regains her poise and starts taunting the Doctor, saying that he cannot do anything about her. However, the Doctor calmly notes that he has transported Cassandra back without her moisturising attendants. In the raised temperature, she begins to dry out. Cassandra begs for mercy and Rose asks the Doctor to help her, but the Doctor coldly says that every thing has its time, and every thing dies. Cassandra's skin stretches and tears, her innards exploding and leaving only her brain tank and empty frame.

Rose is sad that in all the danger, the Earth's passing was not actually witnessed by anyone. The Doctor takes her back to the present in the TARDIS, telling her that people think things will last forever, but they don't. He reveals to her that his home planet was burned like Earth, but in a war, and that he is the last survivor of the Time Lords. Rose says that he still has her, and he smiles as she offers to buy him some chips — they only have five billion years before the shops close.


Analysis by Cuisle

The theme of this episode was the end of things. The end of the world, especially. And the inevitability of such ends. The Doctor tells Rose he isn't there to save the world. Its time for it to die. He refuses to help the selfish Cassandra. She has lived beyond her time. He was powerless to help his own planet, that died BEFORE its time. The sub-theme was "Who IS The Doctor and where is he from". To long time fans of the show, that he is a Time Lord of Gallifrey is obvious. It came as a bit of a shock to find that Rose, and all those people for whom the whole thing was new last week, DIDN'T know who he was. Because he had evaded telling her. Now we discover he is the LAST of the Time Lords, the end of their once proud race.
That Gallifrey is dead, of course, came as a shock to the die hard fans. More of a shock, perhaps than the dead of earth which we saw in spectacular technicolour. The special effects on this episode were lavish. Dozens of costumes were used to create the alien creatures at the End Of The World reception. And the destruction of the earth was spectacular cgi work. It was possibly one of the most expensive in terms of costumes and paid extras in the non-speaking but necessary alien crowd scenes. And it worked. It was a visual treat for Doctor Who fans who like to see aliens.



But for myself, the important thing about this episode was what we learnt about The Doctor from it. Especially we learn that, far from being a cold and unreachable being he has a great many emotions buried in his two hearts. Christopher Eccleston's particular acting skill is in expressing emotions with a mere look. Slow down the scene when Jabe tells him "I know what you are" and you can see a tear escape from his eye. That's not stage managed. It is not even noticeable when the film runs at normal speed. It is his way of getting the emotion across of being the last of his kind. And he does it magnificently. By this second episode we all knew Christopher had quit the show already and we were starting to realise what a tragedy that was.


I usually go to church on Saturday night - because I am very bad at getting up in mornings and miss Sundays. Which gave me a dilemma when Doctor Who began at 7.00. On April 2nd, I actually decided I couldn't face church. We knew the Pope was only hours away from death and I felt very confused in my mind about how I felt. Mostly I felt nothing at all, and that worried me as Church was bound to be full of people who knew what they felt. So I stayed home. I watched my favourite programme. At 7.37 as the story resolved itself, the Doctor looked to camera and said "Everything has its time and everything dies" referring to the earth that had come to its time, and to Cassandra who had passed her time. For me, that sounded like the most sensible thing I had heard all day. Eight minutes later the credits rolled and then we went to a newsflash. The pope has died, at 7.37. Just as The Doctor said those profound words. And I knew what to think. "Everything has its time and everthing dies." No need to grieve for an old man who had lived a full life. I was probably the most together Catholic in the world that week, thanks to the strangest angels God ever sent - a gay Welsh scriptwriter and a Salford atheist? Or was it the last Time Lord of Gallifrey? Either way, thanks.