Original Transmission



Date 21st May 2005
Time 6.29pm
Duration 41'46"
Viewers 7.1m (21st)
Audience App. 84%


Cast
The Doctor Christopher Eccleston
Rose Tyler Billie Piper
Nightclub Singer Kate Harvey
The Child Albert Valentine
Nancy Florence Hoath
Mrs Lloyd Cheryl Fergison
Mr Lloyd Damian Samuels
Jack Harkness John Barrowman
Algy Robert Hands
Jim Joseph Tremain
Ernie Jordan Murphy
Alf Brandon Miller
Dr Constantine Richard Wilson
Voice of The Empty Child Noah Johnson
Computer Voice Dian Perry
Timothy Lloyd Luke Perry


Crew
Written by Steven Moffat
Produced by Phil Collinson
Directed by James Hawes
1st Assistant Director Jon Older
2nd Assistant Director Steffan Morris
3rd Assistant Director Dan Mumford
Location Manager Llyr Morus
Unit Manager Justin Gyphion
Production Co-ordinator Jess van Niekerk
A/Production Accountants Debi Griffiths Kath Blackman
Continuity Non Eleri Hughes
Script Editor Helen Raynor
Camera Operator Martin Stephens
Focus Puller Mark Isaac
Grip John Robinson
Boom Operator Damian Richardson
Gaffer Mark Hutchings
Best Boy Peter Chester
Stunt Co-ordinator Lee Sheward
Stunt Performer Kim McGarrity
Art Dept Co-ordinator Gwenllian Llwyd
Concept Artist Bryan Hitch
Production Buyer Catherine Samuel
Set Decorator Liz Griffiths
Supervising Art Director Stephen Nicholas
Standby Art Director Arwel Jones
Property Master Adrian Anscombe
Construction Manager Andrew Smith
Standby Props Phill Shellard Trystan Howell
Graphic Artist Jenny Bowers
Wardrobe Supervisor Yolanda Peart-Smith
Make-Up Supervisor Linda Davie
Make-Up Artists Claire Pritchard Steve Williams
Casting Associate Kirsty Robertson
Assistant Editors Ceres Doyle Jamie Adams
Post Production Supervisor Marie Brown
2D VFX Artists David Bowman Alberto Montanes Astrid Busser-Casas Jennifer Herbert Simon C Holden Sara Bennett Michael Harrison Bronwyn Edwards
3D VFX Artists Andy Howell Matt McKinney Jean-Claude Deguara Paul Burton Chris Petts Nicolas Hernandez Nick Webber Mark Wallman
Digital Matte Painter Alexander Fort
On Line Editors Matthew Clarke Zoe Cassey
Colourist Jamie Wilkinson
Dubbing Mixer Tim Ricketts
Dialogue Editor Paul McFadden
Sound FX Editor Paul Jefferies
Finance Manager Richard Pugsley
Original Theme Music Ron Grainer
Casting Director Andy Pryor CDG
Production Accountant Endaf Emyr Williams
Sound Recordist Ian Richardson
Costume Designer Lucinda Wright
Make-Up Designer Davy Jones
Music Murray Gold
Special Effects Any Effects
Visual Effects The Mill
Prosthetics Millennium Effects
Visual FX Producer Will Cohen
Visual FX Supervisor Dave Houghton
Editor Liana del Giudice
Production Designer Edward Thomas
Director of Photography Ernie Vincze BSC
Production Manager Tracie Simpson
Associate Producer Helen Vallis
Executive Producers Russell T Davies Julie Gardner Mal Young


Plot Outline from Wikipedia


The TARDIS chases a metal cylinder that is careening its way through space. As the Doctor struggles to keep up with it, he explains to Rose that the cylinder is mauve — the universal colour for danger (as opposed to red, which is too camp for anyone but humans). The TARDIS console sparks as the object jumps a time track, travelling back in time towards London.

The TARDIS materialises in a narrow alley between some brick buildings at night. The Doctor and Rose step out in search of the object; the Doctor notes that they have arrived a couple of weeks to a month after the cylinder's impact. Rose asks if the Doctor is going to scan for alien technology, and is disappointed when the Doctor tells her that he is just going to pose as Dr. John Smith from the "Ministry of Asteroids" and ask the locals if anything fell from the sky. She complains that it is "not very Spock". The Doctor hears music coming from behind a locked door and uses the sonic screwdriver to open it. He steps inside the building, but Rose hears a child calling for its mother. She looks up and sees a young boy wearing a gas mask on the roof.

The door leads to a makeshift cabaret. After the singer ends her set, the Doctor steps up to the microphone and asks them if any object had fallen from the sky in the last few days. He is puzzled when they start laughing, but then an air raid siren sounds, he spots a poster warning of German bombing and realises to his chagrin that he has arrived during the London Blitz. In the meantime, Rose has reached the roof of the building where the young boy is standing on a cargo container. A rope dangles in front of her, and she uses it to climb up, not realising that it is attached to a barrage balloon above. It rises, taking Rose clean off the roof with it and hanging on for dear life. There, Rose sees bits of the city of London in flames, spotlights sweeping through the sky, the sound of anti-aircraft fire and bombers flying right at her.

The Doctor returns to where the TARDIS landed, and sees no sign of Rose. He is puzzled when the exterior telephone of the TARDIS's police box disguise rings. He prepares to examine it with the sonic screwdriver when a young woman appears and tells him not to answer it. The Doctor asks her how the telephone can even be ringing, but when he turns back, she has disappeared. He picks up the earpiece, but all that comes through is a child's voice asking, "Mummy?" several times before it falls dead again. Hearing clattering down the alley, the Doctor looks over a wall into a residential garden and sees a woman ushering family into an air-raid shelter. He also spots the young woman he saw moments before entering the house. Once inside, she begins to raid the cupboards for tinned food.

Rose is still hanging by a rope over a blazing London. From a balcony below, a man dressed in RAF uniform peers through binoculars up at her, but they are binoculars of an advanced technological design. A British Army officer addresses him as "Jack" and asks if he is going to the shelter, but Jack is distracted by the sight of Rose's bottom in his sights. Jack grins at the officer and, speaking with an American accent, says that he has to meet a girl, but adds as he leaves that the officer has an excellent bottom as well.

Rose loses her grip on the rope and falls, shrieking before she finds her descent halted by a tractor beam. Jack's voice tells her to deactivate her cellular phone and to keep her limbs inside the light field as she slides rapidly down the beam into Jack's ship and his arms. Rose stares at the handsome Jack, managing to get out a couple of "hellos" before she faints.

Back at the house, the young woman has been joined by several other children, and they start to consume the dinner that has been left on the table. The sudden appearance of the Doctor, however, startles them. The Doctor deduces that all of them are homeless, but notes that as it is 1941, the children should have been evacuated to the country long ago. The children say that they were, but they returned to London for various reasons. Nancy, the young woman, finds them food this way, by waiting for families to hide in shelters before stealing their food.

The Doctor asks the children if they have seen the cylinder, drawing them a picture, but before any can answer, there is a knocking on the window, accompanied by a child's voice asking for its mother. Outside is a child in a gas mask, and it slowly wanders over to the front door, still repeating its query. Nancy hurriedly bolts the door before it can get in. Nancy tells the Doctor that it is not "exactly" a child, and then orders the other children to leave by the back way. The Child sticks its arm through the mail slot, and a strange, lightning-shaped scar can be seen on the back of its hand.

Nancy tells the Doctor not to let the Child touch him, or he will become just like it — empty. The telephone on the mantelpiece rings, and when the Doctor picks it up to hear the same plaintive request for its mother, Nancy grabs the receiver and hangs up. The Child has the ability to make telephone calls, just as it did with the TARDIS exterior telephone. The radio starts up, playing music and the Child's request, and a toy monkey starts to bang its cymbals together as Nancy leaves the house. The Doctor asks the Child through the door why the other children are frightened of him, but he keeps asking to be let in, claiming to be scared of the bombs. The Doctor agrees to open the door, but when he does, the street is empty.

Rose wakes up in Jack's ship, which she says is very "Mr Spock", a reference he does not understand. He introduces himself as Captain Jack Harkness, an American volunteer with No. 133 Squadron RAF. He hands her an identification card which Rose identifies as psychic paper — it shows her whatever he wants her to see, which is apparently that he is single and works out. At the same time, to Rose's embarrassment, Jack reads the paper as showing that Rose has a boyfriend but considers herself "very" available. Jack uses his ship's nanites (which he calls "nanogenes") to treat Rose's hands for rope burns. He also tells her to stop acting, he can spot a "Time Agent" a mile away and had been expecting one to turn up. Jack invites her for a drink on the "balcony"; opening the hatch, they step out onto the invisible hull of the ship which is floating tethered to Big Ben.

Nancy makes her way across an abandoned rail yard to a locomotive, where she unloads the tins she took from the house. The Doctor surprises her again, having followed her. He has made the connection between the fallen cylinder and the empty child, and Nancy tells him about a bomb falling near the Limehouse Green station "that was not a bomb". It is now guarded by soldiers and barbed wire. Nancy says if he wants to find out what is going on, he needs to talk to "the doctor".

On top of his ship, Jack and Rose continue to flirt, dancing to the strains of Glenn Miller's "Moonlight Serenade" as bombs fall on London around them. He used to be a Time Agent, but has since gone freelance. He tells her that he has something the Time Agency might want to buy and asks her if she is empowered to negotiate. Rose plays along, saying that she should talk to her "companion" first. He tells her that what fell on London was a fully equipped Chula warship, the last of its kind, and offers to get it for her if the Agency names the right price. However, the deadline for a decision is in two hours, because that is when a German bomb will fall and destroy it. He proceeds to look for her "companion" by scanning for alien technology, to which Rose gives an approving smile.

The Doctor uses his own binoculars to monitor the crash site from a distance with Nancy. She encourages him to go speak to the doctor at nearby Albion Hospital. The Doctor remarks that Nancy is looking after the children to make up for something, and she admits that it is because her brother Jamie died during an air raid. The Doctor observes that at this point in history, Hitler has been unstoppable, until one "tiny damp island" said no, and praises Nancy's people for their indomitability. He tells her to go do what she has to do, and walks towards the hospital.

In the wards, the Doctor finds the beds apparently filled with corpses wearing gas masks. An elderly man in a doctor's coat appears, telling the Doctor that there are hundreds of them. Dr Constantine invites the Doctor to examine the masked people, warning him not to touch their flesh. The Doctor finds that, impossibly, all of them have identical injuries to the skull and chest cavity. The gas masks are also seemingly fused to their flesh, although there are no burns or scarring. They also have a lightning-shaped scar on the back of their hands. Constantine also has the same scar, but the Doctor does not notice.

Constantine explains that when the "bomb" dropped, it claimed one victim, and those who were in contact with it soon suffered the exact same injuries; the symptoms themselves spreading like a plague. The Doctor asks what killed them, but Constantine explains that they are not dead. With a rap of his cane against a table leg, the "corpses" come to life.

The Doctor takes a startled step back, but Constantine tells him they are harmless: they just sit there, have no signs of life, but they just do not die. All Constantine can do is make them comfortable, but he suspects the Army has a plan to blow up the hospital and blame it on a German bomb, as isolated cases are breaking out all over London. He directs the Doctor to Room 802, where the first victim, Nancy's brother, was housed. Constantine says that Nancy knows more than she is saying but before he can say anything else, he grabs his neck and starts to choke out the words, "Are you my mummy?" Before the Doctor's eyes, Constantine's features shift and change into a gas mask and he slumps in his chair.

Rose and Jack enter the hospital, and Jack introduces himself to the Doctor, calling him "Mr Spock" to the Doctor's puzzlement. Rose privately tells the Doctor that she had to tell Jack they were Time Agents and give him a false name, and tells the Doctor about the Chula warship. The Doctor demands to know from Jack what kind of warship it is, but Jack insists that it has nothing to do with the plague. Jack confesses that the cylinder was just an ambulance — an empty shell which he was trying to pass off as valuable. Jack realises now that Rose and the Doctor are not really Time Agents. The Doctor explains that human DNA is being rewritten by an idiot, but for what purpose?

Meanwhile, Nancy has returned to the house to get more food, but the radio turns itself on and from the speakers comes the cry of the Child. She tries to hide when she sees it has entered the house. When her hiding place is discovered, she makes a break for the door but the child points a finger and shuts it from a distance. Suddenly, at the hospital, all the patients, including Constantine, sit bolt upright and climb out of their beds, calling for their mothers. Nancy backs up as the Child approaches. She calls it Jamie, and tells it that it's dead. At the hospital, the trio of time travellers are also being backed into a corner, as the gas-masked virus carriers get closer and closer...


Analysis by Cuisle

The scene with Rose hanging onto a rope of a barrage balloon in the middle of an air raid with bombs exploding and planes flying around her was possibly the most spectacular and technically brilliant scene in the whole series – and it has had some stiff competition. It was beautifully done. The effect was less like a realistic blitz sky and more like a living oil painting and that made it all the more impressive. As the mainscene in the firstpart of the episode it gripped the imagination of the viewer.



On top of that, possibly the scariest enemy The Doctor has ever faced. A child in a gas mask. The creepiness of that child and it's plaintive cry of “Are you my mummy” made for a unique atmosphere for the episode. The connection between the child and Nancy is hinted at when The Doctor learns that she lost a brother in the blitz and later confirmed when she tries to talk to the child, calling him by his name. But it is very cleverly written to keep us in the dark about the real story of Nancy and her 'brother'.



The Doctor is playing it by ear. He has no plan, and doesn’t even have all the facts. But he rises to the occasion. Fans all sat up and listened when Doctor Constantine comments that before the war he was a father and a grandfather but no longer, and The Doctor replies “yeah, I know the feeling.” This from a man who has already told us he lost everyone in the destruction of his planet. This is the only reference to his mysterious past personal life in this episode, but when he is reunited with Rose and with Captain Jack, who he sees as a rival for her affections, we get an inkling of his current personal life – he is clearly jealous of Jack’s suave way with Rose – who is clearly impressed with him. But there is obviously more to Jack than meets the eye. The idea that The Doctor is vulnerable in any way is a shock to fans. That he is vulnerable in the hearts is one we're only just getting used to with the Ninth Doctor.

A war torn London backdrop, a love triangle with The Doctor, Rose and Jack, and a very creepy mystery to solve made this one of the most memorable episodes of the series. No surprise that the scene with the child and The Doctor was voted the top TV moment of 2005 in a BBC poll.