DAY THREE

Original Transmission
Episode 3
Date 8th Jul 2009
Time 9.00pm
Duration 58'38"
Viewers 6.4m (14th)
Audience App. 90%

Cast

Captain Jack John Barrowman
Gwen Cooper Eve Myles
Ianto Jones Gareth David-Lloyd
Rhys Williams Kai Owen
John Frobisher Peter Capaldi
Clement McDonald Paul Copley
Brian Green Nicholas Farrell
Bridget Spears Susan Brown
Alice Carter Lucy Cohu
Mr Dekker Ian Gelder
Lois Habiba Cush Jumbo
Johnson Liz May Brice
Colonel Oduya Charles Abomeli
Rupesh Patanjali Rik Makarem
Rhiannon Davies Katy Wix
Johnny Davies Rhodri Lewis
Anna Frobisher Hillary Maclean
Nurse Anna Lawson
Parliamentary Secretary Rachel Ferjani
Press Officer Christopher James
Water Taxi Man Phylip Harries
Operative Ben Lloyd-Holmes
David Davies Luke Perry
Mica Davies Aimee Davies
Steven Carter Bear McCausland
Holly Frobisher Julia Joyce
Lilly Frobisher Madeleine Rakic-Platt
Young Clem Gregory Ferguson
Mothers Crisian Emmanuel Melanie Barker Fay McDonald Rhiannon Oliver
Father Scott Bailey
PC Andy Tom Price
456 Voice Simon Poland
Recovery Worker Ashley Hunt
Kodak Osi Okerafor
Paramedic Emmanuel Ighadaro
Sentry Robert Shelly
Guard Quill Roberts
Newsreader Louise Minchin
Barmaid Libby Liburd
GeneralPierce Colin McFarlane
Sandwich Shop Man Patrice Etienne
French Newsreader Anthony Debaeck
Trinity Wells Lachele Carl
Denise Riley Deborah Finlay
Rick Yates Nicholas Briggs
Defence Secretary Patric Naiambana
Venessa Sophie Hunter
Female Teacher Lorna Bennett



Crew

Written by Russell T Davies (episodes 1, 3, 5)
John Fay (episodes 2, 4) James Moran (episode 3)
Directed by Euros Lyn
Produced by Peter Bennett
Production Manager Steffan Morris
1st Assistant Director Rhidian Evans
2nd Assistant Director James DeHaviland
3rd Assistant Director David Chalstrey
Location Manager Nicky James
Assistant Location Manager Gareth Skelding
Unit Manager Rhys Griffiths
Production Co-ordinator Claire Rutteman
Production Secretary Claire Thomas
Runners Tom Evans Alison Jones Susi Sharma
Drivers Sean Evans Wynford Finney
Assistant Production Accountant Carole Wakefield
Continuity Non Eleri Hughes
Camera Operators James Leigh Alwyn Hughes
Focus Puller Steve Rees Jamie Southcott
Grip Clive Baldwin
Camera Assistant Tom Hartley Jon Vidgen
Boom Operator Jeff Welch
Sound Assistant Bryn Thomas
Gaffer Mark Hutchings
Best Boy Steve Slocombe


Electricians Ben Griffiths Jonathan Cox Gareth Williams
Stunt Co-ordinator Tom Lucy
Supervising Art Director Stephen Nicholas
Standby Art Director Arwel Wyn Jones
Standby Props Phill Shellard Jackson Pope
Standby Carpenter Will Pope
Rigger Keith Freeman
Props Master Stuart Wooddisse
Set Decorator Julian Luxton
Construction Manager Matthew Hywel-Davies
Graphics BBC Wales Graphic Design
Costume Supervisor Lindsay Bonaccorsi
Costume Assistants Sara Morgan Gemma Evans
Make-up Supervisor Abi Brotherton
Make-Up Artists Nel Blatt Hannah Proverbs
Casting Associate Andy Brierley
Asistant Editor Carmen Sanchez Roberts
Post Production Supervisors Helen Vallis Chris Blatchford
Online Editor Geraint Pari Huws
Colourist Jon Everett
Dubbing Mixer Tim Ricketts
Sound Supervisor Doug Sinclair
Sound Effects Editor Howard Eaves
Sound Editor Matt Cox
Casting Director Andy Pryor CDG
Production Accountant Ceri Tothill
Sound Recordist Julian Howarth
Costume Designer Ray Holman
Make-up Designer Marie Doris
Title Music Murray Gold
Composer Ben Foster
Visual Effects The Mill
Special Effects Any Effects
Prosthetics Millennium FX
Editor William Oswald
Production Designer Edward Thomas
Director of Photography Rory Taylor
Assistant Producer Brian Minchin
Production Executive Julie Scott
Associate Producer Catrin Lewis Defis
Executive Producers Russell T Davies Julie Gardner

Plot Outline from Wikipedia

The team sets up base at the remains of what had been a Torchwood One warehouse in London, furnishing it with stolen laptops and other hardware bought with stolen credit cards. In researching the people targeted for assassination, Jack recognises them and leaves the base in a hurry. At the same time Alice contacts the police in an attempt to discover if her father is alive which alerts Agent Johnson to her identity. As Johnson and her soldiers arrive to take Alice and her son hostage, Steven joins every other child in the world in pointing to the centre of London — the 456 have arrived.

A member or members of the 456 race enters the enclosed tank, through a column of light, with the gases masking its form and a built in speaker translating its words into English. At Frobisher's request, the 456 agrees to hide the knowledge of the species's previous meeting with Britain's rulers and to talk with an ambassador.

Meeting again at the cafe with Lois, Gwen recruits her to use hidden cameras inside a pair of contact lenses in order to report on Frobisher's communication with the 456. Gwen then bails Clement from a local police station. In a meeting with representatives from the US military and UNIT, the prime minister makes Frobisher a scapegoat ambassador to the 456. As he prepares for his first official meeting with the alien, he is called by Jack using his wife's stolen mobile phone. Jack demands answers under threat of going public with the knowledge of the first contact with the 456. Frobisher tells him that his daughter and grandson are held hostage and will be killed should he act.

Frobisher begins diplomatic talks with the 456, with Torchwood watching by way of Lois's contact lens camera. Although the creature appears to mock him, it keeps to its agreement by refusing to say why the 456 are in Britain. The 456 then demand a gift: 10% of Earth's children. Back at base, Jack returns and is recognised by Clement as the man who in 1965 gave 12 children to the 456, "as a gift."

Analysis by Cuisle

The pace slowed down a bit in this episode. It had to in order to get a heck of a lot of information across. So there is no point in the begrudgers on various half-baked science fiction blog websites moaning because there wasn’t as much high-adrenaline action as the last two episodes.

Nor am I particularly sympathetic to the complaints of those who didn’t like the moment when Captain Jack came ‘back’ in his full five inch action figure outfit, complete with RAF coat. Apparently that whole ensemble can be bought in any army surplus store. I was almost tempted to find out this morning. Anyway, even if it did slow down the plot, this moment was necessary. We had to know that Captain Jack was himself again. It was a morale boost not only for his team, but for his fans after the trauma of Tuesday. It was a moment much like when The Doctor in his pyjamas stepped out of the TARDIS in the Christmas Invasion. And we needed it.

The convolutions of Mr Frobisher, the government and the 456 were hard going, it must be admitted. And just what sort of aliens they are, I’m not even going to speculate. My other half reckons it’s the Macra, and that’s actually a more intelligent guess than the ‘Ambassadors of Death’ suggested by one website. Presumably all will be revealed very soon.

I noticed a newspaper article that criticised John Barrowman’s acting. There seems to be two distinct camps among television watchers. Those who like John Barrowman and those who don’t. There is also a nasty little subset who just hate that he’s gay, and I’ll ignore them altogether. The ones who don’t like him are never going to admit that he is a good actor. They will never look at the scene where he realised the 456 were connected to something he did over forty years ago, seeing the acting he did with his eyes and facial muscles, and realise how wrong they are. This was possibly his finest moment in the whole series, and he did it well. So begrudgers just to on back to ITV and leave something as sophisticated as Torchwood alone.

Peter Capaldi as Mr Frobisher is playing a blinder. I am still not sure if he is going to ultimately turn out to be a good guy after all. I think it is just possible he will. Some of his dialogue in this episode was dull stuff. But he is playing a Home Office civil servant. They are meant to be dull, even in the presence of aliens. He’s doing it right. And, frankly, if anyone hasn’t got the attention span to cope with his parts of the episode, then sorry, but it’s your problem. Sit still, sit quiet and pay attention and it will all make sense.

Lois is still coming along nicely as a Torchwood ally. U.N.I.T., which always used to be friendly to British interests under the old Brigadier, seem to be turning into tools of the ‘furious’ American President. They’re no help to anyone. Bear in mind, this series was made in August/September 2008, a couple of months before Obama took office. It’s possible that British relations with the USA in Torchwood and Doctor Who might soften in future. But this is a last reminder of how Russell T. Davies thinks about Bush-led American politics.

The biggest shock, of course, is that Jack was involved in the handing over of the children to the aliens in 1965. Actually, it’s probably not really a shock. I was starting to suspect as much. Why else did they want him dead? But it does feel slightly wrong that Jack Harkness did something so morally repugnant in his past. Gwen and Ianto both looked as if their faith in him was shaken. I hope they get it back.


 

 

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