Original Transmission
Date 3rd Dec 2006
Time 10:00pm
Duration 52'43"
Viewers 1.1m (2nd)
Audience App. 85%

Cast
Captain Jack Harkness John Barrowman
Gwen Cooper Eve Myles
Owen Harper Burn Gorman
Toshiko Sato Naoko Mori
Ianto Jones Gareth David-Lloyd
Suzie Indira Varma
Swanson Yasmin Bannerman
Alex Arwyn Daniel Llewellyn-Williams
Mark Brisco Gary Pillai
Max - Shend
Suzie's Father Badi Uzzaman


Crew
Written by Paul Tomalin & Daniel McCulloch
Produced by Richard Stokes
Directed by James Strong
Created by Russell T Davies
Co-Producer Chris Chibnall
1st Assistant Director Nick Brown
2nd Assistant Director Guy de Glanville
3rd Assistant Director Rhian Salisbury
Runners Glen Coxon Llywarch Davies
Location Manager Paul Davies
Location Scouts Nicky James Christian Reynish
Unit Manager Geraint Havard Jones
Production Co-ordinator Carmelina Palumbo
Asst Prod Co-ordinator Kate Powell
Production Secretary Margarita Felices
Script Secretaries Helen Pugsley Claire Thomas
Accounts Assistants Debi Griffiths Beth Britton Kath Blackman
Continuity Llinos Wyn Jones
Script Editor Brian Minchin
Camera Operator Gareth Hughes
Focus Puller Duncan Fowlie
Camera Assistant Mani Blaxter Paliwala
Grip Dai Hopkins
Boom Operator Jeff Welch
Gaffer Dave Fowler
Best Boy Steve Slocombe
Stunt Co-ordinator Tom Lucy
Chief Super Art Director Stephen Nicholas
Supervising Art Director Keith Dunne
Art Dep Prod Manager Jonathan Marquand Allison
Art Dep Op Manager Adrian Anscombe
Associate Designer Matthew Savage
Art Dep Co-ordinator Matthew North
Design Assistants Ben Austin Al Roberts
Standby Art Director Dafydd Shurmer
Standby Props Brian Patrick Henry
Standby Carpenter Will Pope
Standby Rigger Keith Freeman
Concept Artists Ian Bunting Peter McKinstry
Designer Julian Luxton
Property Master Nick Thomas
Production Buyer Ben Morris
Props Storeman Charlie Malik
Specialist Props Maker Mark Cordory
Props Maker Penny Howarth
Construction Manager Matthew Hywel-Davies
Construction Chargehand Scott Fisher
Graphics BBC Wales Graphic Design
Costume Supervisor Charlotte Mitchell
Costume Assistants Bobby Peach Sarah Morgan
Make-Up Supervisor Claire Pritchard
Make-Up Artists Sarah Astley-Hughes Kate Roberts
Casting Associate Andy Brierley
Assistant Editor Matt Mullins
Post Prod Supervisors Helen Vallis Chris Blatchford
Post Prod Co-ordinator Marie Brown
On Line Editor Matthew Clarke
Colourist Mick Vincent
Dubbing Mixer Tom Ricketts
Supervising Sound Editor Doug Sinclair
Sound Editor Paul McFadden
Sound FX Editor Howard Eaves
Senior Prod Accountant Endaf Emyr Williams
Casting Director Andy Pryor CDG
Production Accountant Ceri Tothill
Sound Recordist Jeff Matthews
Costume Designer Ray Holman
Make-Up Designer Marie Doris
Music Murray Gold Ben Foster
Visual Effects The Mill
Visual Effects Producers Will Cohen
Marie Jones Visual FX Supervisor
Dave Houghton On-Set Visual FX Supervisor
Barney Curnow Prosthetics
Neill Gorton & Millennium Effects
Production Managers Debbi Slater Marcus Prince
Editor Mike Jones
Production Designer Edward Thomas
Director of Photography Mark Waters
Associate Producer Terry Reeve
Production Executive Julie Scott
Assistant Producer Sophie Fante
Executive Producers Russell T Davies Julie Gardner


Plot Outline From Wikipedia

The Torchwood team arrive at a suburban house, cordoned off by police as a crime scene. The detective in charge, Kathy Swanson, seems none too pleased by Torchwood's freedom to go wherever they please. There has been a double murder: the occupants of the house, the Briscoes, are in bed with their throats brutally slashed. A similar murder, that of Alex Arwyn, happened the day before. However, there is an added detail: the word TORCHWOOD written on the wall in blood…

There appears to be no connection between the murder victims. Tosh completes a DNA analysis on a sample of the killer's hair left at the scene and finds it contains compound "B67", which Owen identifies as "Retcon", the active ingredient used in the amnesia pill. Back at the Hub, the team conclude that the killer is someone they gave the amnesia pill to. If the pill causes psychosis, any one or more of the 2008 people who have been given Retcon could snap. Gwen suggests finding the link between the murders by using the Resurrection Gauntlet to ask the victims themselves. Despite Owen's misgivings due to what it did to Suzie Costello, Jack relents after Gwen points out that the murders are happening because of Torchwood.

Jack tries to use the glove on Alex, but to no avail. Everyone else is reluctant to use the glove as they have tried it before, all except Gwen. The glove responds to her, and Alex briefly comes back to life, but gives no useful information before he dies again. Their second try, on Mark Briscoe, yields the fact that their attacker was a man named "Max" who went to something called "Pilgrim". Jack presses Mark for more, and Mark reveals that Max knew someone else from the group better: "Suzie".

Tosh digs up information on Pilgrim, a religious support group run by Mark's wife Sarah. The team go to the lock up where Suzie's belongings are kept, according to Torchwood rules. Among the boxes are a book of Emily Dickinson poems, and a Pilgrim flyer. Jack decides that it is time that Suzie came back.

Suzie's body is retrieved from cryo-storage and laid out on an autopsy table. Gwen's first attempt with the glove only gives flashes of Suzie's last moments. Tosh observes that the glove worked better when the alien knife was used to kill the victims. Jack cuts Suzie with the knife, but does not get a response until he stabs her in the chest with it. Suzie jerks back to life, furious that she has been brought back and that Gwen, of all people, is using the glove. Jack questions her about the Retcon pill and Max, but time starts to run out. Gwen tries to keep the connection open, but Suzie apparently dies again, and Gwen collapses. However, Ianto notes that even with the knife in her chest, Suzie is simply unconscious.

Jack questions Suzie, telling her it has been three months since her suicide. There is an entry wound beneath her chin and a larger exit wound at the back of her head. Suzie bitterly notes that not only has she been replaced, but the rest of the team are unwilling to face her. As Jack shows Suzie the photos of Pilgrim members, she points out one of them is missing: Lucy McKenzie, a blonde student who works at the Wolf Bar. Jack, Owen and Gwen go to the bar, keeping an eye out for Lucy as well as Max. Suzie and Tosh watch through a live video feed. Owen thinks he spots Max, but it turns out to be the wrong man. Suzie then sees the real Max with a knife and warns Gwen, just as Jack hits Max with a stun gun. Gwen thanks Suzie for saving her life.

Imprisoned at the Hub, Max is catatonic, except that saying the word "Torchwood" sends him into a rage for ten seconds. Jack questions Suzie about Max, finding out that she gave him Retcon once a week over two years, so she could have someone to talk to. Later, Gwen and Suzie talk alone. Suzie says that Gwen is better than she ever was in all respects, even at using the glove. Gwen has also replaced her in everything — including sleeping with Owen. As the two bond over their work at Torchwood, Suzie reveals that her father is dying of cancer and wishes she could see him. Gwen confronts Jack, blaming him for giving Suzie the glove when she had a dying father; of course she would become obsessed. Jack counters by telling Gwen that she felt so responsible for Suzie dying when she joined that Gwen brought her back to life permanently. They are both responsible.

Owen calls Jack away to show him an analysis of the images captured when Gwen used the glove. Life energy flowed from Gwen into the subjects, only to be stopped when the subject died again. However, in Suzie's case, the energy flow is continuing and draining the life out of Gwen so that Suzie can live. Jack decides the only way to save Gwen is to kill Suzie, but when he goes to check on them, they are both missing. Tosh picks them up at Gwen's car, but before the team can stop them, the Hub goes into lockdown, sealing them in. Gwen and Suzie drive off.

Wondering how Suzie managed to trigger a lockdown without having access to the computer, Jack and Owen find Max rocking himself in his cell, reciting the first line to Emily Dickinson's "Because I would not stop for death" over and over again. Jack theorises that the repeated line is a spoken command to the Hub's organic computer, long programmed into Max. Suzie had planned this all along: If she did not see Max for three months, Max's programming would send him on a murder spree and cause the team to eventually resurrect her. Max is a Trojan horse, set to shut down the Hub at an opportune time for Suzie to escape.

Gwen drives Suzie towards the hospital where Suzie's father is. Gwen asks Suzie about life after death, and Suzie tells her that there was nothing; only a darkness that seemed to envelop everything. However, she adds cryptically that there was something moving through the darkness. Gwen looks more and more haggard and tired.

Ianto manages to get an outside line by using the water tower of the Hub as a relay. Jack calls Kathy Swanson for help, who is amused to hear that the "mighty" Torchwood is trapped in their own base. Jack tells her that a team member is in danger, and Swanson agrees to help by getting a copy of the same book of poems they found at Suzie's lock up. Reading out lines from the poems is ineffective in reversing the lockdown, until Tosh suggests using the ISBN of the book. Although Jack points out that the keyboards are not working, Tosh tells him that the membrane of the organic computer beneath may still respond to the code. Entering the ISBN into the computer restores power to the Hub.

Inside Suzie's father's hospital room, Gwen staggers, finding blood at the back of her head. Suzie coldly states that Gwen is dying slowly from the gunshot wound that killed her the first time; Suzie's own wounds are healing and almost gone. Suzie goes over to her father's bed and wakes him. As he looks up at her in shock, Suzie pulls out his ventilator, causing him to gasp for air. Suzie takes Gwen away in a wheelchair as her father dies.

The team are tracking Gwen's car, with Jack and Owen in pursuit in the SUV. Suzie, while driving, calls Jack, who pleads with her for Gwen's life. Suzie apologises, but since life is all there is, she intends to continue living no matter the cost. Suzie and Gwen reach Hedley Point, where she intends to take the two of them onto a ferry to the outer islands, to keep running. Suzie drags Gwen down the pier, but Gwen collapses halfway at the same time Jack and Owen pull up. Suzie runs, with Jack in pursuit and Owen checking on Gwen, who appears not to be breathing.

At the end of the pier, Jack holds his revolver on Suzie, who taunts him, confident that he will not kill her since all that is left of Gwen is inside her. Jack proves otherwise by shooting Suzie in the chest. However, Gwen remains still while Suzie continues to live on, despite several more shots. Jack orders Tosh to destroy the glove. Suzie, laughing, tells Jack a secret: there is something moving in the darkness — and it is coming for him. Tosh destroys the gauntlet; Suzie cries out, her body jerking once, then falls motionless as Gwen gasps back to life.

Back at the Hub, Gwen seems recovered, and Jack and Ianto place Suzie's body back in storage. Ianto hints to Jack that he wants to spend time alone with him, and Jack asks Ianto to meet him at his office in ten minutes. Ianto wonders what he should put as Suzie's cause of death, given the number of ways she died, and Jack tells him to classify it as "Death by Torchwood". Ianto adds that he is thinking of placing a lock to prevent Suzie from coming back. Jack does not think that will happen, but as he turns to leave, Ianto points out that the thing about gloves is that they come in pairs…


Analysis by Cuisle

So what CAN two men do alone with a stopwatch? There HAS to be a sexual innuendo in that, but nobody I know can work it out.

And it is not the only question that arises from this episode. The serious question at the heart of it is the nature of life and death. An important sub-text is the question of what is there after death. In episode one we were told there is nothing. Suzie in this story hints that there is something, and that it is frightening.

Which in itself makes Jack’s mercy killing of her less merciful. Of course she had to die. Because she was deliberately and cynically killing Gwen in order to live a life she had no right to. But whether her death meant peace for her soul is an uneasy and unanswered question.

Kudos must go to the make up department for the way they first show us Suzie as an animated corpse with the entry hole under her neck and the huge exit wound in the back of her head, showing brain tissue. That in itself was impressive enough but the way they gradually showed Suzie reviving and Gwen dying was phenomenal. Sadly that kind of detail will be lost by the sort of critics who have set out from the start to do down Torchwood. They will miss that kind of genius that went into the episode.
It has been said that Jack was too trigger happy in his despatching of Suzie. Well, I keep forgetting to count the bullets to see if he shot off more than six from his old style revolver. But I don’t think he did take pleasure in it. I think he would have made it quick and easy for her if he could. But it wasn’t happening.

Relationships are complicated on this programme. Ianto and Jack seemed to have something happening at the end. Meanwhile Owen and Gwen seem to have settled down into something interesting. When he and Jack caught up to Gwen and Suzie on the pier he was tenderly concerned for Gwen. I think he would have been just as concerned for Tosh, as a friend and colleague, but it was all the more poignant because of their history.

Mention must be made, of course, of Yasmin Bannerman’s performance as Detective Swanson. Yes, this is the same lady who played Jabe the tree lady in Doctor Who’s End of The World. When she invited her police colleagues to share in the schadenfreude moment of hearing that Torchwood were locked in their own base was just the light moment this dark story needed.

But I still don’t get any innocent or non-innocent amusement that two men can get out of a stopwatch.