Original Transmission
Date 12th Nov 2006
Time 10:00pm
Duration 46'43"
Viewers 1.3m (5th)
Audience App. 85%


Cast
Captain Jack Harkness John Barrowman
Gwen Cooper Eve Myles
Owen Harper Burn Gorman
Toshiko Sato Naoko Mori
Ianto Jones Gareth David-Lloyd
Estelle Eve Pearce
Jasmine Lara Phillipart
Lynn Adrienne O'Sullivan
Roy William Travis
Goodson Roger Barclay
Kate Heledd Baskerville
WPC Ffion Wilkins
Custody Sergeant Nathan Sussex
Man In Street Paul Jones
Bullies Sophie Davies Victoria Gourley

Crew
Written by Peter J Hammond
Produced by Richard Stokes
Directed by Alice Troughton
Created by Russell T Davies
Co-Producer Chris Chibnall
1st Assistant Director Nick Rae
2nd Assistant Director Lynsey Muir
Location Manager Paul Davies
Production Co-ordinator Carmelina Palumbo
Continuity Suzannah Binding
Script Editor Brian Minchin
Camera Operator Jenny Budd
Gaffer Mickey Reeves
Chief Super Art Director Stephen Nicholas
Supervising Art Director Keith Dunne
Art Dept Prod Manager Jonathan Allison
Standby Art Director Jon Howes
Designer Penny Harvey
Construction Manager Matthew Hywel-Davies
Graphics BBC Wales Graphic Design
3D Artists Jean-Claude Deguara Nicolas Hernandez
Costume Supervisor Bobby Peach
Make-Up Supervisor Claire Pritchard
Assistant Editor Matt Mullins
Post Prod Supervisors Helen Vallis Chris Blatchford
Colourist Mick Vincent
Dubbing Mixer Tim Ricketts
Supervising Sound Editor Doug Sinclair
Casting Director Andy Pryor CDG
Production Accountant Ceri Tothill
Sound Recordist Dave Baumber
Costume Designer Ray Holman
Make-Up Designer Marie Doris
Music Murray Gold Ben Foster
Visual Effects The Mill
Special Effects Any Effects
Production Manager Catrin Lewis Defis
Editor Bobby Sheikh
Production Designer Edward Thomas
Director of Photography Ray Orton
Associate Producer Terry Reeve
Production Executive Julie Scott
Assistant Producer Sophie Fante
Executive Producers Russell T Davies Julie Gardner


Plot Outline From Wikipedia

An elderly woman, Estelle Cole, walks through Roundstone Woods, heading for a circle of standing stones. There, to her delight, she finds what she was searching for: brightly glowing fairies laughing and fluttering around the stones. She takes a few photographs and turns away, not seeing the tiny fairies transform into larger, more monstrous forms…

At the Torchwood Hub, Jack wakes from a nightmare of dead soldiers in a train carriage, rose petals spilling out of their mouths. He enters his office where he finds a single red petal sitting on his desk. Ianto is working late, and reports spotting odd weather patterns. Jack looks even more disturbed when he hears this.

A young girl, Jasmine Pierce, waits for her stepfather Roy to pick her up from school. However, Roy is running late, and Jasmine decides to walk home alone. She is followed by a man, Goodson, who drives up alongside her, trying to persuade her to get in his car. When she refuses, Goodson grabs her, but suddenly a wind kicks up, knocking him away. Jasmine watches, amused, as Goodson seeks refuge inside his car amid giggling and unearthly, ethereal voices. She skips away happily.

Jack takes Gwen to see an old friend who is giving a talk on fairies. It turns out to be Estelle, who shows first the famous Cottingley Fairies photographs, and then the out-of-focus photographs she took the previous night. Gwen scoffs, but Jack watches intently. After the talk, Jack greets Estelle warmly, and asks her about the photographs. The two disagree about the nature of fairies — Estelle believes there are good ones, while Jack thinks they are all evil. Gwen ventures that someone's good might be some else's evil and Estelle remarks that Jack's "father" used to say the same thing. The three go back to Estelle's house to see the rest of her photographs.

Meanwhile, Goodson wanders into Cardiff Market, haunted by laughter and the fluttering of wings. Something invisible attacks him, and he finds himself choking on rose petals. He runs to a nearby police officer, seeking help, and when he tries to force his way into her vehicle, she arrests him.

At Estelle's, Jack examines her photographs while Estelle puts her cat, Moses, out. Gwen spots a faded black and white picture of Jack, in uniform, on the mantle. Jack dismisses it as a picture of his father, who was involved with Estelle during the war before they lost touch. Gwen appears sceptical, however, and asks Estelle about Jack and his father, finding out that she has never met Jack and his father together, and that Jack contacted her just a few years before. Estelle remarks that Jack looks and acts exactly like his father. Jack comes out and asks Estelle to contact them immediately the next time she sees the creatures. He hugs her and gives her a kiss before he and Gwen leave.

Jack tells Gwen that the "fairies" do not really have a proper name. They are creatures from the dawn of time, not alien, but part of their world. Mankind has ascribed positive attributes to them, but they are dangerous, part myth, part spirit, part real all jumbled together, unbound by linear time.

Jasmine is back at home, and although Lynn, her mother, scolds her about walking home alone, Jasmine says that nothing can harm her. She goes to the bottom of the garden, among the trees, where she plays with her fairy friends.

At the hub, the team discuss fairies and the Cottingley Fairies pictures. Gwen is still sceptical, and points out that the Cottingley pictures were admitted hoaxes. Owen notes that Roundstone Woods has been considered bad luck for centuries, and Toshiko says she has had no reports of any sightings. Jack points out, however, that no technology of theirs can detect the creatures, but they play tricks with the weather. He asks Tosh to set up a programme to look for anomalous weather patterns.

Goodson is brought to the police station, ranting about something trying to kill him, and confesses to being a paedophile and demands to be locked up. He is placed in a cell. That evening, a monstrous fairy attacks him in his cell. He convulses and falls dead. When Tosh, Jack and Gwen arrive, they discover that Goodson died from asphyxiation, and Gwen pulls out rose petals from his throat.

Jack explains that the petals are the creatures' idea of fun, a warning to others that they protect their own: the Chosen Ones. They have to figure out who the fairies want, and he further adds they have control of the elements. At her house, Estelle hears a fluttering sound, and when she goes and checks, something stares at her from the bushes and her kitchen window shatters. She calls Jack on the telephone, but when she goes to find Moses, she finds herself locked out of her house. A sudden rainstorm occurs, pouring down at her exact position and nowhere else. By the time the Torchwood team arrive, Estelle has drowned, although the area around her is dry.

Seeing Jack's reaction to Estelle's death, Gwen deduces that it was not his father, but Jack himself who had a relationship with the old woman. Back at the Hub, Jack tells Gwen the story of how they met during the war. He also tells Gwen that he has seen the petals before, in Lahore in 1909. He had been in charge of a squad of men on a troop train. When they entered a tunnel, there was a fluttering of wings and everything went silent. When they emerged, only Jack was left alive, the others having choked on flower petals. A week before, some of the men had drunkenly run down a child in a village — a Chosen One.

Gwen returns home to find her flat ransacked, the floor strewn with branches, small stones arranged in a circle, and flower petals. Frightened, she calls Jack and demands to know what the Chosen Ones are. He tells her that the fairies were children once, taken from different points in time over millennia. They are now here to take their next Chosen One.

Jasmine goes to school, and is bullied by two girls. A sudden gale picks up, and sends the children running in a panic. The odd weather ends as quickly as it began, but is detected by Torchwood, and when they arrive, the children have been sent home. However, a teacher identifies Jasmine as the only girl who was unaffected by the wind.

Roy and Lynn are having their fifth anniversary party when Jasmine finds that Roy has erected a fence to keep her out of the back garden. When Jasmine protests, Roy tries to restrain her and gets bitten. He slaps her in response, and walks back to the party and Lynn. Roy is announcing their plans to have children of their own to the guests when there is a rumble in the heavens. This time, when the wind blows, the fairies show themselves in their monstrous forms, crashing through the fence and leaping down to attack Roy as Jasmine watches, smiling. The team arrives and rushes everyone else out. One fairy leaps on Roy, shoving its arm down his throat, drawing out his breath; another one attacks Jack, but Gwen shoves him aside and the fairy relents. The fairies return to the back garden, Jasmine following, as Roy lies dead, his mouth stuffed with petals.

Gwen and Jack follow Jasmine into the back garden. They try to persuade her to stay, and Jack tells the fairies to find someone else. The fairies reply that it is too late: the child belongs with them. If the humans force her to stay, many more people, potentially every living thing, will die. Jack realises that they mean to carry out this threat, and to Gwen's horror, seeks assurance that Jasmine will not be harmed. The fairies confirm this with the words, "We told you. She lives forever," and Jack agrees to let the fairies take Jasmine to save the world. Speaking with a fairy's voice, Jasmine thanks them and hops away, vanishing in the glow of her fairy friends. Lynn cries out as she sees her daughter leave and falls on Jack, weeping and beating his chest. Jack does not defend himself, but holds on to her and sorrowfully apologises. As the team leaves, they look at Jack accusingly. He asks them what else he could have done.

Back at the Hub, Gwen is sorting through the pictures in the case when a Cottingley Fairy photograph from 1917 appears on the board room monitor. Spotting something, she zooms in on the photograph until the face on one of the fairies becomes clearly visible. It is Jasmine, smiling out of the picture, frozen in mid-dance. As Gwen leaves, a fairy voice whispers:

"Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand."


Analysis by Cuisle

Evil fairies is not an entirely original idea. The short lived American series Poltergeist The Legacy did a very good episode featuring murderous ‘little people’. And Buffy had a few variations on the theme. But it is a broad enough topic to get a new facet of it from Torchwood.

This one had some surprises. First things first – all the new revelations about Jack Harkness. We’ve all been wondering about the nature of his immortality. Does he get old? Does his body repair when he is only wounded not fatally wounded? Last week he certainly seemed to bear the scars of his fight with the cyberwoman, to say nothing of his fight with Ianto. But his scars from living through the Indian War of 1909 and at least part of WWII (WWI inbetween?) are etched on his soul rather than his face. His relationship with Estelle in WWII is a bit of a puzzle. Did that happen during his time before he met The Doctor or afterwards? If so did Jack experience WWII twice? Fitting his timeline together is a bit of a conundrum. But one thing that seems clear, is that Jack is no coward. He has done his bit for his adopted country throughout, and is still serving it now in Torchwood. Good man.

Estelle was a beautifully drawn character, a slightly eccentric old lady with a heart of gold and a secret sadness – her lost love, Jack Harkness senior – well we all know better, of course. Jack’s obvious affection for her, incidentally, gives the lie to those critics who have accused him of having no range of emotion in his character. He looked happier in the earlier scenes, talking to her, than he had been seen yet in the series, and his grief when he held her body in his arms was very real.

As for the faeries, or whatever they are, the epithet ‘evil’ isn’t entirely correct. It is more the case that their morality is different to ours. They kill to protect their own – killing the soldiers in India out of revenge for the death of a chosen one, killing the pervert that tried to hurt the child, Jasmine, killing her stepfather who had bullied her. All of these actions could almost be justified. The pervert, especially, wouldn’t get much sympathy from many people. But when they turned on innocent people like Estelle, who had done nothing to them except stumble upon their lair, and Gwen who didn’t appear to have done anything at ALL to them, they showed a rather more callous nature.

One thing that marks Torchwood out from other science fiction on TV, especially American Science Fiction, is that it doesn’t reach a neat or predictable conclusion. Happy endings are NOT always going to happen. It didn’t in the pilot episode, with the surprise exit of Gwen. It DID in Day One with Carys returned to her normal life. The ending of Ghost Machine was very disturbing, likewise the end of Cyberwoman. But I think most people expected Jack to rescue the little girl and return her to her mother. That he chose to let her go with the ‘fairies’ in order to safeguard the whole planet from their vengeance was a difficult one but certainly NOT predictable. Yes, he probably made the right decision, but right decisions aren’t easy.

And then that last little sequence where Gwen, who, like most of us, KNEW that the Cottingley Fairies were fake, found that one of them was the spitting image of Jasmine. A nice little touch that makes us question what we believe to be real? Yes, I think so, though I can predict a few critics complaining about it as an unnecessary sequence.

Incidentally, they are very intellectual fairies. The poem they were quoting through the episode is W.B. Yeats’ ‘The Stolen Child’, published in 1889. The words seem curiously appropriate to the rather sad little girl, unwanted by her stepfather, bullied at school, portrayed in the episode.

The Stolen Child
W.B. Yeats

Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water-rats;
There we've hid our faery vats,
Full of berries
And of the reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses
The dim grey sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances,
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And is anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scarce could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping than you can understand.

Away with us he's going,
The solemn eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal-chest.
For he comes, the human child!
To the waters and the wild
With a faery, hand in hand,
From a world more full of weeping than he can understand