Original Transmission
Date 19th Nov 2006
Time 10:00pm
Duration 46'50"
Viewers 1.2m (3rd)
Audience App. 83%


Cast
Captain Jack Harkness John Barrowman
Gwen Cooper Eve Myles
Owen Harper Burn Gorman
Toshiko Sato Naoko Mori
Ianto Jones Gareth David-Lloyd
Rhys Williams Kai Owen
Evan Sherman Owen Teale
Helen Sherman Maxine Evans
Kieran Calum Callaghan
Huw Rhys op Trefor
Ellie Emily Bowker
Martin Robert Barton

Crew
Written by Chris Chibnall
Produced by Richard Stokes
Directed by Andy Goddard
Created by Russell T Davies
Co-Producer Chris Chibnall
1st Assistant Director Jon Williams
2nd Assistant Director James DeHavilland
3rd Assistant Director Rhian Salisbury
Runners Glen Coxon
Llywarch Davies Joney Lyons
Location Manager Paul Davies
Unit Manager Geraint Havard Jones
Production Co-ordinator Carmelina Palumbo
Production Secretary Margarita Felices
Script Secretaries Helen Pugsley Claire Thomas
Contracts Assistant Beth Britton
Continuity Llinos Wyn Jones
Script Editor Brian Minchin
Camera Operator Richard Mahoney
Focus Puller Alwyn Hughes
Camera Assistant Steve Davies
Grip Dai Hopkins
Boom Operator Tam Shoring
Gaffer George Vince
Best Boy Suzanne Sanders
Stunt Co-ordinator Tom Lucy
Chief Super Art Director Stephen Nicholas
Supervising Art Director Keith Dunne
Art Dept Prod Manager Jonathan Allison
Art Dept Ops Manager Adrian Anscombe
Art Dept Co-ordinator Matthew North
Standby Art Director Dafydd Shurmer
Standby Props Andy Harris
Standby Carpenter Will Pope
Standby Rigger Keith Freeman
Designer Kay Brown
Property Master Stuart Woodisse
Production Buyer Zoe Hewett
Props Chargehand Dewi Thomas
Props Fabrication Mngr Barry Jones
Specialist Props Maker Mark Cordory
Props Maker Nick Robatto
Construction Manager Matthew Hywel-Davies
Construction Chargehand Scott Fisher
Graphics BBC Wales Graphic Design
Costume Supervisor Charlotte Mitchell
Make-Up Supervisor Claire Pritchard
Make-Up Artists Sarah Astley-Hughes Kate Roberts
Casting Associate Andy Brierley
Assistant Editor Matt Mullins
Post Prod Supervisors Helen Vallis Chris Blatchford
Post Prod Co-ordinator Marie Brown
On-Line Editor Matthew Clarke
Colourist Mick Vincent
Dubbing Mixer Tim Ricketts
Supervising Sound Editor Doug Sinclair
Sound Editor Paul McFadden
Sound Effects Editor Howard Eaves
Casting Director Andy Pryor CDG
Production Accountant Ceri Tothill
Sound Recordists Dave Baumber Jeff Matthews
Costume Designer Ray Holman
Make-Up Designer Marie Doris
Music Murray Gold Ben Foster
Special Effects Any Effects
Prosthetics Neill Gorton Rob Mayor & Millennium Effects
Production Manager Marcus Prince
Editor Richard Cox
Production Designer Edward Thomas
Director of Photography Mark Waters
Associate Producer Terry Reeve
Production Executive Julie Scott
Assistant Producer Sophie Fante
Executive Producers Russell T Davies Julie Gardner

Plot Outline From Wikipedia

A young woman, Ellie Johnson, drives along a lonely road winding through the Brecon Beacons at night. She spots what appears to be a body in the road and stops, approaching it cautiously with a baseball bat. Discovering it is just a pile of clothes and a football arranged to look like a body, she retreats to her car, locking herself in, but finds her tyres flat and her car keys missing. The car remote activates, unlocking the doors, and a hooded figure reaches in and attacks her…

The Torchwood team drive their Range Rover SUV along the same country road as Owen complains about the countryside. They are investigating the disappearance of 17 people all within a 20-mile radius, with no apparent pattern as to why these people were taken. Gwen wonders if the Rift has spread out this far, and Jack admits that they do not know, especially since its activity is increasing all the time. Jack decides to begin where Ellie Johnson's mobile phone signal gave out, and tells the others to set up camp.

Owen continues complaining about having to rough it as the team sets up their tents, unaware that they are being watched. Gwen tries to lighten the mood by asking everyone who the last person they kissed was. Despite Gwen's warning look, Owen reveals that his last kiss was Gwen (in Cyberwoman), raising everyone's eyebrows. Tosh, whose last kiss was with Owen last Christmas, appears jealous and asks for details, but Gwen simply replies that it was "complicated". Jack asks if the last kiss includes non-humans, making the others squirm, and Gwen comments she never knows if Jack is joking. Ianto then breaks the mood by saying that his last kiss was Lisa. Gwen apologises for her insensitivity in bringing the subject up. Owen suggests going for firewood, and Gwen joins him.

As they walk through the woods, Gwen scolds Owen for revealing their kiss, but Owen retorts that he could tell that her sex life with Rhys is unexciting because Rhys is too familiar. Owen and she, on the other hand, are not cosy, which is why the sex would be amazing, and why Gwen denies their mutual attraction. Although angry, the two nearly get into a clinch before she spots a hooded figure watching them through the trees. They pull their pistols, but the figure gets away. Gwen then sees something on the ground, covered with canvas. It is a body, stripped of its skin and internal organs.

The team gathers around the carcass as Owen does his examination. He concludes that it is a male corpse, and was killed elsewhere before being dumped at that spot. As Jack notes that this does not look like the work of the Weevils, they hear the sound of the SUV starting up. By the time they reach the camp site, they see the SUV being driven away, wrecking their tents as it does so. Ianto tracks the SUV's signal to a small village three and a half miles west. Realising that the carcass was a decoy, and despite suspecting a trap waiting for them, Jack decides to go anyway.

The team come across a village with no apparent signs of life. Jack sends Tosh and Ianto to look for the SUV while the rest investigate the pub, which they find empty. Going into the back kitchen, Gwen finds another body, this one only partially stripped of flesh. Jack and Gwen go on to investigate the next house, finding another body. Gwen begins to get scared, and Jack suggests they go on to the other houses. Meanwhile, Tosh and Ianto come across a locked building, behind which they find game animals hanging on the side of the building and the trees. Ianto points out that the SUV is further up the hill, but turns back to find Tosh gone. When he searches for her, a hooded figure pushes him to the ground.

The next house is locked, and when Gwen yanks the door open, a shotgun blast catches her in the side. Jack rushes in to discover a frightened young man, Kieran, wielding the shotgun. Kieran says that he thought "they" had come back for him but despite Jack's questions, does not elaborate. Owen examines Gwen's wound and finds that, luckily, most of the pellets are lodged near the surface. Kieran babbles that "they" are not human, and are too strong to fight; the only way is to barricade the door. While Owen extracts the pellets, he worries about Tosh and Ianto, but Jack says they can take care of themselves — the four of them will make their stand in the pub.

Tosh and Ianto are locked in an underground room, with chains and hooks hanging from the walls. Tosh finds multiple pairs of shoes and empty clothes tucked into a corner. She then spies a refrigerator, and to her horror, finds that it contains human body parts. The two realise that they are not captives: they are food.

Jack and Owen barricade the doors of the pub while Gwen catalogues what they know about the killings. Owen still believes that the Rift has dumped some kind of alien psychopaths in the countryside. The lights go out as whatever is out there starts to try the doors. The door to the cellar opens, and Jack fires into the darkness. At the same time, Kieran exchanges gunfire with someone coming through the doors. As the others take cover from the gunfire, Kieran is dragged away. Despite Jack's protestations, Gwen insists on going after the others, and Owen follows. Jack goes to the cellar to see who he shot.

A middle-aged woman, Helen, comes through the reinforced door, holding a rifle on Tosh and Ianto. Appearing frightened, she asks about their well-being, and they tell Helen about the other three in the village. Apologising that she cannot help them, she says that she has been sent to collect the two, adding that no one is safe — every ten years, the "Harvest" takes them. Left with no choice, they follow her.

Jack finds a masked, wounded man wearing a hooded raincoat, and interrogates him. Martin laughs at Jack for his ignorance, but Jack warns him that in the past, he was a torturer. Jack applies pressure to Martin's wound, and he begins to talk. Meanwhile, Gwen and Owen encounter Huw, a policeman, who tells them there is a village meeting tonight, which is why he is here. The two spot a light, and head towards it, asking Huw to come along.

Tosh and Ianto are taken into a kitchen where they see body parts on the tables and plastic-wrapped torsos hanging from the ceiling. Tosh asks Helen if these "creatures" look like humans, and a man steps forward, asking, "How else're we gonna look?" As Helen laughs, the two now realise that the creatures are all too human: they are cannibals. The man, Evan, cuffs the two, and reveals that he has also caught Kieran. Ianto head butts Evan, allowing Tosh to escape the house into the woods. Evan pursues her and finally catches up. As he starts to choke the life out of her, Owen appears, holding a gun on Evan. However, Evan seems unperturbed and Huw reveals that he is Evan's nephew. The three Torchwood officers are captured and led back to the house. They find the "vanished" villagers all there and realise that the whole village is involved.

Just as Evan is about to bleed Ianto, Jack crashes through the door with a tractor. He emerges with a shotgun and with amazing precision, shoots and disables all of the villagers. Jack is about to execute Evan when Gwen tells him not to do it, because she needs to know the reason why the villagers have done this. Jack relents.

In the pub, Evan explains that the cannibalism is a tradition. Once every decade, they target travellers and butcher them. Gwen wants to understand why they do this, but Evan scoffs at her. However, he offers to tell her something if he can whisper it. She agrees, and he whispers in her ear, "'Cause it made me happy." Jack takes Evan outside to the waiting police, who are taking the rest of the village into custody. Gwen walks off, deeply shaken.

Later, Gwen stands in a bedroom wearing only a man's shirt. She says aloud that she had plans for a normal life, but then she met Torchwood. Her experiences with them have changed how she sees the world, but she cannot share it with anyone. Owen steps forward, undressed, telling her that she can, now, and they kiss passionately.


Analysis by Cuisle

Sometimes The Monsters Are Human. That was a phrase I used in my own Doctor Who stories from time to time, but it could have been a subtext for Countrycide. I was immediately struck by the way the team automatically assumed that the disappearance of 17 people in one area of Brecon was the work of aliens. It occurred to me early on that it doesn't need aliens to cause mayhem. The decoy 'body' with a football head was a Human touch, and a big clue to the viewers if not to the team.
The townies camping out in the country was an interesting touch. It was something of a works outing in a way. The 'joking' discussion of the latest 'snog' that turned into an emotional moment for Ianto was exactly the sort of awkwardness that results from people who work together spending social time together. And so was the very disturbing scene in the woods between Owen and Gwen. What did impress me was the way Owen reacted when Gwen said there was something behind them. Most men, surely, would think it was an excuse to get out of the impending snog. But he believed her and acted professionally. Owen is a strange mix. At times, such as the 'date rape' scene in episode one and this scene with Gwen he is an unlikeable sexual predator, but at other times he can be sensitive and caring. He was very much affected by the murder-rape scene in Ghost Machine and acted in a commendably sympathetic way, and later in this episode when Gwen was injured he was wonderful. This was the first time, really, that the fact that he IS a doctor really came across and he was efficient and capable as well as understanding of her pain as he removed the pellets from her side. The joke about 'feeling a little prick' was a nice touch and not at all salacious.

Ianto on field work is a new feature in this story. He comes across quite well. In the scene where he takes a beating in order to give Tosh a chance to escape he shows courage as well as chivalry. Ianto clearly seems to be the least experienced in field work. Even Gwen is a trained police officer even if her experiences before Torchwood had been more mundane. But Ianto is something of a desk sergeant, manning the front office, making coffee and picking up take aways. But he shows a lot of initiative in this first outing. Well deserved credit to the shaping of his character.

Another strange hint of Jack's background was revealed when he got hold of one of the cannibals and talks about being very good at torture. We could speculate forever about how and when and why he got good at torture.
So, some strange, disturbing, and interesting character development set against a Welsh valley version of Deliverance meets Texas Chainsaw Massacre meets Silence of the Lambs and a few dozen other similar genre stories. And perhaps it was worth making the point - Sometimes The Monsters Are Human. But there was something not quite there about the story. I just can't quite put my finger on it, but I think Countrycide will be the episode that WON'T be voted favourite episode by many people.

And as for Gwen sleeping with Owen, lets just not go there. Her motives made a kind of sense. It is obvious her relationship with Rhys is just run of the mill verging on boring. And the hint of excitement is tempting. So is the need to be with somebody who understands all she has experienced with Torchwood. But even in ordinary offices that kind of fling is dangerous. What could it mean for a team like theirs? A BAD idea from every point of view.